6338 lines
281 KiB
Plaintext
6338 lines
281 KiB
Plaintext
The Project Gutenberg EBook of The Invisible Man, by H.G. Wells
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#23 in our series by H.G. Wells
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**Welcome To The World of Free Plain Vanilla Electronic Texts**
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**eBooks Readable By Both Humans and By Computers, Since 1971**
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*****These eBooks Were Prepared By Thousands of Volunteers!*****
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Title: The Invisible Man
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Author: H.G. Wells
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Release Date: March, 2004 [EBook #5230]
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[Yes, we are more than one year ahead of schedule]
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[This file was first posted on June 9, 2002]
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Edition: 10
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Language: English
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Character set encoding: ASCII
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*** START OF THE PROJECT GUTENBERG EBOOK THE INVISIBLE MAN ***
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Produced by Andrew Sly Andrew Sly <wu081@victoria.tc.ca>
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The Invisible Man
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A Grotesque Romance
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By H.G. Wells
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CONTENTS
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I The strange Man's Arrival
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II Mr. Teddy Henfrey's first Impressions
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III The thousand and one Bottles
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IV Mr. Cuss interviews the Stranger
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V The Burglary at the Vicarage
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VI The Furniture that went mad
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VII The Unveiling of the Stranger
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VIII In Transit
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IX Mr. Thomas Marvel
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X Mr. Marvel's Visit to Iping
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XI In the "Coach and Horses"
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XII The invisible Man loses his Temper
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XIII Mr. Marvel discusses his Resignation
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XIV At Port Stowe
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XV The Man who was running
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XVI In the "Jolly Cricketers"
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XVII Dr. Kemp's Visitor
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XVIII The invisible Man sleeps
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XIX Certain first Principles
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XX At the House in Great Portland Street
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XXI In Oxford Street
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XXII In the Emporium
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XXIII In Drury Lane
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XXIV The Plan that failed
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XXV The Hunting of the invisible Man
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XXVI The Wicksteed Murder
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XXVII The Siege of Kemp's House
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XXVIII The Hunter hunted
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The Epilogue
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CHAPTER I
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THE STRANGE MAN'S ARRIVAL
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The stranger came early in February, one wintry day, through a
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biting wind and a driving snow, the last snowfall of the year, over
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the down, walking from Bramblehurst railway station, and carrying a
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little black portmanteau in his thickly gloved hand. He was wrapped
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up from head to foot, and the brim of his soft felt hat hid every
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inch of his face but the shiny tip of his nose; the snow had piled
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itself against his shoulders and chest, and added a white crest to
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the burden he carried. He staggered into the "Coach and Horses" more
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dead than alive, and flung his portmanteau down. "A fire," he cried,
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"in the name of human charity! A room and a fire!" He stamped and
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shook the snow from off himself in the bar, and followed Mrs. Hall
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into her guest parlour to strike his bargain. And with that much
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introduction, that and a couple of sovereigns flung upon the table,
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he took up his quarters in the inn.
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Mrs. Hall lit the fire and left him there while she went to prepare
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him a meal with her own hands. A guest to stop at Iping in the
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wintertime was an unheard-of piece of luck, let alone a guest who
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was no "haggler," and she was resolved to show herself worthy of her
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good fortune. As soon as the bacon was well under way, and Millie,
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her lymphatic aid, had been brisked up a bit by a few deftly chosen
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expressions of contempt, she carried the cloth, plates, and glasses
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into the parlour and began to lay them with the utmost eclat.
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Although the fire was burning up briskly, she was surprised to see
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that her visitor still wore his hat and coat, standing with his back
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to her and staring out of the window at the falling snow in the yard.
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His gloved hands were clasped behind him, and he seemed to be lost
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in thought. She noticed that the melting snow that still sprinkled
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his shoulders dripped upon her carpet. "Can I take your hat and coat,
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sir?" she said, "and give them a good dry in the kitchen?"
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"No," he said without turning.
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She was not sure she had heard him, and was about to repeat her
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question.
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He turned his head and looked at her over his shoulder. "I prefer to
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keep them on," he said with emphasis, and she noticed that he wore
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big blue spectacles with sidelights, and had a bush side-whisker
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over his coat-collar that completely hid his cheeks and face.
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"Very well, sir," she said. "_As_ you like. In a bit the room will
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be warmer."
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He made no answer, and had turned his face away from her again, and
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Mrs. Hall, feeling that her conversational advances were ill-timed,
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laid the rest of the table things in a quick staccato and whisked
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out of the room. When she returned he was still standing there, like
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a man of stone, his back hunched, his collar turned up, his dripping
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hat-brim turned down, hiding his face and ears completely. She put
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down the eggs and bacon with considerable emphasis, and called
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rather than said to him, "Your lunch is served, sir."
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"Thank you," he said at the same time, and did not stir until she
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was closing the door. Then he swung round and approached the table
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with a certain eager quickness.
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As she went behind the bar to the kitchen she heard a sound repeated
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at regular intervals. Chirk, chirk, chirk, it went, the sound of a
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spoon being rapidly whisked round a basin. "That girl!" she said.
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"There! I clean forgot it. It's her being so long!" And while she
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herself finished mixing the mustard, she gave Millie a few verbal
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stabs for her excessive slowness. She had cooked the ham and eggs,
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laid the table, and done everything, while Millie (help indeed!) had
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only succeeded in delaying the mustard. And him a new guest and
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wanting to stay! Then she filled the mustard pot, and, putting it
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with a certain stateliness upon a gold and black tea-tray, carried
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it into the parlour.
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She rapped and entered promptly. As she did so her visitor moved
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quickly, so that she got but a glimpse of a white object disappearing
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behind the table. It would seem he was picking something from the
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floor. She rapped down the mustard pot on the table, and then she
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noticed the overcoat and hat had been taken off and put over a chair
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in front of the fire, and a pair of wet boots threatened rust to her
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steel fender. She went to these things resolutely. "I suppose I may
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have them to dry now," she said in a voice that brooked no denial.
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"Leave the hat," said her visitor, in a muffled voice, and turning
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she saw he had raised his head and was sitting and looking at her.
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For a moment she stood gaping at him, too surprised to speak.
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He held a white cloth--it was a serviette he had brought with
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him--over the lower part of his face, so that his mouth and jaws
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were completely hidden, and that was the reason of his muffled
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voice. But it was not that which startled Mrs. Hall. It was the fact
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that all his forehead above his blue glasses was covered by a white
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bandage, and that another covered his ears, leaving not a scrap of
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his face exposed excepting only his pink, peaked nose. It was bright,
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pink, and shiny just as it had been at first. He wore a dark-brown
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velvet jacket with a high, black, linen-lined collar turned up about
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his neck. The thick black hair, escaping as it could below and
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between the cross bandages, projected in curious tails and horns,
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giving him the strangest appearance conceivable. This muffled and
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bandaged head was so unlike what she had anticipated, that for a
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moment she was rigid.
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He did not remove the serviette, but remained holding it, as she
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saw now, with a brown gloved hand, and regarding her with his
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inscrutable blue glasses. "Leave the hat," he said, speaking very
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distinctly through the white cloth.
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Her nerves began to recover from the shock they had received. She
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placed the hat on the chair again by the fire. "I didn't know, sir,"
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she began, "that--" and she stopped embarrassed.
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"Thank you," he said drily, glancing from her to the door and then
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at her again.
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"I'll have them nicely dried, sir, at once," she said, and carried
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his clothes out of the room. She glanced at his white-swathed head
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and blue goggles again as she was going out of the door; but his
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napkin was still in front of his face. She shivered a little as she
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closed the door behind her, and her face was eloquent of her surprise
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and perplexity. "I never," she whispered. "There!" She went quite
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softly to the kitchen, and was too preoccupied to ask Millie what
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she was messing about with now, when she got there.
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The visitor sat and listened to her retreating feet. He glanced
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inquiringly at the window before he removed his serviette, and
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resumed his meal. He took a mouthful, glanced suspiciously at the
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window, took another mouthful, then rose and, taking the serviette
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in his hand, walked across the room and pulled the blind down to
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the top of the white muslin that obscured the lower panes. This
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left the room in a twilight. This done, he returned with an easier
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air to the table and his meal.
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"The poor soul's had an accident or an op'ration or somethin'," said
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Mrs. Hall. "What a turn them bandages did give me, to be sure!"
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She put on some more coal, unfolded the clothes-horse, and extended
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the traveller's coat upon this. "And they goggles! Why, he looked
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more like a divin' helmet than a human man!" She hung his muffler
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on a corner of the horse. "And holding that handkercheif over his
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mouth all the time. Talkin' through it! ... Perhaps his mouth was
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hurt too--maybe."
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She turned round, as one who suddenly remembers. "Bless my soul
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alive!" she said, going off at a tangent; "ain't you done them
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taters _yet_, Millie?"
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When Mrs. Hall went to clear away the stranger's lunch, her idea
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that his mouth must also have been cut or disfigured in the accident
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she supposed him to have suffered, was confirmed, for he was smoking
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a pipe, and all the time that she was in the room he never loosened
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the silk muffler he had wrapped round the lower part of his face to
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put the mouthpiece to his lips. Yet it was not forgetfulness, for
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she saw he glanced at it as it smouldered out. He sat in the corner
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with his back to the window-blind and spoke now, having eaten and
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drunk and being comfortably warmed through, with less aggressive
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brevity than before. The reflection of the fire lent a kind of red
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animation to his big spectacles they had lacked hitherto.
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"I have some luggage," he said, "at Bramblehurst station," and he
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asked her how he could have it sent. He bowed his bandaged head
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quite politely in acknowledgment of her explanation. "To-morrow?" he
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said. "There is no speedier delivery?" and seemed quite disappointed
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when she answered, "No." Was she quite sure? No man with a trap who
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would go over?
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Mrs. Hall, nothing loath, answered his questions and developed a
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conversation. "It's a steep road by the down, sir," she said in
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answer to the question about a trap; and then, snatching at an
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opening, said, "It was there a carriage was upsettled, a year ago
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and more. A gentleman killed, besides his coachman. Accidents, sir,
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happen in a moment, don't they?"
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But the visitor was not to be drawn so easily. "They do," he said
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through his muffler, eyeing her quietly through his impenetrable
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glasses.
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"But they take long enough to get well, don't they? ... There was
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my sister's son, Tom, jest cut his arm with a scythe, tumbled on it
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in the 'ayfield, and, bless me! he was three months tied up sir.
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You'd hardly believe it. It's regular given me a dread of a scythe,
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sir."
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"I can quite understand that," said the visitor.
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"He was afraid, one time, that he'd have to have an op'ration--he
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was that bad, sir."
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The visitor laughed abruptly, a bark of a laugh that he seemed to
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bite and kill in his mouth. "_Was_ he?" he said.
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"He was, sir. And no laughing matter to them as had the doing for
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him, as I had--my sister being took up with her little ones so
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much. There was bandages to do, sir, and bandages to undo. So that
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if I may make so bold as to say it, sir--"
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"Will you get me some matches?" said the visitor, quite abruptly.
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"My pipe is out."
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Mrs. Hall was pulled up suddenly. It was certainly rude of him,
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after telling him all she had done. She gasped at him for a moment,
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and remembered the two sovereigns. She went for the matches.
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"Thanks," he said concisely, as she put them down, and turned his
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shoulder upon her and stared out of the window again. It was
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altogether too discouraging. Evidently he was sensitive on the
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topic of operations and bandages. She did not "make so bold as to
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say," however, after all. But his snubbing way had irritated her,
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and Millie had a hot time of it that afternoon.
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The visitor remained in the parlour until four o'clock, without
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giving the ghost of an excuse for an intrusion. For the most part
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he was quite still during that time; it would seem he sat in the
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growing darkness smoking in the firelight--perhaps dozing.
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Once or twice a curious listener might have heard him at the coals,
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and for the space of five minutes he was audible pacing the room.
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He seemed to be talking to himself. Then the armchair creaked as
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he sat down again.
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CHAPTER II
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MR. TEDDY HENFREY'S FIRST IMPRESSIONS
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At four o'clock, when it was fairly dark and Mrs. Hall was screwing
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up her courage to go in and ask her visitor if he would take some
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tea, Teddy Henfrey, the clock-jobber, came into the bar. "My sakes!
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Mrs. Hall," said he, "but this is terrible weather for thin boots!"
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The snow outside was falling faster.
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Mrs. Hall agreed, and then noticed he had his bag with him. "Now
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you're here, Mr. Teddy," said she, "I'd be glad if you'd give th'
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old clock in the parlour a bit of a look. 'Tis going, and it strikes
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well and hearty; but the hour-hand won't do nuthin' but point at
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six."
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And leading the way, she went across to the parlour door and rapped
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and entered.
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Her visitor, she saw as she opened the door, was seated in the
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armchair before the fire, dozing it would seem, with his bandaged
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head drooping on one side. The only light in the room was the red
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glow from the fire--which lit his eyes like adverse railway signals,
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but left his downcast face in darkness--and the scanty vestiges of
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the day that came in through the open door. Everything was ruddy,
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shadowy, and indistinct to her, the more so since she had just been
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lighting the bar lamp, and her eyes were dazzled. But for a second
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it seemed to her that the man she looked at had an enormous mouth
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wide open--a vast and incredible mouth that swallowed the whole of
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the lower portion of his face. It was the sensation of a moment:
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the white-bound head, the monstrous goggle eyes, and this huge yawn
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below it. Then he stirred, started up in his chair, put up his hand.
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She opened the door wide, so that the room was lighter, and she saw
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him more clearly, with the muffler held up to his face just as she
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had seen him hold the serviette before. The shadows, she fancied,
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had tricked her.
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"Would you mind, sir, this man a-coming to look at the clock, sir?"
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she said, recovering from the momentary shock.
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"Look at the clock?" he said, staring round in a drowsy manner,
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and speaking over his hand, and then, getting more fully awake,
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"certainly."
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Mrs. Hall went away to get a lamp, and he rose and stretched
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himself. Then came the light, and Mr. Teddy Henfrey, entering, was
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confronted by this bandaged person. He was, he says, "taken aback."
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"Good afternoon," said the stranger, regarding him--as Mr. Henfrey
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says, with a vivid sense of the dark spectacles--"like a lobster."
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"I hope," said Mr. Henfrey, "that it's no intrusion."
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"None whatever," said the stranger. "Though, I understand," he said
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turning to Mrs. Hall, "that this room is really to be mine for my
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own private use."
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"I thought, sir," said Mrs. Hall, "you'd prefer the clock--"
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"Certainly," said the stranger, "certainly--but, as a rule, I
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like to be alone and undisturbed.
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"But I'm really glad to have the clock seen to," he said, seeing a
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certain hesitation in Mr. Henfrey's manner. "Very glad." Mr. Henfrey
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had intended to apologise and withdraw, but this anticipation
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reassured him. The stranger turned round with his back to the
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fireplace and put his hands behind his back. "And presently," he
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said, "when the clock-mending is over, I think I should like to
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have some tea. But not till the clock-mending is over."
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Mrs. Hall was about to leave the room--she made no conversational
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advances this time, because she did not want to be snubbed in front
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of Mr. Henfrey--when her visitor asked her if she had made any
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arrangements about his boxes at Bramblehurst. She told him she had
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mentioned the matter to the postman, and that the carrier could
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bring them over on the morrow. "You are certain that is the
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earliest?" he said.
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She was certain, with a marked coldness.
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"I should explain," he added, "what I was really too cold and
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fatigued to do before, that I am an experimental investigator."
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"Indeed, sir," said Mrs. Hall, much impressed.
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"And my baggage contains apparatus and appliances."
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"Very useful things indeed they are, sir," said Mrs. Hall.
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"And I'm very naturally anxious to get on with my inquiries."
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"Of course, sir."
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"My reason for coming to Iping," he proceeded, with a certain
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deliberation of manner, "was ... a desire for solitude. I do not
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wish to be disturbed in my work. In addition to my work, an
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accident--"
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"I thought as much," said Mrs. Hall to herself.
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"--necessitates a certain retirement. My eyes--are sometimes so
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weak and painful that I have to shut myself up in the dark for
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hours together. Lock myself up. Sometimes--now and then. Not at
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present, certainly. At such times the slightest disturbance, the
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entry of a stranger into the room, is a source of excruciating
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annoyance to me--it is well these things should be understood."
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"Certainly, sir," said Mrs. Hall. "And if I might make so bold as
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to ask--"
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"That I think, is all," said the stranger, with that quietly
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irresistible air of finality he could assume at will. Mrs. Hall
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reserved her question and sympathy for a better occasion.
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After Mrs. Hall had left the room, he remained standing in front of
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the fire, glaring, so Mr. Henfrey puts it, at the clock-mending. Mr.
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Henfrey not only took off the hands of the clock, and the face, but
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extracted the works; and he tried to work in as slow and quiet and
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unassuming a manner as possible. He worked with the lamp close to
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him, and the green shade threw a brilliant light upon his hands,
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and upon the frame and wheels, and left the rest of the room
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shadowy. When he looked up, coloured patches swam in his eyes.
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Being constitutionally of a curious nature, he had removed the
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works--a quite unnecessary proceeding--with the idea of delaying his
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departure and perhaps falling into conversation with the stranger.
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But the stranger stood there, perfectly silent and still. So still,
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it got on Henfrey's nerves. He felt alone in the room and looked up,
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and there, grey and dim, was the bandaged head and huge blue lenses
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staring fixedly, with a mist of green spots drifting in front of
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them. It was so uncanny to Henfrey that for a minute they remained
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staring blankly at one another. Then Henfrey looked down again. Very
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uncomfortable position! One would like to say something. Should he
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remark that the weather was very cold for the time of year?
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He looked up as if to take aim with that introductory shot. "The
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weather--" he began.
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"Why don't you finish and go?" said the rigid figure, evidently in
|
|
a state of painfully suppressed rage. "All you've got to do is to
|
|
fix the hour-hand on its axle. You're simply humbugging--"
|
|
|
|
"Certainly, sir--one minute more. I overlooked--" and Mr. Henfrey
|
|
finished and went.
|
|
|
|
But he went feeling excessively annoyed. "Damn it!" said Mr. Henfrey
|
|
to himself, trudging down the village through the thawing snow; "a
|
|
man must do a clock at times, sure-ly."
|
|
|
|
And again "Can't a man look at you?--Ugly!"
|
|
|
|
And yet again, "Seemingly not. If the police was wanting you you
|
|
couldn't be more wropped and bandaged."
|
|
|
|
At Gleeson's corner he saw Hall, who had recently married the
|
|
stranger's hostess at the "Coach and Horses," and who now drove
|
|
the Iping conveyance, when occasional people required it, to
|
|
Sidderbridge Junction, coming towards him on his return from that
|
|
place. Hall had evidently been "stopping a bit" at Sidderbridge,
|
|
to judge by his driving. "'Ow do, Teddy?" he said, passing.
|
|
|
|
"You got a rum un up home!" said Teddy.
|
|
|
|
Hall very sociably pulled up. "What's that?" he asked.
|
|
|
|
"Rum-looking customer stopping at the 'Coach and Horses,'" said
|
|
Teddy. "My sakes!"
|
|
|
|
And he proceeded to give Hall a vivid description of his grotesque
|
|
guest. "Looks a bit like a disguise, don't it? I'd like to see a
|
|
man's face if I had him stopping in _my_ place," said Henfrey. "But
|
|
women are that trustful--where strangers are concerned. He's took
|
|
your rooms and he ain't even given a name, Hall."
|
|
|
|
"You don't say so!" said Hall, who was a man of sluggish apprehension.
|
|
|
|
"Yes," said Teddy. "By the week. Whatever he is, you can't get rid
|
|
of him under the week. And he's got a lot of luggage coming
|
|
to-morrow, so he says. Let's hope it won't be stones in boxes, Hall."
|
|
|
|
He told Hall how his aunt at Hastings had been swindled by a
|
|
stranger with empty portmanteaux. Altogether he left Hall vaguely
|
|
suspicious. "Get up, old girl," said Hall. "I s'pose I must see
|
|
'bout this."
|
|
|
|
Teddy trudged on his way with his mind considerably relieved.
|
|
|
|
Instead of "seeing 'bout it," however, Hall on his return was
|
|
severely rated by his wife on the length of time he had spent in
|
|
Sidderbridge, and his mild inquiries were answered snappishly and
|
|
in a manner not to the point. But the seed of suspicion Teddy
|
|
had sown germinated in the mind of Mr. Hall in spite of these
|
|
discouragements. "You wim' don't know everything," said Mr. Hall,
|
|
resolved to ascertain more about the personality of his guest at
|
|
the earliest possible opportunity. And after the stranger had gone
|
|
to bed, which he did about half-past nine, Mr. Hall went very
|
|
aggressively into the parlour and looked very hard at his wife's
|
|
furniture, just to show that the stranger wasn't master there,
|
|
and scrutinised closely and a little contemptuously a sheet of
|
|
mathematical computations the stranger had left. When retiring
|
|
for the night he instructed Mrs. Hall to look very closely at
|
|
the stranger's luggage when it came next day.
|
|
|
|
"You mind you own business, Hall," said Mrs. Hall, "and I'll mind
|
|
mine."
|
|
|
|
She was all the more inclined to snap at Hall because the stranger
|
|
was undoubtedly an unusually strange sort of stranger, and she was
|
|
by no means assured about him in her own mind. In the middle of the
|
|
night she woke up dreaming of huge white heads like turnips, that
|
|
came trailing after her, at the end of interminable necks, and with
|
|
vast black eyes. But being a sensible woman, she subdued her
|
|
terrors and turned over and went to sleep again.
|
|
|
|
|
|
|
|
CHAPTER III
|
|
|
|
THE THOUSAND AND ONE BOTTLES
|
|
|
|
|
|
So it was that on the twenty-ninth day of February, at the beginning
|
|
of the thaw, this singular person fell out of infinity into Iping
|
|
village. Next day his luggage arrived through the slush--and very
|
|
remarkable luggage it was. There were a couple of trunks indeed,
|
|
such as a rational man might need, but in addition there were
|
|
a box of books--big, fat books, of which some were just in an
|
|
incomprehensible handwriting--and a dozen or more crates, boxes,
|
|
and cases, containing objects packed in straw, as it seemed to
|
|
Hall, tugging with a casual curiosity at the straw--glass bottles.
|
|
The stranger, muffled in hat, coat, gloves, and wrapper, came out
|
|
impatiently to meet Fearenside's cart, while Hall was having a word
|
|
or so of gossip preparatory to helping being them in. Out he came,
|
|
not noticing Fearenside's dog, who was sniffing in a dilettante
|
|
spirit at Hall's legs. "Come along with those boxes," he said.
|
|
"I've been waiting long enough."
|
|
|
|
And he came down the steps towards the tail of the cart as if to
|
|
lay hands on the smaller crate.
|
|
|
|
No sooner had Fearenside's dog caught sight of him, however, than
|
|
it began to bristle and growl savagely, and when he rushed down the
|
|
steps it gave an undecided hop, and then sprang straight at his
|
|
hand. "Whup!" cried Hall, jumping back, for he was no hero with
|
|
dogs, and Fearenside howled, "Lie down!" and snatched his whip.
|
|
|
|
They saw the dog's teeth had slipped the hand, heard a kick, saw the
|
|
dog execute a flanking jump and get home on the stranger's leg, and
|
|
heard the rip of his trousering. Then the finer end of Fearenside's
|
|
whip reached his property, and the dog, yelping with dismay,
|
|
retreated under the wheels of the waggon. It was all the business of
|
|
a swift half-minute. No one spoke, everyone shouted. The stranger
|
|
glanced swiftly at his torn glove and at his leg, made as if he
|
|
would stoop to the latter, then turned and rushed swiftly up the
|
|
steps into the inn. They heard him go headlong across the passage
|
|
and up the uncarpeted stairs to his bedroom.
|
|
|
|
"You brute, you!" said Fearenside, climbing off the waggon with his
|
|
whip in his hand, while the dog watched him through the wheel.
|
|
"Come here," said Fearenside--"You'd better."
|
|
|
|
Hall had stood gaping. "He wuz bit," said Hall. "I'd better go and
|
|
see to en," and he trotted after the stranger. He met Mrs. Hall in
|
|
the passage. "Carrier's darg," he said "bit en."
|
|
|
|
He went straight upstairs, and the stranger's door being ajar, he
|
|
pushed it open and was entering without any ceremony, being of a
|
|
naturally sympathetic turn of mind.
|
|
|
|
The blind was down and the room dim. He caught a glimpse of a most
|
|
singular thing, what seemed a handless arm waving towards him, and
|
|
a face of three huge indeterminate spots on white, very like the
|
|
face of a pale pansy. Then he was struck violently in the chest,
|
|
hurled back, and the door slammed in his face and locked. It was so
|
|
rapid that it gave him no time to observe. A waving of indecipherable
|
|
shapes, a blow, and a concussion. There he stood on the dark little
|
|
landing, wondering what it might be that he had seen.
|
|
|
|
A couple of minutes after, he rejoined the little group that had
|
|
formed outside the "Coach and Horses." There was Fearenside telling
|
|
about it all over again for the second time; there was Mrs. Hall
|
|
saying his dog didn't have no business to bite her guests; there
|
|
was Huxter, the general dealer from over the road, interrogative;
|
|
and Sandy Wadgers from the forge, judicial; besides women and
|
|
children, all of them saying fatuities: "Wouldn't let en bite
|
|
_me_, I knows"; "'Tasn't right _have_ such dargs"; "Whad _'e_ bite
|
|
'n for, than?" and so forth.
|
|
|
|
Mr. Hall, staring at them from the steps and listening, found it
|
|
incredible that he had seen anything so very remarkable happen
|
|
upstairs. Besides, his vocabulary was altogether too limited to
|
|
express his impressions.
|
|
|
|
"He don't want no help, he says," he said in answer to his wife's
|
|
inquiry. "We'd better be a-takin' of his luggage in."
|
|
|
|
"He ought to have it cauterised at once," said Mr. Huxter;
|
|
"especially if it's at all inflamed."
|
|
|
|
"I'd shoot en, that's what I'd do," said a lady in the group.
|
|
|
|
Suddenly the dog began growling again.
|
|
|
|
"Come along," cried an angry voice in the doorway, and there stood
|
|
the muffled stranger with his collar turned up, and his hat-brim
|
|
bent down. "The sooner you get those things in the better I'll be
|
|
pleased." It is stated by an anonymous bystander that his trousers
|
|
and gloves had been changed.
|
|
|
|
"Was you hurt, sir?" said Fearenside. "I'm rare sorry the darg--"
|
|
|
|
"Not a bit," said the stranger. "Never broke the skin. Hurry up
|
|
with those things."
|
|
|
|
He then swore to himself, so Mr. Hall asserts.
|
|
|
|
Directly the first crate was, in accordance with his directions,
|
|
carried into the parlour, the stranger flung himself upon it with
|
|
extraordinary eagerness, and began to unpack it, scattering the
|
|
straw with an utter disregard of Mrs. Hall's carpet. And from it he
|
|
began to produce bottles--little fat bottles containing powders,
|
|
small and slender bottles containing coloured and white fluids,
|
|
fluted blue bottles labeled Poison, bottles with round bodies and
|
|
slender necks, large green-glass bottles, large white-glass bottles,
|
|
bottles with glass stoppers and frosted labels, bottles with fine
|
|
corks, bottles with bungs, bottles with wooden caps, wine bottles,
|
|
salad-oil bottles--putting them in rows on the chiffonnier, on the
|
|
mantel, on the table under the window, round the floor, on the
|
|
bookshelf--everywhere. The chemist's shop in Bramblehurst could not
|
|
boast half so many. Quite a sight it was. Crate after crate yielded
|
|
bottles, until all six were empty and the table high with straw; the
|
|
only things that came out of these crates besides the bottles were
|
|
a number of test-tubes and a carefully packed balance.
|
|
|
|
And directly the crates were unpacked, the stranger went to the
|
|
window and set to work, not troubling in the least about the litter
|
|
of straw, the fire which had gone out, the box of books outside,
|
|
nor for the trunks and other luggage that had gone upstairs.
|
|
|
|
When Mrs. Hall took his dinner in to him, he was already so
|
|
absorbed in his work, pouring little drops out of the bottles into
|
|
test-tubes, that he did not hear her until she had swept away the
|
|
bulk of the straw and put the tray on the table, with some little
|
|
emphasis perhaps, seeing the state that the floor was in. Then he
|
|
half turned his head and immediately turned it away again. But she
|
|
saw he had removed his glasses; they were beside him on the table,
|
|
and it seemed to her that his eye sockets were extraordinarily
|
|
hollow. He put on his spectacles again, and then turned and faced
|
|
her. She was about to complain of the straw on the floor when he
|
|
anticipated her.
|
|
|
|
"I wish you wouldn't come in without knocking," he said in the tone
|
|
of abnormal exasperation that seemed so characteristic of him.
|
|
|
|
"I knocked, but seemingly--"
|
|
|
|
"Perhaps you did. But in my investigations--my really very urgent
|
|
and necessary investigations--the slightest disturbance, the jar
|
|
of a door--I must ask you--"
|
|
|
|
"Certainly, sir. You can turn the lock if you're like that, you
|
|
know. Any time."
|
|
|
|
"A very good idea," said the stranger.
|
|
|
|
"This stror, sir, if I might make so bold as to remark--"
|
|
|
|
"Don't. If the straw makes trouble put it down in the bill." And he
|
|
mumbled at her--words suspiciously like curses.
|
|
|
|
He was so odd, standing there, so aggressive and explosive, bottle
|
|
in one hand and test-tube in the other, that Mrs. Hall was quite
|
|
alarmed. But she was a resolute woman. "In which case, I should
|
|
like to know, sir, what you consider--"
|
|
|
|
"A shilling--put down a shilling. Surely a shilling's enough?"
|
|
|
|
"So be it," said Mrs. Hall, taking up the table-cloth and beginning
|
|
to spread it over the table. "If you're satisfied, of course--"
|
|
|
|
He turned and sat down, with his coat-collar toward her.
|
|
|
|
All the afternoon he worked with the door locked and, as Mrs. Hall
|
|
testifies, for the most part in silence. But once there was a
|
|
concussion and a sound of bottles ringing together as though the
|
|
table had been hit, and the smash of a bottle flung violently down,
|
|
and then a rapid pacing athwart the room. Fearing "something was
|
|
the matter," she went to the door and listened, not caring to
|
|
knock.
|
|
|
|
"I can't go on," he was raving. "I _can't_ go on. Three hundred
|
|
thousand, four hundred thousand! The huge multitude! Cheated! All
|
|
my life it may take me! ... Patience! Patience indeed! ... Fool!
|
|
fool!"
|
|
|
|
There was a noise of hobnails on the bricks in the bar, and Mrs.
|
|
Hall had very reluctantly to leave the rest of his soliloquy.
|
|
When she returned the room was silent again, save for the faint
|
|
crepitation of his chair and the occasional clink of a bottle.
|
|
It was all over; the stranger had resumed work.
|
|
|
|
When she took in his tea she saw broken glass in the corner of the
|
|
room under the concave mirror, and a golden stain that had been
|
|
carelessly wiped. She called attention to it.
|
|
|
|
"Put it down in the bill," snapped her visitor. "For God's sake
|
|
don't worry me. If there's damage done, put it down in the bill,"
|
|
and he went on ticking a list in the exercise book before him.
|
|
|
|
"I'll tell you something," said Fearenside, mysteriously. It was
|
|
late in the afternoon, and they were in the little beer-shop of
|
|
Iping Hanger.
|
|
|
|
"Well?" said Teddy Henfrey.
|
|
|
|
"This chap you're speaking of, what my dog bit. Well--he's black.
|
|
Leastways, his legs are. I seed through the tear of his trousers
|
|
and the tear of his glove. You'd have expected a sort of pinky to
|
|
show, wouldn't you? Well--there wasn't none. Just blackness. I
|
|
tell you, he's as black as my hat."
|
|
|
|
"My sakes!" said Henfrey. "It's a rummy case altogether. Why, his
|
|
nose is as pink as paint!"
|
|
|
|
"That's true," said Fearenside. "I knows that. And I tell 'ee what
|
|
I'm thinking. That marn's a piebald, Teddy. Black here and white
|
|
there--in patches. And he's ashamed of it. He's a kind of half-breed,
|
|
and the colour's come off patchy instead of mixing. I've heard of
|
|
such things before. And it's the common way with horses, as any one
|
|
can see."
|
|
|
|
|
|
|
|
CHAPTER IV
|
|
|
|
MR. CUSS INTERVIEWS THE STRANGER
|
|
|
|
|
|
I have told the circumstances of the stranger's arrival in Iping
|
|
with a certain fulness of detail, in order that the curious
|
|
impression he created may be understood by the reader. But
|
|
excepting two odd incidents, the circumstances of his stay until
|
|
the extraordinary day of the club festival may be passed over very
|
|
cursorily. There were a number of skirmishes with Mrs. Hall on
|
|
matters of domestic discipline, but in every case until late April,
|
|
when the first signs of penury began, he over-rode her by the easy
|
|
expedient of an extra payment. Hall did not like him, and whenever
|
|
he dared he talked of the advisability of getting rid of him; but
|
|
he showed his dislike chiefly by concealing it ostentatiously, and
|
|
avoiding his visitor as much as possible. "Wait till the summer,"
|
|
said Mrs. Hall sagely, "when the artisks are beginning to come.
|
|
Then we'll see. He may be a bit overbearing, but bills settled
|
|
punctual is bills settled punctual, whatever you'd like to say."
|
|
|
|
The stranger did not go to church, and indeed made no difference
|
|
between Sunday and the irreligious days, even in costume. He
|
|
worked, as Mrs. Hall thought, very fitfully. Some days he would
|
|
come down early and be continuously busy. On others he would rise
|
|
late, pace his room, fretting audibly for hours together, smoke,
|
|
sleep in the armchair by the fire. Communication with the world
|
|
beyond the village he had none. His temper continued very
|
|
uncertain; for the most part his manner was that of a man suffering
|
|
under almost unendurable provocation, and once or twice things were
|
|
snapped, torn, crushed, or broken in spasmodic gusts of violence.
|
|
He seemed under a chronic irritation of the greatest intensity. His
|
|
habit of talking to himself in a low voice grew steadily upon him,
|
|
but though Mrs. Hall listened conscientiously she could make
|
|
neither head nor tail of what she heard.
|
|
|
|
He rarely went abroad by daylight, but at twilight he would go out
|
|
muffled up invisibly, whether the weather were cold or not, and he
|
|
chose the loneliest paths and those most overshadowed by trees and
|
|
banks. His goggling spectacles and ghastly bandaged face under the
|
|
penthouse of his hat, came with a disagreeable suddenness out of
|
|
the darkness upon one or two home-going labourers, and Teddy
|
|
Henfrey, tumbling out of the "Scarlet Coat" one night, at half-past
|
|
nine, was scared shamefully by the stranger's skull-like head (he
|
|
was walking hat in hand) lit by the sudden light of the opened inn
|
|
door. Such children as saw him at nightfall dreamt of bogies, and
|
|
it seemed doubtful whether he disliked boys more than they disliked
|
|
him, or the reverse; but there was certainly a vivid enough dislike
|
|
on either side.
|
|
|
|
It was inevitable that a person of so remarkable an appearance and
|
|
bearing should form a frequent topic in such a village as Iping.
|
|
Opinion was greatly divided about his occupation. Mrs. Hall was
|
|
sensitive on the point. When questioned, she explained very
|
|
carefully that he was an "experimental investigator," going
|
|
gingerly over the syllables as one who dreads pitfalls. When asked
|
|
what an experimental investigator was, she would say with a touch
|
|
of superiority that most educated people knew such things as that,
|
|
and would thus explain that he "discovered things." Her visitor had
|
|
had an accident, she said, which temporarily discoloured his face
|
|
and hands, and being of a sensitive disposition, he was averse to
|
|
any public notice of the fact.
|
|
|
|
Out of her hearing there was a view largely entertained that he was
|
|
a criminal trying to escape from justice by wrapping himself up so
|
|
as to conceal himself altogether from the eye of the police. This
|
|
idea sprang from the brain of Mr. Teddy Henfrey. No crime of any
|
|
magnitude dating from the middle or end of February was known to
|
|
have occurred. Elaborated in the imagination of Mr. Gould, the
|
|
probationary assistant in the National School, this theory took the
|
|
form that the stranger was an Anarchist in disguise, preparing
|
|
explosives, and he resolved to undertake such detective operations
|
|
as his time permitted. These consisted for the most part in looking
|
|
very hard at the stranger whenever they met, or in asking people
|
|
who had never seen the stranger, leading questions about him. But
|
|
he detected nothing.
|
|
|
|
Another school of opinion followed Mr. Fearenside, and either
|
|
accepted the piebald view or some modification of it; as, for
|
|
instance, Silas Durgan, who was heard to assert that "if he choses
|
|
to show enself at fairs he'd make his fortune in no time," and
|
|
being a bit of a theologian, compared the stranger to the man with
|
|
the one talent. Yet another view explained the entire matter by
|
|
regarding the stranger as a harmless lunatic. That had the
|
|
advantage of accounting for everything straight away.
|
|
|
|
Between these main groups there were waverers and compromisers.
|
|
Sussex folk have few superstitions, and it was only after the
|
|
events of early April that the thought of the supernatural was
|
|
first whispered in the village. Even then it was only credited
|
|
among the women folk.
|
|
|
|
But whatever they thought of him, people in Iping, on the whole,
|
|
agreed in disliking him. His irritability, though it might have
|
|
been comprehensible to an urban brain-worker, was an amazing thing
|
|
to these quiet Sussex villagers. The frantic gesticulations they
|
|
surprised now and then, the headlong pace after nightfall that
|
|
swept him upon them round quiet corners, the inhuman bludgeoning
|
|
of all tentative advances of curiosity, the taste for twilight
|
|
that led to the closing of doors, the pulling down of blinds,
|
|
the extinction of candles and lamps--who could agree with such
|
|
goings on? They drew aside as he passed down the village, and when
|
|
he had gone by, young humourists would up with coat-collars and
|
|
down with hat-brims, and go pacing nervously after him in imitation
|
|
of his occult bearing. There was a song popular at that time called
|
|
"The Bogey Man". Miss Statchell sang it at the schoolroom concert
|
|
(in aid of the church lamps), and thereafter whenever one or two of
|
|
the villagers were gathered together and the stranger appeared, a
|
|
bar or so of this tune, more or less sharp or flat, was whistled in
|
|
the midst of them. Also belated little children would call "Bogey
|
|
Man!" after him, and make off tremulously elated.
|
|
|
|
Cuss, the general practitioner, was devoured by curiosity. The
|
|
bandages excited his professional interest, the report of the
|
|
thousand and one bottles aroused his jealous regard. All through
|
|
April and May he coveted an opportunity of talking to the stranger,
|
|
and at last, towards Whitsuntide, he could stand it no longer, but
|
|
hit upon the subscription-list for a village nurse as an excuse. He
|
|
was surprised to find that Mr. Hall did not know his guest's name.
|
|
"He give a name," said Mrs. Hall--an assertion which was quite
|
|
unfounded--"but I didn't rightly hear it." She thought it seemed
|
|
so silly not to know the man's name.
|
|
|
|
Cuss rapped at the parlour door and entered. There was a fairly
|
|
audible imprecation from within. "Pardon my intrusion," said Cuss,
|
|
and then the door closed and cut Mrs. Hall off from the rest of
|
|
the conversation.
|
|
|
|
She could hear the murmur of voices for the next ten minutes, then
|
|
a cry of surprise, a stirring of feet, a chair flung aside, a bark
|
|
of laughter, quick steps to the door, and Cuss appeared, his face
|
|
white, his eyes staring over his shoulder. He left the door open
|
|
behind him, and without looking at her strode across the hall and
|
|
went down the steps, and she heard his feet hurrying along the
|
|
road. He carried his hat in his hand. She stood behind the door,
|
|
looking at the open door of the parlour. Then she heard the
|
|
stranger laughing quietly, and then his footsteps came across the
|
|
room. She could not see his face where she stood. The parlour door
|
|
slammed, and the place was silent again.
|
|
|
|
Cuss went straight up the village to Bunting the vicar. "Am I mad?"
|
|
Cuss began abruptly, as he entered the shabby little study. "Do I
|
|
look like an insane person?"
|
|
|
|
"What's happened?" said the vicar, putting the ammonite on the
|
|
loose sheets of his forth-coming sermon.
|
|
|
|
"That chap at the inn--"
|
|
|
|
"Well?"
|
|
|
|
"Give me something to drink," said Cuss, and he sat down.
|
|
|
|
When his nerves had been steadied by a glass of cheap sherry--the
|
|
only drink the good vicar had available--he told him of the
|
|
interview he had just had. "Went in," he gasped, "and began to
|
|
demand a subscription for that Nurse Fund. He'd stuck his hands in
|
|
his pockets as I came in, and he sat down lumpily in his chair.
|
|
Sniffed. I told him I'd heard he took an interest in scientific
|
|
things. He said yes. Sniffed again. Kept on sniffing all the time;
|
|
evidently recently caught an infernal cold. No wonder, wrapped up
|
|
like that! I developed the nurse idea, and all the while kept my
|
|
eyes open. Bottles--chemicals--everywhere. Balance, test-tubes
|
|
in stands, and a smell of--evening primrose. Would he subscribe?
|
|
Said he'd consider it. Asked him, point-blank, was he researching.
|
|
Said he was. A long research? Got quite cross. 'A damnable long
|
|
research,' said he, blowing the cork out, so to speak. 'Oh,' said
|
|
I. And out came the grievance. The man was just on the boil, and my
|
|
question boiled him over. He had been given a prescription, most
|
|
valuable prescription--what for he wouldn't say. Was it medical?
|
|
'Damn you! What are you fishing after?' I apologised. Dignified
|
|
sniff and cough. He resumed. He'd read it. Five ingredients. Put it
|
|
down; turned his head. Draught of air from window lifted the paper.
|
|
Swish, rustle. He was working in a room with an open fireplace, he
|
|
said. Saw a flicker, and there was the prescription burning and
|
|
lifting chimneyward. Rushed towards it just as it whisked up the
|
|
chimney. So! Just at that point, to illustrate his story, out came
|
|
his arm."
|
|
|
|
"Well?"
|
|
|
|
"No hand--just an empty sleeve. Lord! I thought, _that's_ a
|
|
deformity! Got a cork arm, I suppose, and has taken it off. Then, I
|
|
thought, there's something odd in that. What the devil keeps that
|
|
sleeve up and open, if there's nothing in it? There was nothing in
|
|
it, I tell you. Nothing down it, right down to the joint. I could
|
|
see right down it to the elbow, and there was a glimmer of light
|
|
shining through a tear of the cloth. 'Good God!' I said. Then he
|
|
stopped. Stared at me with those black goggles of his, and then
|
|
at his sleeve."
|
|
|
|
"Well?"
|
|
|
|
"That's all. He never said a word; just glared, and put his sleeve
|
|
back in his pocket quickly. 'I was saying,' said he, 'that there
|
|
was the prescription burning, wasn't I?' Interrogative cough.
|
|
'How the devil,' said I, 'can you move an empty sleeve like that?'
|
|
'Empty sleeve?' 'Yes,' said I, 'an empty sleeve.'
|
|
|
|
"'It's an empty sleeve, is it? You saw it was an empty sleeve?' He
|
|
stood up right away. I stood up too. He came towards me in three
|
|
very slow steps, and stood quite close. Sniffed venomously. I
|
|
didn't flinch, though I'm hanged if that bandaged knob of his, and
|
|
those blinkers, aren't enough to unnerve any one, coming quietly
|
|
up to you.
|
|
|
|
"'You said it was an empty sleeve?' he said. 'Certainly,' I said.
|
|
At staring and saying nothing a barefaced man, unspectacled, starts
|
|
scratch. Then very quietly he pulled his sleeve out of his pocket
|
|
again, and raised his arm towards me as though he would show it to
|
|
me again. He did it very, very slowly. I looked at it. Seemed an
|
|
age. 'Well?' said I, clearing my throat, 'there's nothing in it.'
|
|
|
|
"Had to say something. I was beginning to feel frightened. I could
|
|
see right down it. He extended it straight towards me, slowly,
|
|
slowly--just like that--until the cuff was six inches from my
|
|
face. Queer thing to see an empty sleeve come at you like that!
|
|
And then--"
|
|
|
|
"Well?"
|
|
|
|
"Something--exactly like a finger and thumb it felt--nipped my
|
|
nose."
|
|
|
|
Bunting began to laugh.
|
|
|
|
"There wasn't anything there!" said Cuss, his voice running up into
|
|
a shriek at the "there." "It's all very well for you to laugh, but
|
|
I tell you I was so startled, I hit his cuff hard, and turned
|
|
around, and cut out of the room--I left him--"
|
|
|
|
Cuss stopped. There was no mistaking the sincerity of his panic.
|
|
He turned round in a helpless way and took a second glass of the
|
|
excellent vicar's very inferior sherry. "When I hit his cuff," said
|
|
Cuss, "I tell you, it felt exactly like hitting an arm. And there
|
|
wasn't an arm! There wasn't the ghost of an arm!"
|
|
|
|
Mr. Bunting thought it over. He looked suspiciously at Cuss. "It's
|
|
a most remarkable story," he said. He looked very wise and grave
|
|
indeed. "It's really," said Mr. Bunting with judicial emphasis, "a
|
|
most remarkable story."
|
|
|
|
|
|
|
|
CHAPTER V
|
|
|
|
THE BURGLARY AT THE VICARAGE
|
|
|
|
|
|
The facts of the burglary at the vicarage came to us chiefly
|
|
through the medium of the vicar and his wife. It occurred in the
|
|
small hours of Whit Monday, the day devoted in Iping to the Club
|
|
festivities. Mrs. Bunting, it seems, woke up suddenly in the
|
|
stillness that comes before the dawn, with the strong impression
|
|
that the door of their bedroom had opened and closed. She did not
|
|
arouse her husband at first, but sat up in bed listening. She then
|
|
distinctly heard the pad, pad, pad of bare feet coming out of the
|
|
adjoining dressing-room and walking along the passage towards the
|
|
staircase. As soon as she felt assured of this, she aroused the
|
|
Rev. Mr. Bunting as quietly as possible. He did not strike a light,
|
|
but putting on his spectacles, her dressing-gown and his bath
|
|
slippers, he went out on the landing to listen. He heard quite
|
|
distinctly a fumbling going on at his study desk down-stairs, and
|
|
then a violent sneeze.
|
|
|
|
At that he returned to his bedroom, armed himself with the most
|
|
obvious weapon, the poker, and descended the staircase as
|
|
noiselessly as possible. Mrs. Bunting came out on the landing.
|
|
|
|
The hour was about four, and the ultimate darkness of the night was
|
|
past. There was a faint shimmer of light in the hall, but the study
|
|
doorway yawned impenetrably black. Everything was still except the
|
|
faint creaking of the stairs under Mr. Bunting's tread, and the
|
|
slight movements in the study. Then something snapped, the drawer
|
|
was opened, and there was a rustle of papers. Then came an
|
|
imprecation, and a match was struck and the study was flooded with
|
|
yellow light. Mr. Bunting was now in the hall, and through the
|
|
crack of the door he could see the desk and the open drawer and a
|
|
candle burning on the desk. But the robber he could not see. He
|
|
stood there in the hall undecided what to do, and Mrs. Bunting, her
|
|
face white and intent, crept slowly downstairs after him. One thing
|
|
kept Mr. Bunting's courage; the persuasion that this burglar was a
|
|
resident in the village.
|
|
|
|
They heard the chink of money, and realised that the robber had
|
|
found the housekeeping reserve of gold--two pounds ten in half
|
|
sovereigns altogether. At that sound Mr. Bunting was nerved to
|
|
abrupt action. Gripping the poker firmly, he rushed into the room,
|
|
closely followed by Mrs. Bunting. "Surrender!" cried Mr. Bunting,
|
|
fiercely, and then stooped amazed. Apparently the room was
|
|
perfectly empty.
|
|
|
|
Yet their conviction that they had, that very moment, heard somebody
|
|
moving in the room had amounted to a certainty. For half a minute,
|
|
perhaps, they stood gaping, then Mrs. Bunting went across the room
|
|
and looked behind the screen, while Mr. Bunting, by a kindred
|
|
impulse, peered under the desk. Then Mrs. Bunting turned back the
|
|
window-curtains, and Mr. Bunting looked up the chimney and probed it
|
|
with the poker. Then Mrs. Bunting scrutinised the waste-paper basket
|
|
and Mr. Bunting opened the lid of the coal-scuttle. Then they came
|
|
to a stop and stood with eyes interrogating each other.
|
|
|
|
"I could have sworn--" said Mr. Bunting.
|
|
|
|
"The candle!" said Mr. Bunting. "Who lit the candle?"
|
|
|
|
"The drawer!" said Mrs. Bunting. "And the money's gone!"
|
|
|
|
She went hastily to the doorway.
|
|
|
|
"Of all the strange occurrences--"
|
|
|
|
There was a violent sneeze in the passage. They rushed out, and as
|
|
they did so the kitchen door slammed. "Bring the candle," said Mr.
|
|
Bunting, and led the way. They both heard a sound of bolts being
|
|
hastily shot back.
|
|
|
|
As he opened the kitchen door he saw through the scullery that
|
|
the back door was just opening, and the faint light of early dawn
|
|
displayed the dark masses of the garden beyond. He is certain that
|
|
nothing went out of the door. It opened, stood open for a moment,
|
|
and then closed with a slam. As it did so, the candle Mrs. Bunting
|
|
was carrying from the study flickered and flared. It was a minute
|
|
or more before they entered the kitchen.
|
|
|
|
The place was empty. They refastened the back door, examined the
|
|
kitchen, pantry, and scullery thoroughly, and at last went down
|
|
into the cellar. There was not a soul to be found in the house,
|
|
search as they would.
|
|
|
|
Daylight found the vicar and his wife, a quaintly-costumed little
|
|
couple, still marvelling about on their own ground floor by the
|
|
unnecessary light of a guttering candle.
|
|
|
|
|
|
|
|
CHAPTER VI
|
|
|
|
THE FURNITURE THAT WENT MAD
|
|
|
|
|
|
Now it happened that in the early hours of Whit Monday, before
|
|
Millie was hunted out for the day, Mr. Hall and Mrs. Hall both rose
|
|
and went noiselessly down into the cellar. Their business there was
|
|
of a private nature, and had something to do with the specific
|
|
gravity of their beer. They had hardly entered the cellar when Mrs.
|
|
Hall found she had forgotten to bring down a bottle of sarsaparilla
|
|
from their joint-room. As she was the expert and principal operator
|
|
in this affair, Hall very properly went upstairs for it.
|
|
|
|
On the landing he was surprised to see that the stranger's door was
|
|
ajar. He went on into his own room and found the bottle as he had
|
|
been directed.
|
|
|
|
But returning with the bottle, he noticed that the bolts of the
|
|
front door had been shot back, that the door was in fact simply on
|
|
the latch. And with a flash of inspiration he connected this with
|
|
the stranger's room upstairs and the suggestions of Mr. Teddy
|
|
Henfrey. He distinctly remembered holding the candle while Mrs.
|
|
Hall shot these bolts overnight. At the sight he stopped, gaping,
|
|
then with the bottle still in his hand went upstairs again. He
|
|
rapped at the stranger's door. There was no answer. He rapped
|
|
again; then pushed the door wide open and entered.
|
|
|
|
It was as he expected. The bed, the room also, was empty. And what
|
|
was stranger, even to his heavy intelligence, on the bedroom chair
|
|
and along the rail of the bed were scattered the garments, the only
|
|
garments so far as he knew, and the bandages of their guest. His
|
|
big slouch hat even was cocked jauntily over the bed-post.
|
|
|
|
As Hall stood there he heard his wife's voice coming out of the
|
|
depth of the cellar, with that rapid telescoping of the syllables
|
|
and interrogative cocking up of the final words to a high note,
|
|
by which the West Sussex villager is wont to indicate a brisk
|
|
impatience. "George! You gart whad a wand?"
|
|
|
|
At that he turned and hurried down to her. "Janny," he said, over
|
|
the rail of the cellar steps, "'tas the truth what Henfrey sez.
|
|
'E's not in uz room, 'e en't. And the front door's onbolted."
|
|
|
|
At first Mrs. Hall did not understand, and as soon as she did she
|
|
resolved to see the empty room for herself. Hall, still holding the
|
|
bottle, went first. "If 'e en't there," he said, "'is close are.
|
|
And what's 'e doin' 'ithout 'is close, then? 'Tas a most curious
|
|
business."
|
|
|
|
As they came up the cellar steps they both, it was afterwards
|
|
ascertained, fancied they heard the front door open and shut, but
|
|
seeing it closed and nothing there, neither said a word to the other
|
|
about it at the time. Mrs. Hall passed her husband in the passage
|
|
and ran on first upstairs. Someone sneezed on the staircase. Hall,
|
|
following six steps behind, thought that he heard her sneeze. She,
|
|
going on first, was under the impression that Hall was sneezing.
|
|
She flung open the door and stood regarding the room. "Of all the
|
|
curious!" she said.
|
|
|
|
She heard a sniff close behind her head as it seemed, and turning,
|
|
was surprised to see Hall a dozen feet off on the topmost stair.
|
|
But in another moment he was beside her. She bent forward and put
|
|
her hand on the pillow and then under the clothes.
|
|
|
|
"Cold," she said. "He's been up this hour or more."
|
|
|
|
As she did so, a most extraordinary thing happened. The bed-clothes
|
|
gathered themselves together, leapt up suddenly into a sort of peak,
|
|
and then jumped headlong over the bottom rail. It was exactly as if
|
|
a hand had clutched them in the centre and flung them aside.
|
|
Immediately after, the stranger's hat hopped off the bed-post,
|
|
described a whirling flight in the air through the better part of
|
|
a circle, and then dashed straight at Mrs. Hall's face. Then as
|
|
swiftly came the sponge from the washstand; and then the chair,
|
|
flinging the stranger's coat and trousers carelessly aside, and
|
|
laughing drily in a voice singularly like the stranger's, turned
|
|
itself up with its four legs at Mrs. Hall, seemed to take aim at her
|
|
for a moment, and charged at her. She screamed and turned, and then
|
|
the chair legs came gently but firmly against her back and impelled
|
|
her and Hall out of the room. The door slammed violently and was
|
|
locked. The chair and bed seemed to be executing a dance of triumph
|
|
for a moment, and then abruptly everything was still.
|
|
|
|
Mrs. Hall was left almost in a fainting condition in Mr. Hall's
|
|
arms on the landing. It was with the greatest difficulty that Mr.
|
|
Hall and Millie, who had been roused by her scream of alarm,
|
|
succeeded in getting her downstairs, and applying the restoratives
|
|
customary in such cases.
|
|
|
|
"'Tas sperits," said Mrs. Hall. "I know 'tas sperits. I've read in
|
|
papers of en. Tables and chairs leaping and dancing..."
|
|
|
|
"Take a drop more, Janny," said Hall. "'Twill steady ye."
|
|
|
|
"Lock him out," said Mrs. Hall. "Don't let him come in again.
|
|
I half guessed--I might ha' known. With them goggling eyes and
|
|
bandaged head, and never going to church of a Sunday. And all
|
|
they bottles--more'n it's right for any one to have. He's put the
|
|
sperits into the furniture.... My good old furniture! 'Twas in
|
|
that very chair my poor dear mother used to sit when I was a
|
|
little girl. To think it should rise up against me now!"
|
|
|
|
"Just a drop more, Janny," said Hall. "Your nerves is all upset."
|
|
|
|
They sent Millie across the street through the golden five o'clock
|
|
sunshine to rouse up Mr. Sandy Wadgers, the blacksmith. Mr.
|
|
Hall's compliments and the furniture upstairs was behaving most
|
|
extraordinary. Would Mr. Wadgers come round? He was a knowing man,
|
|
was Mr. Wadgers, and very resourceful. He took quite a grave view
|
|
of the case. "Arm darmed if thet ent witchcraft," was the view of
|
|
Mr. Sandy Wadgers. "You warnt horseshoes for such gentry as he."
|
|
|
|
He came round greatly concerned. They wanted him to lead the way
|
|
upstairs to the room, but he didn't seem to be in any hurry. He
|
|
preferred to talk in the passage. Over the way Huxter's apprentice
|
|
came out and began taking down the shutters of the tobacco window.
|
|
He was called over to join the discussion. Mr. Huxter naturally
|
|
followed over in the course of a few minutes. The Anglo-Saxon
|
|
genius for parliamentary government asserted itself; there was a
|
|
great deal of talk and no decisive action. "Let's have the facts
|
|
first," insisted Mr. Sandy Wadgers. "Let's be sure we'd be acting
|
|
perfectly right in bustin' that there door open. A door onbust is
|
|
always open to bustin', but ye can't onbust a door once you've
|
|
busted en."
|
|
|
|
And suddenly and most wonderfully the door of the room upstairs
|
|
opened of its own accord, and as they looked up in amazement,
|
|
they saw descending the stairs the muffled figure of the stranger
|
|
staring more blackly and blankly than ever with those unreasonably
|
|
large blue glass eyes of his. He came down stiffly and slowly,
|
|
staring all the time; he walked across the passage staring, then
|
|
stopped.
|
|
|
|
"Look there!" he said, and their eyes followed the direction of his
|
|
gloved finger and saw a bottle of sarsaparilla hard by the cellar
|
|
door. Then he entered the parlour, and suddenly, swiftly,
|
|
viciously, slammed the door in their faces.
|
|
|
|
Not a word was spoken until the last echoes of the slam had died
|
|
away. They stared at one another. "Well, if that don't lick
|
|
everything!" said Mr. Wadgers, and left the alternative unsaid.
|
|
|
|
"I'd go in and ask'n 'bout it," said Wadgers, to Mr. Hall. "I'd
|
|
d'mand an explanation."
|
|
|
|
It took some time to bring the landlady's husband up to that pitch.
|
|
At last he rapped, opened the door, and got as far as, "Excuse me--"
|
|
|
|
"Go to the devil!" said the stranger in a tremendous voice, and
|
|
"Shut that door after you." So that brief interview terminated.
|
|
|
|
|
|
|
|
CHAPTER VII
|
|
|
|
THE UNVEILING OF THE STRANGER
|
|
|
|
|
|
The stranger went into the little parlour of the "Coach and Horses"
|
|
about half-past five in the morning, and there he remained until
|
|
near midday, the blinds down, the door shut, and none, after Hall's
|
|
repulse, venturing near him.
|
|
|
|
All that time he must have fasted. Thrice he rang his bell, the
|
|
third time furiously and continuously, but no one answered him.
|
|
"Him and his 'go to the devil' indeed!" said Mrs. Hall. Presently
|
|
came an imperfect rumour of the burglary at the vicarage, and two
|
|
and two were put together. Hall, assisted by Wadgers, went off to
|
|
find Mr. Shuckleforth, the magistrate, and take his advice. No one
|
|
ventured upstairs. How the stranger occupied himself is unknown.
|
|
Now and then he would stride violently up and down, and twice came
|
|
an outburst of curses, a tearing of paper, and a violent smashing
|
|
of bottles.
|
|
|
|
The little group of scared but curious people increased. Mrs. Huxter
|
|
came over; some gay young fellows resplendent in black ready-made
|
|
jackets and pique paper ties--for it was Whit Monday--joined
|
|
the group with confused interrogations. Young Archie Harker
|
|
distinguished himself by going up the yard and trying to peep
|
|
under the window-blinds. He could see nothing, but gave reason
|
|
for supposing that he did, and others of the Iping youth
|
|
presently joined him.
|
|
|
|
It was the finest of all possible Whit Mondays, and down the
|
|
village street stood a row of nearly a dozen booths, a shooting
|
|
gallery, and on the grass by the forge were three yellow and
|
|
chocolate waggons and some picturesque strangers of both sexes
|
|
putting up a cocoanut shy. The gentlemen wore blue jerseys, the
|
|
ladies white aprons and quite fashionable hats with heavy plumes.
|
|
Woodyer, of the "Purple Fawn," and Mr. Jaggers, the cobbler, who
|
|
also sold old second-hand ordinary bicycles, were stretching a
|
|
string of union-jacks and royal ensigns (which had originally
|
|
celebrated the first Victorian Jubilee) across the road.
|
|
|
|
And inside, in the artificial darkness of the parlour, into which
|
|
only one thin jet of sunlight penetrated, the stranger, hungry we
|
|
must suppose, and fearful, hidden in his uncomfortable hot wrappings,
|
|
pored through his dark glasses upon his paper or chinked his dirty
|
|
little bottles, and occasionally swore savagely at the boys, audible
|
|
if invisible, outside the windows. In the corner by the fireplace
|
|
lay the fragments of half a dozen smashed bottles, and a pungent
|
|
twang of chlorine tainted the air. So much we know from what was
|
|
heard at the time and from what was subsequently seen in the room.
|
|
|
|
About noon he suddenly opened his parlour door and stood glaring
|
|
fixedly at the three or four people in the bar. "Mrs. Hall," he
|
|
said. Somebody went sheepishly and called for Mrs. Hall.
|
|
|
|
Mrs. Hall appeared after an interval, a little short of breath, but
|
|
all the fiercer for that. Hall was still out. She had deliberated
|
|
over this scene, and she came holding a little tray with an
|
|
unsettled bill upon it. "Is it your bill you're wanting, sir?" she
|
|
said.
|
|
|
|
"Why wasn't my breakfast laid? Why haven't you prepared my meals
|
|
and answered my bell? Do you think I live without eating?"
|
|
|
|
"Why isn't my bill paid?" said Mrs. Hall. "That's what I want to
|
|
know."
|
|
|
|
"I told you three days ago I was awaiting a remittance--"
|
|
|
|
"I told you two days ago I wasn't going to await no remittances.
|
|
You can't grumble if your breakfast waits a bit, if my bill's been
|
|
waiting these five days, can you?"
|
|
|
|
The stranger swore briefly but vividly.
|
|
|
|
"Nar, nar!" from the bar.
|
|
|
|
"And I'd thank you kindly, sir, if you'd keep your swearing to
|
|
yourself, sir," said Mrs. Hall.
|
|
|
|
The stranger stood looking more like an angry diving-helmet than
|
|
ever. It was universally felt in the bar that Mrs. Hall had the
|
|
better of him. His next words showed as much.
|
|
|
|
"Look here, my good woman--" he began.
|
|
|
|
"Don't 'good woman' _me_," said Mrs. Hall.
|
|
|
|
"I've told you my remittance hasn't come."
|
|
|
|
"Remittance indeed!" said Mrs. Hall.
|
|
|
|
"Still, I daresay in my pocket--"
|
|
|
|
"You told me three days ago that you hadn't anything but a
|
|
sovereign's worth of silver upon you."
|
|
|
|
"Well, I've found some more--"
|
|
|
|
"'Ul-lo!" from the bar.
|
|
|
|
"I wonder where you found it," said Mrs. Hall.
|
|
|
|
That seemed to annoy the stranger very much. He stamped his foot.
|
|
"What do you mean?" he said.
|
|
|
|
"That I wonder where you found it," said Mrs. Hall. "And before I
|
|
take any bills or get any breakfasts, or do any such things
|
|
whatsoever, you got to tell me one or two things I don't understand,
|
|
and what nobody don't understand, and what everybody is very anxious
|
|
to understand. I want to know what you been doing t'my chair
|
|
upstairs, and I want to know how 'tis your room was empty, and how
|
|
you got in again. Them as stops in this house comes in by the
|
|
doors--that's the rule of the house, and that you _didn't_ do, and
|
|
what I want to know is how you _did_ come in. And I want to know--"
|
|
|
|
Suddenly the stranger raised his gloved hands clenched, stamped his
|
|
foot, and said, "Stop!" with such extraordinary violence that he
|
|
silenced her instantly.
|
|
|
|
"You don't understand," he said, "who I am or what I am. I'll show
|
|
you. By Heaven! I'll show you." Then he put his open palm over his
|
|
face and withdrew it. The centre of his face became a black cavity.
|
|
"Here," he said. He stepped forward and handed Mrs. Hall something
|
|
which she, staring at his metamorphosed face, accepted automatically.
|
|
Then, when she saw what it was, she screamed loudly, dropped it, and
|
|
staggered back. The nose--it was the stranger's nose! pink and
|
|
shining--rolled on the floor.
|
|
|
|
Then he removed his spectacles, and everyone in the bar gasped. He
|
|
took off his hat, and with a violent gesture tore at his whiskers
|
|
and bandages. For a moment they resisted him. A flash of horrible
|
|
anticipation passed through the bar. "Oh, my Gard!" said some one.
|
|
Then off they came.
|
|
|
|
It was worse than anything. Mrs. Hall, standing open-mouthed and
|
|
horror-struck, shrieked at what she saw, and made for the door of
|
|
the house. Everyone began to move. They were prepared for scars,
|
|
disfigurements, tangible horrors, but nothing! The bandages and
|
|
false hair flew across the passage into the bar, making a
|
|
hobbledehoy jump to avoid them. Everyone tumbled on everyone else
|
|
down the steps. For the man who stood there shouting some incoherent
|
|
explanation, was a solid gesticulating figure up to the coat-collar
|
|
of him, and then--nothingness, no visible thing at all!
|
|
|
|
People down the village heard shouts and shrieks, and looking up
|
|
the street saw the "Coach and Horses" violently firing out its
|
|
humanity. They saw Mrs. Hall fall down and Mr. Teddy Henfrey jump
|
|
to avoid tumbling over her, and then they heard the frightful
|
|
screams of Millie, who, emerging suddenly from the kitchen at the
|
|
noise of the tumult, had come upon the headless stranger from
|
|
behind. These increased suddenly.
|
|
|
|
Forthwith everyone all down the street, the sweetstuff seller,
|
|
cocoanut shy proprietor and his assistant, the swing man, little
|
|
boys and girls, rustic dandies, smart wenches, smocked elders
|
|
and aproned gipsies--began running towards the inn, and in a
|
|
miraculously short space of time a crowd of perhaps forty people,
|
|
and rapidly increasing, swayed and hooted and inquired and
|
|
exclaimed and suggested, in front of Mrs. Hall's establishment.
|
|
Everyone seemed eager to talk at once, and the result was Babel. A
|
|
small group supported Mrs. Hall, who was picked up in a state of
|
|
collapse. There was a conference, and the incredible evidence of a
|
|
vociferous eye-witness. "O Bogey!" "What's he been doin', then?"
|
|
"Ain't hurt the girl, 'as 'e?" "Run at en with a knife, I believe."
|
|
"No 'ed, I tell ye. I don't mean no manner of speaking. I mean marn
|
|
'ithout a 'ed!" "Narnsense! 'tis some conjuring trick." "Fetched
|
|
off 'is wrapping, 'e did--"
|
|
|
|
In its struggles to see in through the open door, the crowd formed
|
|
itself into a straggling wedge, with the more adventurous apex
|
|
nearest the inn. "He stood for a moment, I heerd the gal scream,
|
|
and he turned. I saw her skirts whisk, and he went after her.
|
|
Didn't take ten seconds. Back he comes with a knife in uz hand and
|
|
a loaf; stood just as if he was staring. Not a moment ago. Went in
|
|
that there door. I tell 'e, 'e ain't gart no 'ed at all. You just
|
|
missed en--"
|
|
|
|
There was a disturbance behind, and the speaker stopped to step
|
|
aside for a little procession that was marching very resolutely
|
|
towards the house; first Mr. Hall, very red and determined, then
|
|
Mr. Bobby Jaffers, the village constable, and then the wary Mr.
|
|
Wadgers. They had come now armed with a warrant.
|
|
|
|
People shouted conflicting information of the recent circumstances.
|
|
"'Ed or no 'ed," said Jaffers, "I got to 'rest en, and 'rest en I
|
|
_will_."
|
|
|
|
Mr. Hall marched up the steps, marched straight to the door of the
|
|
parlour and flung it open. "Constable," he said, "do your duty."
|
|
|
|
Jaffers marched in. Hall next, Wadgers last. They saw in the dim
|
|
light the headless figure facing them, with a gnawed crust of bread
|
|
in one gloved hand and a chunk of cheese in the other.
|
|
|
|
"That's him!" said Hall.
|
|
|
|
"What the devil's this?" came in a tone of angry expostulation from
|
|
above the collar of the figure.
|
|
|
|
"You're a damned rum customer, mister," said Mr. Jaffers. "But 'ed
|
|
or no 'ed, the warrant says 'body,' and duty's duty--"
|
|
|
|
"Keep off!" said the figure, starting back.
|
|
|
|
Abruptly he whipped down the bread and cheese, and Mr. Hall just
|
|
grasped the knife on the table in time to save it. Off came the
|
|
stranger's left glove and was slapped in Jaffers' face. In another
|
|
moment Jaffers, cutting short some statement concerning a warrant,
|
|
had gripped him by the handless wrist and caught his invisible
|
|
throat. He got a sounding kick on the shin that made him shout, but
|
|
he kept his grip. Hall sent the knife sliding along the table to
|
|
Wadgers, who acted as goal-keeper for the offensive, so to speak,
|
|
and then stepped forward as Jaffers and the stranger swayed and
|
|
staggered towards him, clutching and hitting in. A chair stood in
|
|
the way, and went aside with a crash as they came down together.
|
|
|
|
"Get the feet," said Jaffers between his teeth.
|
|
|
|
Mr. Hall, endeavouring to act on instructions, received a sounding
|
|
kick in the ribs that disposed of him for a moment, and Mr.
|
|
Wadgers, seeing the decapitated stranger had rolled over and got
|
|
the upper side of Jaffers, retreated towards the door, knife in
|
|
hand, and so collided with Mr. Huxter and the Sidderbridge carter
|
|
coming to the rescue of law and order. At the same moment down came
|
|
three or four bottles from the chiffonnier and shot a web of
|
|
pungency into the air of the room.
|
|
|
|
"I'll surrender," cried the stranger, though he had Jaffers down,
|
|
and in another moment he stood up panting, a strange figure,
|
|
headless and handless--for he had pulled off his right glove now
|
|
as well as his left. "It's no good," he said, as if sobbing for
|
|
breath.
|
|
|
|
It was the strangest thing in the world to hear that voice coming
|
|
as if out of empty space, but the Sussex peasants are perhaps the
|
|
most matter-of-fact people under the sun. Jaffers got up also and
|
|
produced a pair of handcuffs. Then he stared.
|
|
|
|
"I say!" said Jaffers, brought up short by a dim realization of the
|
|
incongruity of the whole business, "Darn it! Can't use 'em as I can
|
|
see."
|
|
|
|
The stranger ran his arm down his waistcoat, and as if by a miracle
|
|
the buttons to which his empty sleeve pointed became undone. Then
|
|
he said something about his shin, and stooped down. He seemed to be
|
|
fumbling with his shoes and socks.
|
|
|
|
"Why!" said Huxter, suddenly, "that's not a man at all. It's just
|
|
empty clothes. Look! You can see down his collar and the linings of
|
|
his clothes. I could put my arm--"
|
|
|
|
He extended his hand; it seemed to meet something in mid-air, and
|
|
he drew it back with a sharp exclamation. "I wish you'd keep your
|
|
fingers out of my eye," said the aerial voice, in a tone of savage
|
|
expostulation. "The fact is, I'm all here--head, hands, legs, and
|
|
all the rest of it, but it happens I'm invisible. It's a confounded
|
|
nuisance, but I am. That's no reason why I should be poked to
|
|
pieces by every stupid bumpkin in Iping, is it?"
|
|
|
|
The suit of clothes, now all unbuttoned and hanging loosely upon
|
|
its unseen supports, stood up, arms akimbo.
|
|
|
|
Several other of the men folks had now entered the room, so that it
|
|
was closely crowded. "Invisible, eh?" said Huxter, ignoring the
|
|
stranger's abuse. "Who ever heard the likes of that?"
|
|
|
|
"It's strange, perhaps, but it's not a crime. Why am I assaulted by
|
|
a policeman in this fashion?"
|
|
|
|
"Ah! that's a different matter," said Jaffers. "No doubt you are a
|
|
bit difficult to see in this light, but I got a warrant and it's
|
|
all correct. What I'm after ain't no invisibility,--it's burglary.
|
|
There's a house been broke into and money took."
|
|
|
|
"Well?"
|
|
|
|
"And circumstances certainly point--"
|
|
|
|
"Stuff and nonsense!" said the Invisible Man.
|
|
|
|
"I hope so, sir; but I've got my instructions."
|
|
|
|
"Well," said the stranger, "I'll come. I'll _come_. But no
|
|
handcuffs."
|
|
|
|
"It's the regular thing," said Jaffers.
|
|
|
|
"No handcuffs," stipulated the stranger.
|
|
|
|
"Pardon me," said Jaffers.
|
|
|
|
Abruptly the figure sat down, and before any one could realise was
|
|
was being done, the slippers, socks, and trousers had been kicked
|
|
off under the table. Then he sprang up again and flung off his coat.
|
|
|
|
"Here, stop that," said Jaffers, suddenly realising what was
|
|
happening. He gripped at the waistcoat; it struggled, and the shirt
|
|
slipped out of it and left it limply and empty in his hand. "Hold
|
|
him!" said Jaffers, loudly. "Once he gets the things off--"
|
|
|
|
"Hold him!" cried everyone, and there was a rush at the fluttering
|
|
white shirt which was now all that was visible of the stranger.
|
|
|
|
The shirt-sleeve planted a shrewd blow in Hall's face that stopped
|
|
his open-armed advance, and sent him backward into old Toothsome
|
|
the sexton, and in another moment the garment was lifted up and
|
|
became convulsed and vacantly flapping about the arms, even as a
|
|
shirt that is being thrust over a man's head. Jaffers clutched at
|
|
it, and only helped to pull it off; he was struck in the mouth out
|
|
of the air, and incontinently threw his truncheon and smote Teddy
|
|
Henfrey savagely upon the crown of his head.
|
|
|
|
"Look out!" said everybody, fencing at random and hitting at
|
|
nothing. "Hold him! Shut the door! Don't let him loose! I got
|
|
something! Here he is!" A perfect Babel of noises they made.
|
|
Everybody, it seemed, was being hit all at once, and Sandy Wadgers,
|
|
knowing as ever and his wits sharpened by a frightful blow in the
|
|
nose, reopened the door and led the rout. The others, following
|
|
incontinently, were jammed for a moment in the corner by the
|
|
doorway. The hitting continued. Phipps, the Unitarian, had a front
|
|
tooth broken, and Henfrey was injured in the cartilage of his ear.
|
|
Jaffers was struck under the jaw, and, turning, caught at something
|
|
that intervened between him and Huxter in the melee, and prevented
|
|
their coming together. He felt a muscular chest, and in another
|
|
moment the whole mass of struggling, excited men shot out into the
|
|
crowded hall.
|
|
|
|
"I got him!" shouted Jaffers, choking and reeling through them all,
|
|
and wrestling with purple face and swelling veins against his
|
|
unseen enemy.
|
|
|
|
Men staggered right and left as the extraordinary conflict swayed
|
|
swiftly towards the house door, and went spinning down the
|
|
half-dozen steps of the inn. Jaffers cried in a strangled
|
|
voice--holding tight, nevertheless, and making play with his
|
|
knee--spun around, and fell heavily undermost with his head on
|
|
the gravel. Only then did his fingers relax.
|
|
|
|
There were excited cries of "Hold him!" "Invisible!" and so forth,
|
|
and a young fellow, a stranger in the place whose name did not come
|
|
to light, rushed in at once, caught something, missed his hold,
|
|
and fell over the constable's prostrate body. Half-way across the
|
|
road a woman screamed as something pushed by her; a dog, kicked
|
|
apparently, yelped and ran howling into Huxter's yard, and with
|
|
that the transit of the Invisible Man was accomplished. For a space
|
|
people stood amazed and gesticulating, and then came panic, and
|
|
scattered them abroad through the village as a gust scatters dead
|
|
leaves.
|
|
|
|
But Jaffers lay quite still, face upward and knees bent, at the foot
|
|
of the steps of the inn.
|
|
|
|
|
|
|
|
CHAPTER VIII
|
|
|
|
IN TRANSIT
|
|
|
|
|
|
The eighth chapter is exceedingly brief, and relates that Gibbons,
|
|
the amateur naturalist of the district, while lying out on the
|
|
spacious open downs without a soul within a couple of miles of him,
|
|
as he thought, and almost dozing, heard close to him the sound as
|
|
of a man coughing, sneezing, and then swearing savagely to himself;
|
|
and looking, beheld nothing. Yet the voice was indisputable. It
|
|
continued to swear with that breadth and variety that distinguishes
|
|
the swearing of a cultivated man. It grew to a climax, diminished
|
|
again, and died away in the distance, going as it seemed to him in
|
|
the direction of Adderdean. It lifted to a spasmodic sneeze and
|
|
ended. Gibbons had heard nothing of the morning's occurrences, but
|
|
the phenomenon was so striking and disturbing that his philosophical
|
|
tranquillity vanished; he got up hastily, and hurried down the
|
|
steepness of the hill towards the village, as fast as he could go.
|
|
|
|
|
|
|
|
CHAPTER IX
|
|
|
|
MR. THOMAS MARVEL
|
|
|
|
|
|
You must picture Mr. Thomas Marvel as a person of copious, flexible
|
|
visage, a nose of cylindrical protrusion, a liquorish, ample,
|
|
fluctuating mouth, and a beard of bristling eccentricity. His figure
|
|
inclined to embonpoint; his short limbs accentuated this inclination.
|
|
He wore a furry silk hat, and the frequent substitution of twine and
|
|
shoe-laces for buttons, apparent at critical points of his costume,
|
|
marked a man essentially bachelor.
|
|
|
|
Mr. Thomas Marvel was sitting with his feet in a ditch by the
|
|
roadside over the down towards Adderdean, about a mile and a half
|
|
out of Iping. His feet, save for socks of irregular open-work, were
|
|
bare, his big toes were broad, and pricked like the ears of a
|
|
watchful dog. In a leisurely manner--he did everything in a
|
|
leisurely manner--he was contemplating trying on a pair of boots.
|
|
They were the soundest boots he had come across for a long time, but
|
|
too large for him; whereas the ones he had were, in dry weather, a
|
|
very comfortable fit, but too thin-soled for damp. Mr. Thomas Marvel
|
|
hated roomy shoes, but then he hated damp. He had never properly
|
|
thought out which he hated most, and it was a pleasant day, and
|
|
there was nothing better to do. So he put the four shoes in a
|
|
graceful group on the turf and looked at them. And seeing them there
|
|
among the grass and springing agrimony, it suddenly occurred to him
|
|
that both pairs were exceedingly ugly to see. He was not at all
|
|
startled by a voice behind him.
|
|
|
|
"They're boots, anyhow," said the Voice.
|
|
|
|
"They are--charity boots," said Mr. Thomas Marvel, with his head
|
|
on one side regarding them distastefully; "and which is the ugliest
|
|
pair in the whole blessed universe, I'm darned if I know!"
|
|
|
|
"H'm," said the Voice.
|
|
|
|
"I've worn worse--in fact, I've worn none. But none so owdacious
|
|
ugly--if you'll allow the expression. I've been cadging boots--in
|
|
particular--for days. Because I was sick of _them_. They're sound
|
|
enough, of course. But a gentleman on tramp sees such a thundering
|
|
lot of his boots. And if you'll believe me, I've raised nothing in
|
|
the whole blessed country, try as I would, but _them_. Look at 'em!
|
|
And a good country for boots, too, in a general way. But it's just
|
|
my promiscuous luck. I've got my boots in this country ten years or
|
|
more. And then they treat you like this."
|
|
|
|
"It's a beast of a country," said the Voice. "And pigs for people."
|
|
|
|
"Ain't it?" said Mr. Thomas Marvel. "Lord! But them boots! It beats
|
|
it."
|
|
|
|
He turned his head over his shoulder to the right, to look at the
|
|
boots of his interlocutor with a view to comparisons, and lo! where
|
|
the boots of his interlocutor should have been were neither legs
|
|
nor boots. He was irradiated by the dawn of a great amazement.
|
|
"Where _are_ yer?" said Mr. Thomas Marvel over his shoulder and
|
|
coming on all fours. He saw a stretch of empty downs with the wind
|
|
swaying the remote green-pointed furze bushes.
|
|
|
|
"Am I drunk?" said Mr. Marvel. "Have I had visions? Was I talking
|
|
to myself? What the--"
|
|
|
|
"Don't be alarmed," said a Voice.
|
|
|
|
"None of your ventriloquising _me_," said Mr. Thomas Marvel, rising
|
|
sharply to his feet. "Where _are_ yer? Alarmed, indeed!"
|
|
|
|
"Don't be alarmed," repeated the Voice.
|
|
|
|
"_You'll_ be alarmed in a minute, you silly fool," said Mr. Thomas
|
|
Marvel. "Where _are_ yer? Lemme get my mark on yer...
|
|
|
|
"Are yer _buried_?" said Mr. Thomas Marvel, after an interval.
|
|
|
|
There was no answer. Mr. Thomas Marvel stood bootless and amazed,
|
|
his jacket nearly thrown off.
|
|
|
|
"Peewit," said a peewit, very remote.
|
|
|
|
"Peewit, indeed!" said Mr. Thomas Marvel. "This ain't no time for
|
|
foolery." The down was desolate, east and west, north and south;
|
|
the road with its shallow ditches and white bordering stakes, ran
|
|
smooth and empty north and south, and, save for that peewit, the
|
|
blue sky was empty too. "So help me," said Mr. Thomas Marvel,
|
|
shuffling his coat on to his shoulders again. "It's the drink!
|
|
I might ha' known."
|
|
|
|
"It's not the drink," said the Voice. "You keep your nerves
|
|
steady."
|
|
|
|
"Ow!" said Mr. Marvel, and his face grew white amidst its patches.
|
|
"It's the drink!" his lips repeated noiselessly. He remained staring
|
|
about him, rotating slowly backwards. "I could have _swore_ I heard
|
|
a voice," he whispered.
|
|
|
|
"Of course you did."
|
|
|
|
"It's there again," said Mr. Marvel, closing his eyes and clasping
|
|
his hand on his brow with a tragic gesture. He was suddenly taken
|
|
by the collar and shaken violently, and left more dazed than ever.
|
|
"Don't be a fool," said the Voice.
|
|
|
|
"I'm--off--my--blooming--chump," said Mr. Marvel. "It's no good.
|
|
It's fretting about them blarsted boots. I'm off my blessed blooming
|
|
chump. Or it's spirits."
|
|
|
|
"Neither one thing nor the other," said the Voice. "Listen!"
|
|
|
|
"Chump," said Mr. Marvel.
|
|
|
|
"One minute," said the Voice, penetratingly, tremulous with
|
|
self-control.
|
|
|
|
"Well?" said Mr. Thomas Marvel, with a strange feeling of having
|
|
been dug in the chest by a finger.
|
|
|
|
"You think I'm just imagination? Just imagination?"
|
|
|
|
"What else _can_ you be?" said Mr. Thomas Marvel, rubbing the back of
|
|
his neck.
|
|
|
|
"Very well," said the Voice, in a tone of relief. "Then I'm going
|
|
to throw flints at you till you think differently."
|
|
|
|
"But where _are_ yer?"
|
|
|
|
The Voice made no answer. Whizz came a flint, apparently out of
|
|
the air, and missed Mr. Marvel's shoulder by a hair's-breadth.
|
|
Mr. Marvel, turning, saw a flint jerk up into the air, trace a
|
|
complicated path, hang for a moment, and then fling at his feet
|
|
with almost invisible rapidity. He was too amazed to dodge. Whizz
|
|
it came, and ricochetted from a bare toe into the ditch. Mr. Thomas
|
|
Marvel jumped a foot and howled aloud. Then he started to run,
|
|
tripped over an unseen obstacle, and came head over heels into a
|
|
sitting position.
|
|
|
|
"_Now_," said the Voice, as a third stone curved upward and hung in
|
|
the air above the tramp. "Am I imagination?"
|
|
|
|
Mr. Marvel by way of reply struggled to his feet, and was
|
|
immediately rolled over again. He lay quiet for a moment. "If you
|
|
struggle any more," said the Voice, "I shall throw the flint at
|
|
your head."
|
|
|
|
"It's a fair do," said Mr. Thomas Marvel, sitting up, taking his
|
|
wounded toe in hand and fixing his eye on the third missile. "I
|
|
don't understand it. Stones flinging themselves. Stones talking.
|
|
Put yourself down. Rot away. I'm done."
|
|
|
|
The third flint fell.
|
|
|
|
"It's very simple," said the Voice. "I'm an invisible man."
|
|
|
|
"Tell us something I don't know," said Mr. Marvel, gasping with
|
|
pain. "Where you've hid--how you do it--I _don't_ know. I'm beat."
|
|
|
|
"That's all," said the Voice. "I'm invisible. That's what I want
|
|
you to understand."
|
|
|
|
"Anyone could see that. There is no need for you to be so confounded
|
|
impatient, mister. _Now_ then. Give us a notion. How are you hid?"
|
|
|
|
"I'm invisible. That's the great point. And what I want you to
|
|
understand is this--"
|
|
|
|
"But whereabouts?" interrupted Mr. Marvel.
|
|
|
|
"Here! Six yards in front of you."
|
|
|
|
"Oh, _come_! I ain't blind. You'll be telling me next you're just
|
|
thin air. I'm not one of your ignorant tramps--"
|
|
|
|
"Yes, I am--thin air. You're looking through me."
|
|
|
|
"What! Ain't there any stuff to you. Vox et--what is it?--jabber.
|
|
Is it that?"
|
|
|
|
"I am just a human being--solid, needing food and drink, needing
|
|
covering too--But I'm invisible. You see? Invisible. Simple idea.
|
|
Invisible."
|
|
|
|
"What, real like?"
|
|
|
|
"Yes, real."
|
|
|
|
"Let's have a hand of you," said Marvel, "if you _are_ real. It won't
|
|
be so darn out-of-the-way like, then--Lord!" he said, "how you made
|
|
me jump!--gripping me like that!"
|
|
|
|
He felt the hand that had closed round his wrist with his disengaged
|
|
fingers, and his fingers went timorously up the arm, patted a
|
|
muscular chest, and explored a bearded face. Marvel's face was
|
|
astonishment.
|
|
|
|
"I'm dashed!" he said. "If this don't beat cock-fighting! Most
|
|
remarkable!--And there I can see a rabbit clean through you, 'arf
|
|
a mile away! Not a bit of you visible--except--"
|
|
|
|
He scrutinised the apparently empty space keenly. "You 'aven't been
|
|
eatin' bread and cheese?" he asked, holding the invisible arm.
|
|
|
|
"You're quite right, and it's not quite assimilated into the system."
|
|
|
|
"Ah!" said Mr. Marvel. "Sort of ghostly, though."
|
|
|
|
"Of course, all this isn't half so wonderful as you think."
|
|
|
|
"It's quite wonderful enough for _my_ modest wants," said Mr. Thomas
|
|
Marvel. "Howjer manage it! How the dooce is it done?"
|
|
|
|
"It's too long a story. And besides--"
|
|
|
|
"I tell you, the whole business fairly beats me," said Mr. Marvel.
|
|
|
|
"What I want to say at present is this: I need help. I have come to
|
|
that--I came upon you suddenly. I was wandering, mad with rage,
|
|
naked, impotent. I could have murdered. And I saw you--"
|
|
|
|
"Lord!" said Mr. Marvel.
|
|
|
|
"I came up behind you--hesitated--went on--"
|
|
|
|
Mr. Marvel's expression was eloquent.
|
|
|
|
"--then stopped. 'Here,' I said, 'is an outcast like myself. This is
|
|
the man for me.' So I turned back and came to you--you. And--"
|
|
|
|
"Lord!" said Mr. Marvel. "But I'm all in a tizzy. May I ask--How
|
|
is it? And what you may be requiring in the way of help?--Invisible!"
|
|
|
|
"I want you to help me get clothes--and shelter--and then, with
|
|
other things. I've left them long enough. If you won't--well! But
|
|
you will--must."
|
|
|
|
"Look here," said Mr. Marvel. "I'm too flabbergasted. Don't knock
|
|
me about any more. And leave me go. I must get steady a bit. And
|
|
you've pretty near broken my toe. It's all so unreasonable. Empty
|
|
downs, empty sky. Nothing visible for miles except the bosom of
|
|
Nature. And then comes a voice. A voice out of heaven! And stones!
|
|
And a fist--Lord!"
|
|
|
|
"Pull yourself together," said the Voice, "for you have to do the
|
|
job I've chosen for you."
|
|
|
|
Mr. Marvel blew out his cheeks, and his eyes were round.
|
|
|
|
"I've chosen you," said the Voice. "You are the only man except
|
|
some of those fools down there, who knows there is such a thing as
|
|
an invisible man. You have to be my helper. Help me--and I will
|
|
do great things for you. An invisible man is a man of power." He
|
|
stopped for a moment to sneeze violently.
|
|
|
|
"But if you betray me," he said, "if you fail to do as I direct you--"
|
|
He paused and tapped Mr. Marvel's shoulder smartly. Mr. Marvel
|
|
gave a yelp of terror at the touch. "I don't want to betray you,"
|
|
said Mr. Marvel, edging away from the direction of the fingers.
|
|
"Don't you go a-thinking that, whatever you do. All I want to do is
|
|
to help you--just tell me what I got to do. (Lord!) Whatever you
|
|
want done, that I'm most willing to do."
|
|
|
|
|
|
|
|
CHAPTER X
|
|
|
|
MR. MARVEL'S VISIT TO IPING
|
|
|
|
|
|
After the first gusty panic had spent itself Iping became
|
|
argumentative. Scepticism suddenly reared its head--rather nervous
|
|
scepticism, not at all assured of its back, but scepticism
|
|
nevertheless. It is so much easier not to believe in an invisible
|
|
man; and those who had actually seen him dissolve into air, or felt
|
|
the strength of his arm, could be counted on the fingers of two
|
|
hands. And of these witnesses Mr. Wadgers was presently missing,
|
|
having retired impregnably behind the bolts and bars of his own
|
|
house, and Jaffers was lying stunned in the parlour of the "Coach
|
|
and Horses." Great and strange ideas transcending experience often
|
|
have less effect upon men and women than smaller, more tangible
|
|
considerations. Iping was gay with bunting, and everybody was in
|
|
gala dress. Whit Monday had been looked forward to for a month or
|
|
more. By the afternoon even those who believed in the Unseen were
|
|
beginning to resume their little amusements in a tentative fashion,
|
|
on the supposition that he had quite gone away, and with the
|
|
sceptics he was already a jest. But people, sceptics and believers
|
|
alike, were remarkably sociable all that day.
|
|
|
|
Haysman's meadow was gay with a tent, in which Mrs. Bunting and
|
|
other ladies were preparing tea, while, without, the Sunday-school
|
|
children ran races and played games under the noisy guidance of the
|
|
curate and the Misses Cuss and Sackbut. No doubt there was a slight
|
|
uneasiness in the air, but people for the most part had the sense
|
|
to conceal whatever imaginative qualms they experienced. On the
|
|
village green an inclined strong, down which, clinging the while
|
|
to a pulley-swung handle, one could be hurled violently against a
|
|
sack at the other end, came in for considerable favour among the
|
|
adolescent, as also did the swings and the cocoanut shies. There
|
|
was also promenading, and the steam organ attached to a small
|
|
roundabout filled the air with a pungent flavour of oil and with
|
|
equally pungent music. Members of the club, who had attended
|
|
church in the morning, were splendid in badges of pink and green,
|
|
and some of the gayer-minded had also adorned their bowler hats
|
|
with brilliant-coloured favours of ribbon. Old Fletcher, whose
|
|
conceptions of holiday-making were severe, was visible through the
|
|
jasmine about his window or through the open door (whichever way
|
|
you chose to look), poised delicately on a plank supported on two
|
|
chairs, and whitewashing the ceiling of his front room.
|
|
|
|
About four o'clock a stranger entered the village from the direction
|
|
of the downs. He was a short, stout person in an extraordinarily
|
|
shabby top hat, and he appeared to be very much out of breath. His
|
|
cheeks were alternately limp and tightly puffed. His mottled face
|
|
was apprehensive, and he moved with a sort of reluctant alacrity. He
|
|
turned the corner of the church, and directed his way to the "Coach
|
|
and Horses." Among others old Fletcher remembers seeing him, and
|
|
indeed the old gentleman was so struck by his peculiar agitation
|
|
that he inadvertently allowed a quantity of whitewash to run down
|
|
the brush into the sleeve of his coat while regarding him.
|
|
|
|
This stranger, to the perceptions of the proprietor of the cocoanut
|
|
shy, appeared to be talking to himself, and Mr. Huxter remarked the
|
|
same thing. He stopped at the foot of the "Coach and Horses" steps,
|
|
and, according to Mr. Huxter, appeared to undergo a severe internal
|
|
struggle before he could induce himself to enter the house. Finally
|
|
he marched up the steps, and was seen by Mr. Huxter to turn to the
|
|
left and open the door of the parlour. Mr. Huxter heard voices from
|
|
within the room and from the bar apprising the man of his error.
|
|
"That room's private!" said Hall, and the stranger shut the door
|
|
clumsily and went into the bar.
|
|
|
|
In the course of a few minutes he reappeared, wiping his lips with
|
|
the back of his hand with an air of quiet satisfaction that somehow
|
|
impressed Mr. Huxter as assumed. He stood looking about him for
|
|
some moments, and then Mr. Huxter saw him walk in an oddly furtive
|
|
manner towards the gates of the yard, upon which the parlour window
|
|
opened. The stranger, after some hesitation, leant against one of
|
|
the gate-posts, produced a short clay pipe, and prepared to fill
|
|
it. His fingers trembled while doing so. He lit it clumsily, and
|
|
folding his arms began to smoke in a languid attitude, an attitude
|
|
which his occasional glances up the yard altogether belied.
|
|
|
|
All this Mr. Huxter saw over the canisters of the tobacco window,
|
|
and the singularity of the man's behaviour prompted him to maintain
|
|
his observation.
|
|
|
|
Presently the stranger stood up abruptly and put his pipe in his
|
|
pocket. Then he vanished into the yard. Forthwith Mr. Huxter,
|
|
conceiving he was witness of some petty larceny, leapt round his
|
|
counter and ran out into the road to intercept the thief. As he did
|
|
so, Mr. Marvel reappeared, his hat askew, a big bundle in a blue
|
|
table-cloth in one hand, and three books tied together--as it proved
|
|
afterwards with the Vicar's braces--in the other. Directly he saw
|
|
Huxter he gave a sort of gasp, and turning sharply to the left,
|
|
began to run. "Stop, thief!" cried Huxter, and set off after him.
|
|
Mr. Huxter's sensations were vivid but brief. He saw the man just
|
|
before him and spurting briskly for the church corner and the hill
|
|
road. He saw the village flags and festivities beyond, and a face or
|
|
so turned towards him. He bawled, "Stop!" again. He had hardly gone
|
|
ten strides before his shin was caught in some mysterious fashion,
|
|
and he was no longer running, but flying with inconceivable rapidity
|
|
through the air. He saw the ground suddenly close to his face. The
|
|
world seemed to splash into a million whirling specks of light, and
|
|
subsequent proceedings interested him no more.
|
|
|
|
|
|
|
|
CHAPTER XI
|
|
|
|
IN THE "COACH AND HORSES"
|
|
|
|
|
|
Now in order clearly to understand what had happened in the inn, it
|
|
is necessary to go back to the moment when Mr. Marvel first came
|
|
into view of Mr. Huxter's window.
|
|
|
|
At that precise moment Mr. Cuss and Mr. Bunting were in the parlour.
|
|
They were seriously investigating the strange occurrences of the
|
|
morning, and were, with Mr. Hall's permission, making a thorough
|
|
examination of the Invisible Man's belongings. Jaffers had partially
|
|
recovered from his fall and had gone home in the charge of his
|
|
sympathetic friends. The stranger's scattered garments had been
|
|
removed by Mrs. Hall and the room tidied up. And on the table under
|
|
the window where the stranger had been wont to work, Cuss had hit
|
|
almost at once on three big books in manuscript labelled "Diary."
|
|
|
|
"Diary!" said Cuss, putting the three books on the table. "Now, at
|
|
any rate, we shall learn something." The Vicar stood with his hands
|
|
on the table.
|
|
|
|
"Diary," repeated Cuss, sitting down, putting two volumes to
|
|
support the third, and opening it. "H'm--no name on the fly-leaf.
|
|
Bother!--cypher. And figures."
|
|
|
|
The vicar came round to look over his shoulder.
|
|
|
|
Cuss turned the pages over with a face suddenly disappointed.
|
|
"I'm--dear me! It's all cypher, Bunting."
|
|
|
|
"There are no diagrams?" asked Mr. Bunting. "No illustrations
|
|
throwing light--"
|
|
|
|
"See for yourself," said Mr. Cuss. "Some of it's mathematical and
|
|
some of it's Russian or some such language (to judge by the
|
|
letters), and some of it's Greek. Now the Greek I thought _you_--"
|
|
|
|
"Of course," said Mr. Bunting, taking out and wiping his spectacles
|
|
and feeling suddenly very uncomfortable--for he had no Greek
|
|
left in his mind worth talking about; "yes--the Greek, of course,
|
|
may furnish a clue."
|
|
|
|
"I'll find you a place."
|
|
|
|
"I'd rather glance through the volumes first," said Mr. Bunting,
|
|
still wiping. "A general impression first, Cuss, and _then_, you
|
|
know, we can go looking for clues."
|
|
|
|
He coughed, put on his glasses, arranged them fastidiously, coughed
|
|
again, and wished something would happen to avert the seemingly
|
|
inevitable exposure. Then he took the volume Cuss handed him in a
|
|
leisurely manner. And then something did happen.
|
|
|
|
The door opened suddenly.
|
|
|
|
Both gentlemen started violently, looked round, and were relieved
|
|
to see a sporadically rosy face beneath a furry silk hat. "Tap?"
|
|
asked the face, and stood staring.
|
|
|
|
"No," said both gentlemen at once.
|
|
|
|
"Over the other side, my man," said Mr. Bunting. And "Please shut
|
|
that door," said Mr. Cuss, irritably.
|
|
|
|
"All right," said the intruder, as it seemed in a low voice
|
|
curiously different from the huskiness of its first inquiry. "Right
|
|
you are," said the intruder in the former voice. "Stand clear!" and
|
|
he vanished and closed the door.
|
|
|
|
"A sailor, I should judge," said Mr. Bunting. "Amusing fellows, they
|
|
are. Stand clear! indeed. A nautical term, referring to his getting
|
|
back out of the room, I suppose."
|
|
|
|
"I daresay so," said Cuss. "My nerves are all loose to-day. It quite
|
|
made me jump--the door opening like that."
|
|
|
|
Mr. Bunting smiled as if he had not jumped. "And now," he said with
|
|
a sigh, "these books."
|
|
|
|
Someone sniffed as he did so.
|
|
|
|
"One thing is indisputable," said Bunting, drawing up a chair next
|
|
to that of Cuss. "There certainly have been very strange things
|
|
happen in Iping during the last few days--very strange. I cannot
|
|
of course believe in this absurd invisibility story--"
|
|
|
|
"It's incredible," said Cuss--"incredible. But the fact remains
|
|
that I saw--I certainly saw right down his sleeve--"
|
|
|
|
"But did you--are you sure? Suppose a mirror, for instance--
|
|
hallucinations are so easily produced. I don't know if you
|
|
have ever seen a really good conjuror--"
|
|
|
|
"I won't argue again," said Cuss. "We've thrashed that out,
|
|
Bunting. And just now there's these books--Ah! here's some of
|
|
what I take to be Greek! Greek letters certainly."
|
|
|
|
He pointed to the middle of the page. Mr. Bunting flushed slightly
|
|
and brought his face nearer, apparently finding some difficulty
|
|
with his glasses. Suddenly he became aware of a strange feeling at
|
|
the nape of his neck. He tried to raise his head, and encountered
|
|
an immovable resistance. The feeling was a curious pressure, the
|
|
grip of a heavy, firm hand, and it bore his chin irresistibly to
|
|
the table. "Don't move, little men," whispered a voice, "or I'll
|
|
brain you both!" He looked into the face of Cuss, close to his own,
|
|
and each saw a horrified reflection of his own sickly astonishment.
|
|
|
|
"I'm sorry to handle you so roughly," said the Voice, "but it's
|
|
unavoidable."
|
|
|
|
"Since when did you learn to pry into an investigator's private
|
|
memoranda," said the Voice; and two chins struck the table
|
|
simultaneously, and two sets of teeth rattled.
|
|
|
|
"Since when did you learn to invade the private rooms of a man in
|
|
misfortune?" and the concussion was repeated.
|
|
|
|
"Where have they put my clothes?"
|
|
|
|
"Listen," said the Voice. "The windows are fastened and I've taken
|
|
the key out of the door. I am a fairly strong man, and I have the
|
|
poker handy--besides being invisible. There's not the slightest
|
|
doubt that I could kill you both and get away quite easily if I
|
|
wanted to--do you understand? Very well. If I let you go will you
|
|
promise not to try any nonsense and do what I tell you?"
|
|
|
|
The vicar and the doctor looked at one another, and the doctor
|
|
pulled a face. "Yes," said Mr. Bunting, and the doctor repeated it.
|
|
Then the pressure on the necks relaxed, and the doctor and the
|
|
vicar sat up, both very red in the face and wriggling their heads.
|
|
|
|
"Please keep sitting where you are," said the Invisible Man.
|
|
"Here's the poker, you see."
|
|
|
|
"When I came into this room," continued the Invisible Man, after
|
|
presenting the poker to the tip of the nose of each of his visitors,
|
|
"I did not expect to find it occupied, and I expected to find, in
|
|
addition to my books of memoranda, an outfit of clothing. Where is
|
|
it? No--don't rise. I can see it's gone. Now, just at present,
|
|
though the days are quite warm enough for an invisible man to run
|
|
about stark, the evenings are quite chilly. I want clothing--and
|
|
other accommodation; and I must also have those three books."
|
|
|
|
|
|
|
|
CHAPTER XII
|
|
|
|
THE INVISIBLE MAN LOSES HIS TEMPER
|
|
|
|
|
|
It is unavoidable that at this point the narrative should break off
|
|
again, for a certain very painful reason that will presently be
|
|
apparent. While these things were going on in the parlour, and
|
|
while Mr. Huxter was watching Mr. Marvel smoking his pipe against
|
|
the gate, not a dozen yards away were Mr. Hall and Teddy Henfrey
|
|
discussing in a state of cloudy puzzlement the one Iping topic.
|
|
|
|
Suddenly there came a violent thud against the door of the parlour,
|
|
a sharp cry, and then--silence.
|
|
|
|
"Hul-lo!" said Teddy Henfrey.
|
|
|
|
"Hul-lo!" from the Tap.
|
|
|
|
Mr. Hall took things in slowly but surely. "That ain't right," he
|
|
said, and came round from behind the bar towards the parlour door.
|
|
|
|
He and Teddy approached the door together, with intent faces. Their
|
|
eyes considered. "Summat wrong," said Hall, and Henfrey nodded
|
|
agreement. Whiffs of an unpleasant chemical odour met them, and
|
|
there was a muffled sound of conversation, very rapid and subdued.
|
|
|
|
"You all right thur?" asked Hall, rapping.
|
|
|
|
The muttered conversation ceased abruptly, for a moment silence,
|
|
then the conversation was resumed, in hissing whispers, then a
|
|
sharp cry of "No! no, you don't!" There came a sudden motion and
|
|
the oversetting of a chair, a brief struggle. Silence again.
|
|
|
|
"What the dooce?" exclaimed Henfrey, sotto voce.
|
|
|
|
"You--all--right thur?" asked Mr. Hall, sharply, again.
|
|
|
|
The Vicar's voice answered with a curious jerking intonation:
|
|
"Quite ri-right. Please don't--interrupt."
|
|
|
|
"Odd!" said Mr. Henfrey.
|
|
|
|
"Odd!" said Mr. Hall.
|
|
|
|
"Says, 'Don't interrupt,'" said Henfrey.
|
|
|
|
"I heerd'n," said Hall.
|
|
|
|
"And a sniff," said Henfrey.
|
|
|
|
They remained listening. The conversation was rapid and subdued.
|
|
"I can't," said Mr. Bunting, his voice rising; "I tell you, sir,
|
|
I will not."
|
|
|
|
"What was that?" asked Henfrey.
|
|
|
|
"Says he wi' nart," said Hall. "Warn't speaking to us, wuz he?"
|
|
|
|
"Disgraceful!" said Mr. Bunting, within.
|
|
|
|
"'Disgraceful,'" said Mr. Henfrey. "I heard it--distinct."
|
|
|
|
"Who's that speaking now?" asked Henfrey.
|
|
|
|
"Mr. Cuss, I s'pose," said Hall. "Can you hear--anything?"
|
|
|
|
Silence. The sounds within indistinct and perplexing.
|
|
|
|
"Sounds like throwing the table-cloth about," said Hall.
|
|
|
|
Mrs. Hall appeared behind the bar. Hall made gestures of silence and
|
|
invitation. This aroused Mrs. Hall's wifely opposition. "What yer
|
|
listenin' there for, Hall?" she asked. "Ain't you nothin' better to
|
|
do--busy day like this?"
|
|
|
|
Hall tried to convey everything by grimaces and dumb show, but Mrs.
|
|
Hall was obdurate. She raised her voice. So Hall and Henfrey, rather
|
|
crestfallen, tiptoed back to the bar, gesticulating to explain to
|
|
her.
|
|
|
|
At first she refused to see anything in what they had heard at
|
|
all. Then she insisted on Hall keeping silence, while Henfrey told
|
|
her his story. She was inclined to think the whole business
|
|
nonsense--perhaps they were just moving the furniture about. "I
|
|
heerd'n say 'disgraceful'; _that_ I did," said Hall.
|
|
|
|
"_I_ heerd that, Mrs. Hall," said Henfrey.
|
|
|
|
"Like as not--" began Mrs. Hall.
|
|
|
|
"Hsh!" said Mr. Teddy Henfrey. "Didn't I hear the window?"
|
|
|
|
"What window?" asked Mrs. Hall.
|
|
|
|
"Parlour window," said Henfrey.
|
|
|
|
Everyone stood listening intently. Mrs. Hall's eyes, directed
|
|
straight before her, saw without seeing the brilliant oblong of the
|
|
inn door, the road white and vivid, and Huxter's shop-front
|
|
blistering in the June sun. Abruptly Huxter's door opened and Huxter
|
|
appeared, eyes staring with excitement, arms gesticulating. "Yap!"
|
|
cried Huxter. "Stop thief!" and he ran obliquely across the oblong
|
|
towards the yard gates, and vanished.
|
|
|
|
Simultaneously came a tumult from the parlour, and a sound of
|
|
windows being closed.
|
|
|
|
Hall, Henfrey, and the human contents of the tap rushed out at once
|
|
pell-mell into the street. They saw someone whisk round the corner
|
|
towards the road, and Mr. Huxter executing a complicated leap in
|
|
the air that ended on his face and shoulder. Down the street people
|
|
were standing astonished or running towards them.
|
|
|
|
Mr. Huxter was stunned. Henfrey stopped to discover this, but Hall
|
|
and the two labourers from the Tap rushed at once to the corner,
|
|
shouting incoherent things, and saw Mr. Marvel vanishing by the
|
|
corner of the church wall. They appear to have jumped to the
|
|
impossible conclusion that this was the Invisible Man suddenly
|
|
become visible, and set off at once along the lane in pursuit. But
|
|
Hall had hardly run a dozen yards before he gave a loud shout of
|
|
astonishment and went flying headlong sideways, clutching one of
|
|
the labourers and bringing him to the ground. He had been charged
|
|
just as one charges a man at football. The second labourer came
|
|
round in a circle, stared, and conceiving that Hall had tumbled
|
|
over of his own accord, turned to resume the pursuit, only to be
|
|
tripped by the ankle just as Huxter had been. Then, as the first
|
|
labourer struggled to his feet, he was kicked sideways by a blow
|
|
that might have felled an ox.
|
|
|
|
As he went down, the rush from the direction of the village green
|
|
came round the corner. The first to appear was the proprietor of
|
|
the cocoanut shy, a burly man in a blue jersey. He was astonished
|
|
to see the lane empty save for three men sprawling absurdly on the
|
|
ground. And then something happened to his rear-most foot, and he
|
|
went headlong and rolled sideways just in time to graze the feet
|
|
of his brother and partner, following headlong. The two were then
|
|
kicked, knelt on, fallen over, and cursed by quite a number of
|
|
over-hasty people.
|
|
|
|
Now when Hall and Henfrey and the labourers ran out of the house,
|
|
Mrs. Hall, who had been disciplined by years of experience,
|
|
remained in the bar next the till. And suddenly the parlour door
|
|
was opened, and Mr. Cuss appeared, and without glancing at her
|
|
rushed at once down the steps toward the corner. "Hold him!" he
|
|
cried. "Don't let him drop that parcel."
|
|
|
|
He knew nothing of the
|
|
existence of Marvel. For the Invisible Man had handed over the
|
|
books and bundle in the yard. The face of Mr. Cuss was angry and
|
|
resolute, but his costume was defective, a sort of limp white kilt
|
|
that could only have passed muster in Greece. "Hold him!" he
|
|
bawled. "He's got my trousers! And every stitch of the Vicar's
|
|
clothes!"
|
|
|
|
"'Tend to him in a minute!" he cried to Henfrey as he passed the
|
|
prostrate Huxter, and, coming round the corner to join the tumult,
|
|
was promptly knocked off his feet into an indecorous sprawl.
|
|
Somebody in full flight trod heavily on his finger. He yelled,
|
|
struggled to regain his feet, was knocked against and thrown on all
|
|
fours again, and became aware that he was involved not in a capture,
|
|
but a rout. Everyone was running back to the village. He rose again
|
|
and was hit severely behind the ear. He staggered and set off back
|
|
to the "Coach and Horses" forthwith, leaping over the deserted
|
|
Huxter, who was now sitting up, on his way.
|
|
|
|
Behind him as he was halfway up the inn steps he heard a sudden
|
|
yell of rage, rising sharply out of the confusion of cries, and a
|
|
sounding smack in someone's face. He recognised the voice as that
|
|
of the Invisible Man, and the note was that of a man suddenly
|
|
infuriated by a painful blow.
|
|
|
|
In another moment Mr. Cuss was back in the parlour. "He's coming
|
|
back, Bunting!" he said, rushing in. "Save yourself!"
|
|
|
|
Mr. Bunting was standing in the window engaged in an attempt to
|
|
clothe himself in the hearth-rug and a West Surrey Gazette. "Who's
|
|
coming?" he said, so startled that his costume narrowly escaped
|
|
disintegration.
|
|
|
|
"Invisible Man," said Cuss, and rushed on to the window. "We'd
|
|
better clear out from here! He's fighting mad! Mad!"
|
|
|
|
In another moment he was out in the yard.
|
|
|
|
"Good heavens!" said Mr. Bunting, hesitating between two horrible
|
|
alternatives. He heard a frightful struggle in the passage of the
|
|
inn, and his decision was made. He clambered out of the window,
|
|
adjusted his costume hastily, and fled up the village as fast as
|
|
his fat little legs would carry him.
|
|
|
|
From the moment when the Invisible Man screamed with rage and Mr.
|
|
Bunting made his memorable flight up the village, it became
|
|
impossible to give a consecutive account of affairs in Iping.
|
|
Possibly the Invisible Man's original intention was simply to cover
|
|
Marvel's retreat with the clothes and books. But his temper, at no
|
|
time very good, seems to have gone completely at some chance blow,
|
|
and forthwith he set to smiting and overthrowing, for the mere
|
|
satisfaction of hurting.
|
|
|
|
You must figure the street full of running figures, of doors
|
|
slamming and fights for hiding-places. You must figure the tumult
|
|
suddenly striking on the unstable equilibrium of old Fletcher's
|
|
planks and two chairs--with cataclysmic results. You must figure
|
|
an appalled couple caught dismally in a swing. And then the whole
|
|
tumultuous rush has passed and the Iping street with its gauds and
|
|
flags is deserted save for the still raging unseen, and littered
|
|
with cocoanuts, overthrown canvas screens, and the scattered stock
|
|
in trade of a sweetstuff stall. Everywhere there is a sound of
|
|
closing shutters and shoving bolts, and the only visible humanity
|
|
is an occasional flitting eye under a raised eyebrow in the corner
|
|
of a window pane.
|
|
|
|
The Invisible Man amused himself for a little while by breaking all
|
|
the windows in the "Coach and Horses," and then he thrust a street
|
|
lamp through the parlour window of Mrs. Gribble. He it must have
|
|
been who cut the telegraph wire to Adderdean just beyond Higgins'
|
|
cottage on the Adderdean road. And after that, as his peculiar
|
|
qualities allowed, he passed out of human perceptions altogether,
|
|
and he was neither heard, seen, nor felt in Iping any more. He
|
|
vanished absolutely.
|
|
|
|
But it was the best part of two hours before any human being
|
|
ventured out again into the desolation of Iping street.
|
|
|
|
|
|
|
|
CHAPTER XIII
|
|
|
|
MR. MARVEL DISCUSSES HIS RESIGNATION
|
|
|
|
|
|
When the dusk was gathering and Iping was just beginning to peep
|
|
timorously forth again upon the shattered wreckage of its Bank
|
|
Holiday, a short, thick-set man in a shabby silk hat was marching
|
|
painfully through the twilight behind the beechwoods on the road to
|
|
Bramblehurst. He carried three books bound together by some sort
|
|
of ornamental elastic ligature, and a bundle wrapped in a blue
|
|
table-cloth. His rubicund face expressed consternation and fatigue;
|
|
he appeared to be in a spasmodic sort of hurry. He was accompanied
|
|
by a voice other than his own, and ever and again he winced under
|
|
the touch of unseen hands.
|
|
|
|
"If you give me the slip again," said the Voice, "if you attempt to
|
|
give me the slip again--"
|
|
|
|
"Lord!" said Mr. Marvel. "That shoulder's a mass of bruises as it
|
|
is."
|
|
|
|
"On my honour," said the Voice, "I will kill you."
|
|
|
|
"I didn't try to give you the slip," said Marvel, in a voice that
|
|
was not far remote from tears. "I swear I didn't. I didn't know the
|
|
blessed turning, that was all! How the devil was I to know the
|
|
blessed turning? As it is, I've been knocked about--"
|
|
|
|
"You'll get knocked about a great deal more if you don't mind,"
|
|
said the Voice, and Mr. Marvel abruptly became silent. He blew out
|
|
his cheeks, and his eyes were eloquent of despair.
|
|
|
|
"It's bad enough to let these floundering yokels explode my little
|
|
secret, without _your_ cutting off with my books. It's lucky for some
|
|
of them they cut and ran when they did! Here am I ... No one knew I
|
|
was invisible! And now what am I to do?"
|
|
|
|
"What am _I_ to do?" asked Marvel, sotto voce.
|
|
|
|
"It's all about. It will be in the papers! Everybody will be
|
|
looking for me; everyone on their guard--" The Voice broke off
|
|
into vivid curses and ceased.
|
|
|
|
The despair of Mr. Marvel's face deepened, and his pace slackened.
|
|
|
|
"Go on!" said the Voice.
|
|
|
|
Mr. Marvel's face assumed a greyish tint between the ruddier
|
|
patches.
|
|
|
|
"Don't drop those books, stupid," said the Voice, sharply--overtaking
|
|
him.
|
|
|
|
"The fact is," said the Voice, "I shall have to make use of you....
|
|
You're a poor tool, but I must."
|
|
|
|
"I'm a _miserable_ tool," said Marvel.
|
|
|
|
"You are," said the Voice.
|
|
|
|
"I'm the worst possible tool you could have," said Marvel.
|
|
|
|
"I'm not strong," he said after a discouraging silence.
|
|
|
|
"I'm not over strong," he repeated.
|
|
|
|
"No?"
|
|
|
|
"And my heart's weak. That little business--I pulled it through,
|
|
of course--but bless you! I could have dropped."
|
|
|
|
"Well?"
|
|
|
|
"I haven't the nerve and strength for the sort of thing you want."
|
|
|
|
"_I'll_ stimulate you."
|
|
|
|
"I wish you wouldn't. I wouldn't like to mess up your plans, you
|
|
know. But I might--out of sheer funk and misery."
|
|
|
|
"You'd better not," said the Voice, with quiet emphasis.
|
|
|
|
"I wish I was dead," said Marvel.
|
|
|
|
"It ain't justice," he said; "you must admit.... It seems to me I've
|
|
a perfect right--"
|
|
|
|
"_Get_ on!" said the Voice.
|
|
|
|
Mr. Marvel mended his pace, and for a time they went in silence
|
|
again.
|
|
|
|
"It's devilish hard," said Mr. Marvel.
|
|
|
|
This was quite ineffectual. He tried another tack.
|
|
|
|
"What do I make by it?" he began again in a tone of unendurable
|
|
wrong.
|
|
|
|
"Oh! _shut_up_!" said the Voice, with sudden amazing vigour. "I'll
|
|
see to you all right. You do what you're told. You'll do it all
|
|
right. You're a fool and all that, but you'll do--"
|
|
|
|
"I tell you, sir, I'm not the man for it. Respectfully--but
|
|
it _is_ so--"
|
|
|
|
"If you don't shut up I shall twist your wrist again," said the
|
|
Invisible Man. "I want to think."
|
|
|
|
Presently two oblongs of yellow light appeared through the trees,
|
|
and the square tower of a church loomed through the gloaming. "I
|
|
shall keep my hand on your shoulder," said the Voice, "all through
|
|
the village. Go straight through and try no foolery. It will be the
|
|
worse for you if you do."
|
|
|
|
"I know that," sighed Mr. Marvel, "I know all that."
|
|
|
|
The unhappy-looking figure in the obsolete silk hat passed up the
|
|
street of the little village with his burdens, and vanished into
|
|
the gathering darkness beyond the lights of the windows.
|
|
|
|
|
|
|
|
CHAPTER XIV
|
|
|
|
AT PORT STOWE
|
|
|
|
|
|
Ten o'clock the next morning found Mr. Marvel, unshaven, dirty, and
|
|
travel-stained, sitting with the books beside him and his hands deep
|
|
in his pockets, looking very weary, nervous, and uncomfortable, and
|
|
inflating his cheeks at infrequent intervals, on the bench outside
|
|
a little inn on the outskirts of Port Stowe. Beside him were the
|
|
books, but now they were tied with string. The bundle had been
|
|
abandoned in the pine-woods beyond Bramblehurst, in accordance with
|
|
a charge in the plans of the Invisible Man. Mr. Marvel sat on the
|
|
bench, and although no one took the slightest notice of him, his
|
|
agitation remained at fever heat. His hands would go ever and again
|
|
to his various pockets with a curious nervous fumbling.
|
|
|
|
When he had been sitting for the best part of an hour, however, an
|
|
elderly mariner, carrying a newspaper, came out of the inn and sat
|
|
down beside him. "Pleasant day," said the mariner.
|
|
|
|
Mr. Marvel glanced about him with something very like terror.
|
|
"Very," he said.
|
|
|
|
"Just seasonable weather for the time of year," said the mariner,
|
|
taking no denial.
|
|
|
|
"Quite," said Mr. Marvel.
|
|
|
|
The mariner produced a toothpick, and (saving his regard) was
|
|
engrossed thereby for some minutes. His eyes meanwhile were at
|
|
liberty to examine Mr. Marvel's dusty figure, and the books beside
|
|
him. As he had approached Mr. Marvel he had heard a sound like the
|
|
dropping of coins into a pocket. He was struck by the contrast of
|
|
Mr. Marvel's appearance with this suggestion of opulence. Thence
|
|
his mind wandered back again to a topic that had taken a curiously
|
|
firm hold of his imagination.
|
|
|
|
"Books?" he said suddenly, noisily finishing with the toothpick.
|
|
|
|
Mr. Marvel started and looked at them. "Oh, yes," he said. "Yes,
|
|
they're books."
|
|
|
|
"There's some ex-traordinary things in books," said the mariner.
|
|
|
|
"I believe you," said Mr. Marvel.
|
|
|
|
"And some extra-ordinary things out of 'em," said the mariner.
|
|
|
|
"True likewise," said Mr. Marvel. He eyed his interlocutor, and
|
|
then glanced about him.
|
|
|
|
"There's some extra-ordinary things in newspapers, for example,"
|
|
said the mariner.
|
|
|
|
"There are."
|
|
|
|
"In _this_ newspaper," said the mariner.
|
|
|
|
"Ah!" said Mr. Marvel.
|
|
|
|
"There's a story," said the mariner, fixing Mr. Marvel with an eye
|
|
that was firm and deliberate; "there's a story about an Invisible
|
|
Man, for instance."
|
|
|
|
Mr. Marvel pulled his mouth askew and scratched his cheek and felt
|
|
his ears glowing. "What will they be writing next?" he asked
|
|
faintly. "Ostria, or America?"
|
|
|
|
"Neither," said the mariner. "_Here_."
|
|
|
|
"Lord!" said Mr. Marvel, starting.
|
|
|
|
"When I say _here_," said the mariner, to Mr. Marvel's intense
|
|
relief, "I don't of course mean here in this place, I mean
|
|
hereabouts."
|
|
|
|
"An Invisible Man!" said Mr. Marvel. "And what's _he_ been up to?"
|
|
|
|
"Everything," said the mariner, controlling Marvel with his eye,
|
|
and then amplifying, "every--blessed--thing."
|
|
|
|
"I ain't seen a paper these four days," said Marvel.
|
|
|
|
"Iping's the place he started at," said the mariner.
|
|
|
|
"In-deed!" said Mr. Marvel.
|
|
|
|
"He started there. And where he came from, nobody don't seem to
|
|
know. Here it is: 'Pe-culiar Story from Iping.' And it says in this
|
|
paper that the evidence is extra-ordinary strong--extra-ordinary."
|
|
|
|
"Lord!" said Mr. Marvel.
|
|
|
|
"But then, it's an extra-ordinary story. There is a clergyman and a
|
|
medical gent witnesses--saw 'im all right and proper--or leastways
|
|
didn't see 'im. He was staying, it says, at the 'Coach an' Horses,'
|
|
and no one don't seem to have been aware of his misfortune, it says,
|
|
aware of his misfortune, until in an Altercation in the inn, it
|
|
says, his bandages on his head was torn off. It was then ob-served
|
|
that his head was invisible. Attempts were At Once made to secure
|
|
him, but casting off his garments, it says, he succeeded in
|
|
escaping, but not until after a desperate struggle, in which he
|
|
had inflicted serious injuries, it says, on our worthy and able
|
|
constable, Mr. J. A. Jaffers. Pretty straight story, eh? Names and
|
|
everything."
|
|
|
|
"Lord!" said Mr. Marvel, looking nervously about him, trying to
|
|
count the money in his pockets by his unaided sense of touch, and
|
|
full of a strange and novel idea. "It sounds most astonishing."
|
|
|
|
"Don't it? Extra-ordinary, _I_ call it. Never heard tell of Invisible
|
|
Men before, I haven't, but nowadays one hears such a lot of
|
|
extra-ordinary things--that--"
|
|
|
|
"That all he did?" asked Marvel, trying to seem at his ease.
|
|
|
|
"It's enough, ain't it?" said the mariner.
|
|
|
|
"Didn't go Back by any chance?" asked Marvel. "Just escaped and
|
|
that's all, eh?"
|
|
|
|
"All!" said the mariner. "Why!--ain't it enough?"
|
|
|
|
"Quite enough," said Marvel.
|
|
|
|
"I should think it was enough," said the mariner. "I should think
|
|
it was enough."
|
|
|
|
"He didn't have any pals--it don't say he had any pals, does it?"
|
|
asked Mr. Marvel, anxious.
|
|
|
|
"Ain't one of a sort enough for you?" asked the mariner. "No, thank
|
|
Heaven, as one might say, he didn't."
|
|
|
|
He nodded his head slowly. "It makes me regular uncomfortable,
|
|
the bare thought of that chap running about the country! He is at
|
|
present At Large, and from certain evidence it is supposed that he
|
|
has--taken--took, I suppose they mean--the road to Port Stowe. You
|
|
see we're right _in_ it! None of your American wonders, this time.
|
|
And just think of the things he might do! Where'd you be, if he took
|
|
a drop over and above, and had a fancy to go for you? Suppose he
|
|
wants to rob--who can prevent him? He can trespass, he can burgle,
|
|
he could walk through a cordon of policemen as easy as me or you
|
|
could give the slip to a blind man! Easier! For these here blind
|
|
chaps hear uncommon sharp, I'm told. And wherever there was liquor
|
|
he fancied--"
|
|
|
|
"He's got a tremenjous advantage, certainly," said Mr. Marvel.
|
|
"And--well..."
|
|
|
|
"You're right," said the mariner. "He _has_."
|
|
|
|
All this time Mr. Marvel had been glancing about him intently,
|
|
listening for faint footfalls, trying to detect imperceptible
|
|
movements. He seemed on the point of some great resolution. He
|
|
coughed behind his hand.
|
|
|
|
He looked about him again, listened, bent towards the mariner, and
|
|
lowered his voice: "The fact of it is--I happen--to know just a
|
|
thing or two about this Invisible Man. From private sources."
|
|
|
|
"Oh!" said the mariner, interested. "_You_?"
|
|
|
|
"Yes," said Mr. Marvel. "Me."
|
|
|
|
"Indeed!" said the mariner. "And may I ask--"
|
|
|
|
"You'll be astonished," said Mr. Marvel behind his hand. "It's
|
|
tremenjous."
|
|
|
|
"Indeed!" said the mariner.
|
|
|
|
"The fact is," began Mr. Marvel eagerly in a confidential undertone.
|
|
Suddenly his expression changed marvellously. "Ow!" he said. He rose
|
|
stiffly in his seat. His face was eloquent of physical suffering.
|
|
"Wow!" he said.
|
|
|
|
"What's up?" said the mariner, concerned.
|
|
|
|
"Toothache," said Mr. Marvel, and put his hand to his ear. He caught
|
|
hold of his books. "I must be getting on, I think," he said. He
|
|
edged in a curious way along the seat away from his interlocutor.
|
|
"But you was just a-going to tell me about this here Invisible Man!"
|
|
protested the mariner. Mr. Marvel seemed to consult with himself.
|
|
"Hoax," said a Voice. "It's a hoax," said Mr. Marvel.
|
|
|
|
"But it's in the paper," said the mariner.
|
|
|
|
"Hoax all the same," said Marvel. "I know the chap that started the
|
|
lie. There ain't no Invisible Man whatsoever--Blimey."
|
|
|
|
"But how 'bout this paper? D'you mean to say--?"
|
|
|
|
"Not a word of it," said Marvel, stoutly.
|
|
|
|
The mariner stared, paper in hand. Mr. Marvel jerkily faced about.
|
|
"Wait a bit," said the mariner, rising and speaking slowly, "D'you
|
|
mean to say--?"
|
|
|
|
"I do," said Mr. Marvel.
|
|
|
|
"Then why did you let me go on and tell you all this blarsted
|
|
stuff, then? What d'yer mean by letting a man make a fool of
|
|
himself like that for? Eh?"
|
|
|
|
Mr. Marvel blew out his cheeks. The mariner was suddenly very red
|
|
indeed; he clenched his hands. "I been talking here this ten
|
|
minutes," he said; "and you, you little pot-bellied, leathery-faced
|
|
son of an old boot, couldn't have the elementary manners--"
|
|
|
|
"Don't you come bandying words with me," said Mr. Marvel.
|
|
|
|
"Bandying words! I'm a jolly good mind--"
|
|
|
|
"Come up," said a Voice, and Mr. Marvel was suddenly whirled about
|
|
and started marching off in a curious spasmodic manner. "You'd
|
|
better move on," said the mariner. "Who's moving on?" said Mr.
|
|
Marvel. He was receding obliquely with a curious hurrying gait, with
|
|
occasional violent jerks forward. Some way along the road he began
|
|
a muttered monologue, protests and recriminations.
|
|
|
|
"Silly devil!" said the mariner, legs wide apart, elbows akimbo,
|
|
watching the receding figure. "I'll show you, you silly ass--
|
|
hoaxing _me_! It's here--on the paper!"
|
|
|
|
Mr. Marvel retorted incoherently and, receding, was hidden by a bend
|
|
in the road, but the mariner still stood magnificent in the midst
|
|
of the way, until the approach of a butcher's cart dislodged him.
|
|
Then he turned himself towards Port Stowe. "Full of extra-ordinary
|
|
asses," he said softly to himself. "Just to take me down a bit--that
|
|
was his silly game--It's on the paper!"
|
|
|
|
And there was another extraordinary thing he was presently to hear,
|
|
that had happened quite close to him. And that was a vision of a
|
|
"fist full of money" (no less) travelling without visible agency,
|
|
along by the wall at the corner of St. Michael's Lane. A brother
|
|
mariner had seen this wonderful sight that very morning. He had
|
|
snatched at the money forthwith and had been knocked headlong, and
|
|
when he had got to his feet the butterfly money had vanished. Our
|
|
mariner was in the mood to believe anything, he declared, but that
|
|
was a bit _too_ stiff. Afterwards, however, he began to think things
|
|
over.
|
|
|
|
The story of the flying money was true. And all about that
|
|
neighbourhood, even from the august London and Country Banking
|
|
Company, from the tills of shops and inns--doors standing that sunny
|
|
weather entirely open--money had been quietly and dexterously making
|
|
off that day in handfuls and rouleaux, floating quietly along by
|
|
walls and shady places, dodging quickly from the approaching eyes of
|
|
men. And it had, though no man had traced it, invariably ended its
|
|
mysterious flight in the pocket of that agitated gentleman in the
|
|
obsolete silk hat, sitting outside the little inn on the outskirts
|
|
of Port Stowe.
|
|
|
|
It was ten days after--and indeed only when the Burdock story was
|
|
already old--that the mariner collated these facts and began to
|
|
understand how near he had been to the wonderful Invisible Man.
|
|
|
|
|
|
|
|
CHAPTER XV
|
|
|
|
THE MAN WHO WAS RUNNING
|
|
|
|
|
|
In the early evening time Dr. Kemp was sitting in his study in the
|
|
belvedere on the hill overlooking Burdock. It was a pleasant little
|
|
room, with three windows--north, west, and south--and bookshelves
|
|
covered with books and scientific publications, and a broad
|
|
writing-table, and, under the north window, a microscope, glass
|
|
slips, minute instruments, some cultures, and scattered bottles of
|
|
reagents. Dr. Kemp's solar lamp was lit, albeit the sky was still
|
|
bright with the sunset light, and his blinds were up because there
|
|
was no offence of peering outsiders to require them pulled down.
|
|
Dr. Kemp was a tall and slender young man, with flaxen hair and a
|
|
moustache almost white, and the work he was upon would earn him, he
|
|
hoped, the fellowship of the Royal Society, so highly did he think
|
|
of it.
|
|
|
|
And his eye, presently wandering from his work, caught the sunset
|
|
blazing at the back of the hill that is over against his own. For a
|
|
minute perhaps he sat, pen in mouth, admiring the rich golden
|
|
colour above the crest, and then his attention was attracted by the
|
|
little figure of a man, inky black, running over the hill-brow
|
|
towards him. He was a shortish little man, and he wore a high hat,
|
|
and he was running so fast that his legs verily twinkled.
|
|
|
|
"Another of those fools," said Dr. Kemp. "Like that ass who ran
|
|
into me this morning round a corner, with the ''Visible Man
|
|
a-coming, sir!' I can't imagine what possess people. One might
|
|
think we were in the thirteenth century."
|
|
|
|
He got up, went to the window, and stared at the dusky hillside, and
|
|
the dark little figure tearing down it. "He seems in a confounded
|
|
hurry," said Dr. Kemp, "but he doesn't seem to be getting on. If
|
|
his pockets were full of lead, he couldn't run heavier."
|
|
|
|
"Spurted, sir," said Dr. Kemp.
|
|
|
|
In another moment the higher of the villas that had clambered up the
|
|
hill from Burdock had occulted the running figure. He was visible
|
|
again for a moment, and again, and then again, three times between
|
|
the three detached houses that came next, and then the terrace hid
|
|
him.
|
|
|
|
"Asses!" said Dr. Kemp, swinging round on his heel and walking
|
|
back to his writing-table.
|
|
|
|
But those who saw the fugitive nearer, and perceived the abject
|
|
terror on his perspiring face, being themselves in the open roadway,
|
|
did not share in the doctor's contempt. By the man pounded, and as
|
|
he ran he chinked like a well-filled purse that is tossed to and
|
|
fro. He looked neither to the right nor the left, but his dilated
|
|
eyes stared straight downhill to where the lamps were being lit, and
|
|
the people were crowded in the street. And his ill-shaped mouth fell
|
|
apart, and a glairy foam lay on his lips, and his breath came hoarse
|
|
and noisy. All he passed stopped and began staring up the road and
|
|
down, and interrogating one another with an inkling of discomfort
|
|
for the reason of his haste.
|
|
|
|
And then presently, far up the hill, a dog playing in the road
|
|
yelped and ran under a gate, and as they still wondered
|
|
something--a wind--a pad, pad, pad,--a sound like a panting breathing,
|
|
rushed by.
|
|
|
|
People screamed. People sprang off the pavement: It passed in
|
|
shouts, it passed by instinct down the hill. They were shouting in
|
|
the street before Marvel was halfway there. They were bolting into
|
|
houses and slamming the doors behind them, with the news. He heard
|
|
it and made one last desperate spurt. Fear came striding by, rushed
|
|
ahead of him, and in a moment had seized the town.
|
|
|
|
"The Invisible Man is coming! The Invisible Man!"
|
|
|
|
|
|
|
|
CHAPTER XVI
|
|
|
|
IN THE "JOLLY CRICKETERS"
|
|
|
|
|
|
The "Jolly Cricketers" is just at the bottom of the hill, where the
|
|
tram-lines begin. The barman leant his fat red arms on the counter
|
|
and talked of horses with an anaemic cabman, while a black-bearded
|
|
man in grey snapped up biscuit and cheese, drank Burton, and
|
|
conversed in American with a policeman off duty.
|
|
|
|
"What's the shouting about!" said the anaemic cabman, going off at a
|
|
tangent, trying to see up the hill over the dirty yellow blind in
|
|
the low window of the inn. Somebody ran by outside. "Fire, perhaps,"
|
|
said the barman.
|
|
|
|
Footsteps approached, running heavily, the door was pushed open
|
|
violently, and Marvel, weeping and dishevelled, his hat gone, the
|
|
neck of his coat torn open, rushed in, made a convulsive turn, and
|
|
attempted to shut the door. It was held half open by a strap.
|
|
|
|
"Coming!" he bawled, his voice shrieking with terror. "He's coming.
|
|
The 'Visible Man! After me! For Gawd's sake! 'Elp! 'Elp! 'Elp!"
|
|
|
|
"Shut the doors," said the policeman. "Who's coming? What's the
|
|
row?" He went to the door, released the strap, and it slammed. The
|
|
American closed the other door.
|
|
|
|
"Lemme go inside," said Marvel, staggering and weeping, but still
|
|
clutching the books. "Lemme go inside. Lock me in--somewhere. I
|
|
tell you he's after me. I give him the slip. He said he'd kill me
|
|
and he will."
|
|
|
|
"_You're_ safe," said the man with the black beard. "The door's shut.
|
|
What's it all about?"
|
|
|
|
"Lemme go inside," said Marvel, and shrieked aloud as a blow
|
|
suddenly made the fastened door shiver and was followed by a hurried
|
|
rapping and a shouting outside. "Hullo," cried the policeman, "who's
|
|
there?" Mr. Marvel began to make frantic dives at panels that looked
|
|
like doors. "He'll kill me--he's got a knife or something. For
|
|
Gawd's sake--!"
|
|
|
|
"Here you are," said the barman. "Come in here." And he held up the
|
|
flap of the bar.
|
|
|
|
Mr. Marvel rushed behind the bar as the summons outside was
|
|
repeated. "Don't open the door," he screamed. "_Please_ don't open
|
|
the door. _Where_ shall I hide?"
|
|
|
|
"This, this Invisible Man, then?" asked the man with the black
|
|
beard, with one hand behind him. "I guess it's about time we saw
|
|
him."
|
|
|
|
The window of the inn was suddenly smashed in, and there was a
|
|
screaming and running to and fro in the street. The policeman had
|
|
been standing on the settee staring out, craning to see who was at
|
|
the door. He got down with raised eyebrows. "It's that," he said.
|
|
The barman stood in front of the bar-parlour door which was now
|
|
locked on Mr. Marvel, stared at the smashed window, and came round
|
|
to the two other men.
|
|
|
|
Everything was suddenly quiet. "I wish I had my truncheon," said
|
|
the policeman, going irresolutely to the door. "Once we open, in he
|
|
comes. There's no stopping him."
|
|
|
|
"Don't you be in too much hurry about that door," said the anaemic
|
|
cabman, anxiously.
|
|
|
|
"Draw the bolts," said the man with the black beard, "and if he
|
|
comes--" He showed a revolver in his hand.
|
|
|
|
"That won't do," said the policeman; "that's murder."
|
|
|
|
"I know what country I'm in," said the man with the beard. "I'm
|
|
going to let off at his legs. Draw the bolts."
|
|
|
|
"Not with that blinking thing going off behind me," said the
|
|
barman, craning over the blind.
|
|
|
|
"Very well," said the man with the black beard, and stooping down,
|
|
revolver ready, drew them himself. Barman, cabman, and policeman
|
|
faced about.
|
|
|
|
"Come in," said the bearded man in an undertone, standing back and
|
|
facing the unbolted doors with his pistol behind him. No one came
|
|
in, the door remained closed. Five minutes afterwards when a second
|
|
cabman pushed his head in cautiously, they were still waiting, and
|
|
an anxious face peered out of the bar-parlour and supplied
|
|
information. "Are all the doors of the house shut?" asked Marvel.
|
|
"He's going round--prowling round. He's as artful as the devil."
|
|
|
|
"Good Lord!" said the burly barman. "There's the back! Just watch
|
|
them doors! I say--!" He looked about him helplessly. The
|
|
bar-parlour door slammed and they heard the key turn. "There's
|
|
the yard door and the private door. The yard door--"
|
|
|
|
He rushed out of the bar.
|
|
|
|
In a minute he reappeared with a carving-knife in his hand. "The
|
|
yard door was open!" he said, and his fat underlip dropped. "He may
|
|
be in the house now!" said the first cabman.
|
|
|
|
"He's not in the kitchen," said the barman. "There's two women
|
|
there, and I've stabbed every inch of it with this little beef
|
|
slicer. And they don't think he's come in. They haven't noticed--"
|
|
|
|
"Have you fastened it?" asked the first cabman.
|
|
|
|
"I'm out of frocks," said the barman.
|
|
|
|
The man with the beard replaced his revolver. And even as he did so
|
|
the flap of the bar was shut down and the bolt clicked, and then
|
|
with a tremendous thud the catch of the door snapped and the
|
|
bar-parlour door burst open. They heard Marvel squeal like a caught
|
|
leveret, and forthwith they were clambering over the bar to his
|
|
rescue. The bearded man's revolver cracked and the looking-glass at
|
|
the back of the parlour starred and came smashing and tinkling down.
|
|
|
|
As the barman entered the room he saw Marvel, curiously crumpled up
|
|
and struggling against the door that led to the yard and kitchen.
|
|
The door flew open while the barman hesitated, and Marvel was
|
|
dragged into the kitchen. There was a scream and a clatter of pans.
|
|
Marvel, head down, and lugging back obstinately, was forced to the
|
|
kitchen door, and the bolts were drawn.
|
|
|
|
Then the policeman, who had been trying to pass the barman, rushed
|
|
in, followed by one of the cabmen, gripped the wrist of the
|
|
invisible hand that collared Marvel, was hit in the face and went
|
|
reeling back. The door opened, and Marvel made a frantic effort to
|
|
obtain a lodgment behind it. Then the cabman collared something.
|
|
"I got him," said the cabman. The barman's red hands came clawing
|
|
at the unseen. "Here he is!" said the barman.
|
|
|
|
Mr. Marvel, released, suddenly dropped to the ground and made an
|
|
attempt to crawl behind the legs of the fighting men. The struggle
|
|
blundered round the edge of the door. The voice of the Invisible
|
|
Man was heard for the first time, yelling out sharply, as the
|
|
policeman trod on his foot. Then he cried out passionately and
|
|
his fists flew round like flails. The cabman suddenly whooped
|
|
and doubled up, kicked under the diaphragm. The door into the
|
|
bar-parlour from the kitchen slammed and covered Mr. Marvel's
|
|
retreat. The men in the kitchen found themselves clutching at and
|
|
struggling with empty air.
|
|
|
|
"Where's he gone?" cried the man with the beard. "Out?"
|
|
|
|
"This way," said the policeman, stepping into the yard and
|
|
stopping.
|
|
|
|
A piece of tile whizzed by his head and smashed among the crockery
|
|
on the kitchen table.
|
|
|
|
"I'll show him," shouted the man with the black beard, and suddenly
|
|
a steel barrel shone over the policeman's shoulder, and five
|
|
bullets had followed one another into the twilight whence the
|
|
missile had come. As he fired, the man with the beard moved his
|
|
hand in a horizontal curve, so that his shots radiated out into the
|
|
narrow yard like spokes from a wheel.
|
|
|
|
A silence followed. "Five cartridges," said the man with the black
|
|
beard. "That's the best of all. Four aces and a joker. Get a
|
|
lantern, someone, and come and feel about for his body."
|
|
|
|
|
|
|
|
CHAPTER XVII
|
|
|
|
DR. KEMP'S VISITOR
|
|
|
|
|
|
Dr. Kemp had continued writing in his study until the shots
|
|
aroused him. Crack, crack, crack, they came one after the other.
|
|
|
|
"Hullo!" said Dr. Kemp, putting his pen into his mouth again and
|
|
listening. "Who's letting off revolvers in Burdock? What are the
|
|
asses at now?"
|
|
|
|
He went to the south window, threw it up, and leaning out stared
|
|
down on the network of windows, beaded gas-lamps and shops, with its
|
|
black interstices of roof and yard that made up the town at night.
|
|
"Looks like a crowd down the hill," he said, "by 'The Cricketers,'"
|
|
and remained watching. Thence his eyes wandered over the town to far
|
|
away where the ships' lights shone, and the pier glowed--a little
|
|
illuminated, facetted pavilion like a gem of yellow light. The moon
|
|
in its first quarter hung over the westward hill, and the stars were
|
|
clear and almost tropically bright.
|
|
|
|
After five minutes, during which his mind had travelled into a
|
|
remote speculation of social conditions of the future, and lost
|
|
itself at last over the time dimension, Dr. Kemp roused himself
|
|
with a sigh, pulled down the window again, and returned to his
|
|
writing desk.
|
|
|
|
It must have been about an hour after this that the front-door bell
|
|
rang. He had been writing slackly, and with intervals of
|
|
abstraction, since the shots. He sat listening. He heard the servant
|
|
answer the door, and waited for her feet on the staircase, but she
|
|
did not come. "Wonder what that was," said Dr. Kemp.
|
|
|
|
He tried to resume his work, failed, got up, went downstairs from
|
|
his study to the landing, rang, and called over the balustrade to
|
|
the housemaid as she appeared in the hall below. "Was that a
|
|
letter?" he asked.
|
|
|
|
"Only a runaway ring, sir," she answered.
|
|
|
|
"I'm restless to-night," he said to himself. He went back to his
|
|
study, and this time attacked his work resolutely. In a little
|
|
while he was hard at work again, and the only sounds in the room
|
|
were the ticking of the clock and the subdued shrillness of his
|
|
quill, hurrying in the very centre of the circle of light his
|
|
lampshade threw on his table.
|
|
|
|
It was two o'clock before Dr. Kemp had finished his work for the
|
|
night. He rose, yawned, and went downstairs to bed. He had already
|
|
removed his coat and vest, when he noticed that he was thirsty. He
|
|
took a candle and went down to the dining-room in search of a
|
|
syphon and whiskey.
|
|
|
|
Dr. Kemp's scientific pursuits have made him a very observant
|
|
man, and as he recrossed the hall, he noticed a dark spot on the
|
|
linoleum near the mat at the foot of the stairs. He went on
|
|
upstairs, and then it suddenly occurred to him to ask himself what
|
|
the spot on the linoleum might be. Apparently some subconscious
|
|
element was at work. At any rate, he turned with his burden, went
|
|
back to the hall, put down the syphon and whiskey, and bending
|
|
down, touched the spot. Without any great surprise he found it had
|
|
the stickiness and colour of drying blood.
|
|
|
|
He took up his burden again, and returned upstairs, looking about
|
|
him and trying to account for the blood-spot. On the landing he saw
|
|
something and stopped astonished. The door-handle of his own room
|
|
was blood-stained.
|
|
|
|
He looked at his own hand. It was quite clean, and then he
|
|
remembered that the door of his room had been open when he came down
|
|
from his study, and that consequently he had not touched the handle
|
|
at all. He went straight into his room, his face quite calm--perhaps
|
|
a trifle more resolute than usual. His glance, wandering
|
|
inquisitively, fell on the bed. On the counterpane was a mess of
|
|
blood, and the sheet had been torn. He had not noticed this before
|
|
because he had walked straight to the dressing-table. On the further
|
|
side the bedclothes were depressed as if someone had been recently
|
|
sitting there.
|
|
|
|
Then he had an odd impression that he had heard a low voice say,
|
|
"Good Heavens!--Kemp!" But Dr. Kemp was no believer in voices.
|
|
|
|
He stood staring at the tumbled sheets. Was that really a voice? He
|
|
looked about again, but noticed nothing further than the disordered
|
|
and blood-stained bed. Then he distinctly heard a movement across
|
|
the room, near the wash-hand stand. All men, however highly
|
|
educated, retain some superstitious inklings. The feeling that is
|
|
called "eerie" came upon him. He closed the door of the room, came
|
|
forward to the dressing-table, and put down his burdens. Suddenly,
|
|
with a start, he perceived a coiled and blood-stained bandage of
|
|
linen rag hanging in mid-air, between him and the wash-hand stand.
|
|
|
|
He stared at this in amazement. It was an empty bandage, a bandage
|
|
properly tied but quite empty. He would have advanced to grasp it,
|
|
but a touch arrested him, and a voice speaking quite close to him.
|
|
|
|
"Kemp!" said the Voice.
|
|
|
|
"Eh?" said Kemp, with his mouth open.
|
|
|
|
"Keep your nerve," said the Voice. "I'm an Invisible Man."
|
|
|
|
Kemp made no answer for a space, simply stared at the bandage.
|
|
"Invisible Man," he said.
|
|
|
|
"I am an Invisible Man," repeated the Voice.
|
|
|
|
The story he had been active to ridicule only that morning rushed
|
|
through Kemp's brain. He does not appear to have been either very
|
|
much frightened or very greatly surprised at the moment.
|
|
Realisation came later.
|
|
|
|
"I thought it was all a lie," he said. The thought uppermost in his
|
|
mind was the reiterated arguments of the morning. "Have you a
|
|
bandage on?" he asked.
|
|
|
|
"Yes," said the Invisible Man.
|
|
|
|
"Oh!" said Kemp, and then roused himself. "I say!" he said. "But
|
|
this is nonsense. It's some trick." He stepped forward suddenly,
|
|
and his hand, extended towards the bandage, met invisible fingers.
|
|
|
|
He recoiled at the touch and his colour changed.
|
|
|
|
"Keep steady, Kemp, for God's sake! I want help badly. Stop!"
|
|
|
|
The hand gripped his arm. He struck at it.
|
|
|
|
"Kemp!" cried the Voice. "Kemp! Keep steady!" and the grip
|
|
tightened.
|
|
|
|
A frantic desire to free himself took possession of Kemp. The hand
|
|
of the bandaged arm gripped his shoulder, and he was suddenly
|
|
tripped and flung backwards upon the bed. He opened his mouth to
|
|
shout, and the corner of the sheet was thrust between his teeth.
|
|
The Invisible Man had him down grimly, but his arms were free and
|
|
he struck and tried to kick savagely.
|
|
|
|
"Listen to reason, will you?" said the Invisible Man, sticking to
|
|
him in spite of a pounding in the ribs. "By Heaven! you'll madden
|
|
me in a minute!
|
|
|
|
"Lie still, you fool!" bawled the Invisible Man in Kemp's ear.
|
|
|
|
Kemp struggled for another moment and then lay still.
|
|
|
|
"If you shout, I'll smash your face," said the Invisible Man,
|
|
relieving his mouth.
|
|
|
|
"I'm an Invisible Man. It's no foolishness, and no magic. I really
|
|
am an Invisible Man. And I want your help. I don't want to hurt
|
|
you, but if you behave like a frantic rustic, I must. Don't you
|
|
remember me, Kemp? Griffin, of University College?"
|
|
|
|
"Let me get up," said Kemp. "I'll stop where I am. And let me sit
|
|
quiet for a minute."
|
|
|
|
He sat up and felt his neck.
|
|
|
|
"I am Griffin, of University College, and I have made myself
|
|
invisible. I am just an ordinary man--a man you have known--made
|
|
invisible."
|
|
|
|
"Griffin?" said Kemp.
|
|
|
|
"Griffin," answered the Voice. A younger student than you were,
|
|
almost an albino, six feet high, and broad, with a pink and white
|
|
face and red eyes, who won the medal for chemistry."
|
|
|
|
"I am confused," said Kemp. "My brain is rioting. What has this to
|
|
do with Griffin?"
|
|
|
|
"I _am_ Griffin."
|
|
|
|
Kemp thought. "It's horrible," he said. "But what devilry must
|
|
happen to make a man invisible?"
|
|
|
|
"It's no devilry. It's a process, sane and intelligible enough--"
|
|
|
|
"It's horrible!" said Kemp. "How on earth--?"
|
|
|
|
"It's horrible enough. But I'm wounded and in pain, and tired ...
|
|
Great God! Kemp, you are a man. Take it steady. Give me some food
|
|
and drink, and let me sit down here."
|
|
|
|
Kemp stared at the bandage as it moved across the room, then saw a
|
|
basket chair dragged across the floor and come to rest near the bed.
|
|
It creaked, and the seat was depressed the quarter of an inch or so.
|
|
He rubbed his eyes and felt his neck again. "This beats ghosts," he
|
|
said, and laughed stupidly.
|
|
|
|
"That's better. Thank Heaven, you're getting sensible!"
|
|
|
|
"Or silly," said Kemp, and knuckled his eyes.
|
|
|
|
"Give me some whiskey. I'm near dead."
|
|
|
|
"It didn't feel so. Where are you? If I get up shall I run into you?
|
|
_There_! all right. Whiskey? Here. Where shall I give it to you?"
|
|
|
|
The chair creaked and Kemp felt the glass drawn away from him. He
|
|
let go by an effort; his instinct was all against it. It came to
|
|
rest poised twenty inches above the front edge of the seat of the
|
|
chair. He stared at it in infinite perplexity. "This is--this
|
|
must be--hypnotism. You have suggested you are invisible."
|
|
|
|
"Nonsense," said the Voice.
|
|
|
|
"It's frantic."
|
|
|
|
"Listen to me."
|
|
|
|
"I demonstrated conclusively this morning," began Kemp, "that
|
|
invisibility--"
|
|
|
|
"Never mind what you've demonstrated!--I'm starving," said the
|
|
Voice, "and the night is chilly to a man without clothes."
|
|
|
|
"Food?" said Kemp.
|
|
|
|
The tumbler of whiskey tilted itself. "Yes," said the Invisible Man
|
|
rapping it down. "Have you a dressing-gown?"
|
|
|
|
Kemp made some exclamation in an undertone. He walked to a wardrobe
|
|
and produced a robe of dingy scarlet. "This do?" he asked. It was
|
|
taken from him. It hung limp for a moment in mid-air, fluttered
|
|
weirdly, stood full and decorous buttoning itself, and sat down in
|
|
his chair. "Drawers, socks, slippers would be a comfort," said the
|
|
Unseen, curtly. "And food."
|
|
|
|
"Anything. But this is the insanest thing I ever was in, in my
|
|
life!"
|
|
|
|
He turned out his drawers for the articles, and then went downstairs
|
|
to ransack his larder. He came back with some cold cutlets and
|
|
bread, pulled up a light table, and placed them before his guest.
|
|
"Never mind knives," said his visitor, and a cutlet hung in mid-air,
|
|
with a sound of gnawing.
|
|
|
|
"Invisible!" said Kemp, and sat down on a bedroom chair.
|
|
|
|
"I always like to get something about me before I eat," said the
|
|
Invisible Man, with a full mouth, eating greedily. "Queer fancy!"
|
|
|
|
"I suppose that wrist is all right," said Kemp.
|
|
|
|
"Trust me," said the Invisible Man.
|
|
|
|
"Of all the strange and wonderful--"
|
|
|
|
"Exactly. But it's odd I should blunder into _your_ house to get my
|
|
bandaging. My first stroke of luck! Anyhow I meant to sleep in this
|
|
house to-night. You must stand that! It's a filthy nuisance, my
|
|
blood showing, isn't it? Quite a clot over there. Gets visible as
|
|
it coagulates, I see. It's only the living tissue I've changed, and
|
|
only for as long as I'm alive.... I've been in the house three hours."
|
|
|
|
"But how's it done?" began Kemp, in a tone of exasperation.
|
|
"Confound it! The whole business--it's unreasonable from
|
|
beginning to end."
|
|
|
|
"Quite reasonable," said the Invisible Man. "Perfectly reasonable."
|
|
|
|
He reached over and secured the whiskey bottle. Kemp stared at the
|
|
devouring dressing gown. A ray of candle-light penetrating a torn
|
|
patch in the right shoulder, made a triangle of light under the
|
|
left ribs. "What were the shots?" he asked. "How did the shooting
|
|
begin?"
|
|
|
|
"There was a real fool of a man--a sort of confederate of
|
|
mine--curse him!--who tried to steal my money. Has done so."
|
|
|
|
"Is he invisible too?"
|
|
|
|
"No."
|
|
|
|
"Well?"
|
|
|
|
"Can't I have some more to eat before I tell you all that? I'm
|
|
hungry--in pain. And you want me to tell stories!"
|
|
|
|
Kemp got up. "_You_ didn't do any shooting?" he asked.
|
|
|
|
"Not me," said his visitor. "Some fool I'd never seen fired at
|
|
random. A lot of them got scared. They all got scared at me. Curse
|
|
them!--I say--I want more to eat than this, Kemp."
|
|
|
|
"I'll see what there is to eat downstairs," said Kemp. "Not much,
|
|
I'm afraid."
|
|
|
|
After he had done eating, and he made a heavy meal, the Invisible
|
|
Man demanded a cigar. He bit the end savagely before Kemp could
|
|
find a knife, and cursed when the outer leaf loosened. It was
|
|
strange to see him smoking; his mouth, and throat, pharynx and
|
|
nares, became visible as a sort of whirling smoke cast.
|
|
|
|
"This blessed gift of smoking!" he said, and puffed vigorously.
|
|
"I'm lucky to have fallen upon you, Kemp. You must help me. Fancy
|
|
tumbling on you just now! I'm in a devilish scrape--I've been mad,
|
|
I think. The things I have been through! But we will do things yet.
|
|
Let me tell you--"
|
|
|
|
He helped himself to more whiskey and soda. Kemp got up, looked
|
|
about him, and fetched a glass from his spare room. "It's wild--but
|
|
I suppose I may drink."
|
|
|
|
"You haven't changed much, Kemp, these dozen years. You fair men
|
|
don't. Cool and methodical--after the first collapse. I must tell
|
|
you. We will work together!"
|
|
|
|
"But how was it all done?" said Kemp, "and how did you get like
|
|
this?"
|
|
|
|
"For God's sake, let me smoke in peace for a little while! And then
|
|
I will begin to tell you."
|
|
|
|
But the story was not told that night. The Invisible Man's wrist
|
|
was growing painful; he was feverish, exhausted, and his mind came
|
|
round to brood upon his chase down the hill and the struggle about
|
|
the inn. He spoke in fragments of Marvel, he smoked faster, his
|
|
voice grew angry. Kemp tried to gather what he could.
|
|
|
|
"He was afraid of me, I could see that he was afraid of me," said
|
|
the Invisible Man many times over. "He meant to give me the slip--he
|
|
was always casting about! What a fool I was!"
|
|
|
|
"The cur!
|
|
|
|
"I should have killed him!"
|
|
|
|
"Where did you get the money?" asked Kemp, abruptly.
|
|
|
|
The Invisible Man was silent for a space. "I can't tell you
|
|
to-night," he said.
|
|
|
|
He groaned suddenly and leant forward, supporting his invisible
|
|
head on invisible hands. "Kemp," he said, "I've had no sleep for
|
|
near three days, except a couple of dozes of an hour or so. I
|
|
must sleep soon."
|
|
|
|
"Well, have my room--have this room."
|
|
|
|
"But how can I sleep? If I sleep--he will get away. Ugh! What
|
|
does it matter?"
|
|
|
|
"What's the shot wound?" asked Kemp, abruptly.
|
|
|
|
"Nothing--scratch and blood. Oh, God! How I want sleep!"
|
|
|
|
"Why not?"
|
|
|
|
The Invisible Man appeared to be regarding Kemp. "Because I've a
|
|
particular objection to being caught by my fellow-men," he said
|
|
slowly.
|
|
|
|
Kemp started.
|
|
|
|
"Fool that I am!" said the Invisible Man, striking the table
|
|
smartly. "I've put the idea into your head."
|
|
|
|
|
|
|
|
CHAPTER XVIII
|
|
|
|
THE INVISIBLE MAN SLEEPS
|
|
|
|
|
|
Exhausted and wounded as the Invisible Man was, he refused to accept
|
|
Kemp's word that his freedom should be respected. He examined the
|
|
two windows of the bedroom, drew up the blinds and opened the
|
|
sashes, to confirm Kemp's statement that a retreat by them would be
|
|
possible. Outside the night was very quiet and still, and the new
|
|
moon was setting over the down. Then he examined the keys of the
|
|
bedroom and the two dressing-room doors, to satisfy himself that
|
|
these also could be made an assurance of freedom. Finally he
|
|
expressed himself satisfied. He stood on the hearth rug and Kemp
|
|
heard the sound of a yawn.
|
|
|
|
"I'm sorry," said the Invisible Man, "if I cannot tell you all that
|
|
I have done to-night. But I am worn out. It's grotesque, no doubt.
|
|
It's horrible! But believe me, Kemp, in spite of your arguments of
|
|
this morning, it is quit a possible thing. I have made a discovery.
|
|
I meant to keep it to myself. I can't. I must have a partner. And
|
|
you.... We can do such things ... But to-morrow. Now, Kemp, I feel
|
|
as though I must sleep or perish."
|
|
|
|
Kemp stood in the middle of the room staring at the headless
|
|
garment. "I suppose I must leave you," he said. "It's--
|
|
incredible. Three things happening like this, overturning all
|
|
my preconceptions--would make me insane. But it's real! Is
|
|
there anything more that I can get you?"
|
|
|
|
"Only bid me good-night," said Griffin.
|
|
|
|
"Good-night," said Kemp, and shook an invisible hand. He walked
|
|
sideways to the door. Suddenly the dressing-gown walked quickly
|
|
towards him. "Understand me!" said the dressing-gown. "No attempts
|
|
to hamper me, or capture me! Or--"
|
|
|
|
Kemp's face changed a little. "I thought I gave you my word," he
|
|
said.
|
|
|
|
Kemp closed the door softly behind him, and the key was turned upon
|
|
him forthwith. Then, as he stood with an expression of passive
|
|
amazement on his face, the rapid feet came to the door of the
|
|
dressing-room and that too was locked. Kemp slapped his brow with
|
|
his hand. "Am I dreaming? Has the world gone mad--or have I?"
|
|
|
|
He laughed, and put his hand to the locked door. "Barred out of my
|
|
own bedroom, by a flagrant absurdity!" he said.
|
|
|
|
He walked to the head of the staircase, turned, and stared at the
|
|
locked doors. "It's fact," he said. He put his fingers to his
|
|
slightly bruised neck. "Undeniable fact!
|
|
|
|
"But--"
|
|
|
|
He shook his head hopelessly, turned, and went downstairs.
|
|
|
|
He lit the dining-room lamp, got out a cigar, and began pacing the
|
|
room, ejaculating. Now and then he would argue with himself.
|
|
|
|
"Invisible!" he said.
|
|
|
|
"Is there such a thing as an invisible animal? ... In the sea, yes.
|
|
Thousands--millions. All the larvae, all the little nauplii and
|
|
tornarias, all the microscopic things, the jelly-fish. In the sea
|
|
there are more things invisible than visible! I never thought of
|
|
that before. And in the ponds too! All those little pond-life
|
|
things--specks of colourless translucent jelly! But in air? No!
|
|
|
|
"It can't be.
|
|
|
|
"But after all--why not?
|
|
|
|
"If a man was made of glass he would still be visible."
|
|
|
|
His meditation became profound. The bulk of three cigars had passed
|
|
into the invisible or diffused as a white ash over the carpet before
|
|
he spoke again. Then it was merely an exclamation. He turned aside,
|
|
walked out of the room, and went into his little consulting-room and
|
|
lit the gas there. It was a little room, because Dr. Kemp did not
|
|
live by practice, and in it were the day's newspapers. The morning's
|
|
paper lay carelessly opened and thrown aside. He caught it up,
|
|
turned it over, and read the account of a "Strange Story from Iping"
|
|
that the mariner at Port Stowe had spelt over so painfully to Mr.
|
|
Marvel. Kemp read it swiftly.
|
|
|
|
"Wrapped up!" said Kemp. "Disguised! Hiding it! 'No one seems to
|
|
have been aware of his misfortune.' What the devil _is_ his game?"
|
|
|
|
He dropped the paper, and his eye went seeking. "Ah!" he said, and
|
|
caught up the St. James' Gazette, lying folded up as it arrived.
|
|
"Now we shall get at the truth," said Dr. Kemp. He rent the paper
|
|
open; a couple of columns confronted him. "An Entire Village in
|
|
Sussex goes Mad" was the heading.
|
|
|
|
"Good Heavens!" said Kemp, reading eagerly an incredulous account
|
|
of the events in Iping, of the previous afternoon, that have
|
|
already been described. Over the leaf the report in the morning
|
|
paper had been reprinted.
|
|
|
|
He re-read it. "Ran through the streets striking right and left.
|
|
Jaffers insensible. Mr. Huxter in great pain--still unable to
|
|
describe what he saw. Painful humiliation--vicar. Woman ill with
|
|
terror! Windows smashed. This extraordinary story probably a
|
|
fabrication. Too good not to print--cum grano!"
|
|
|
|
He dropped the paper and stared blankly in front of him. "Probably
|
|
a fabrication!"
|
|
|
|
He caught up the paper again, and re-read the whole business. "But
|
|
when does the Tramp come in? Why the deuce was he chasing a tramp?"
|
|
|
|
He sat down abruptly on the surgical bench. "He's not only
|
|
invisible," he said, "but he's mad! Homicidal!"
|
|
|
|
When dawn came to mingle its pallor with the lamp-light and cigar
|
|
smoke of the dining-room, Kemp was still pacing up and down, trying
|
|
to grasp the incredible.
|
|
|
|
He was altogether too excited to sleep. His servants, descending
|
|
sleepily, discovered him, and were inclined to think that
|
|
over-study had worked this ill on him. He gave them extraordinary
|
|
but quite explicit instructions to lay breakfast for two in the
|
|
belvedere study--and then to confine themselves to the basement
|
|
and ground-floor. Then he continued to pace the dining-room until
|
|
the morning's paper came. That had much to say and little to tell,
|
|
beyond the confirmation of the evening before, and a very badly
|
|
written account of another remarkable tale from Port Burdock. This
|
|
gave Kemp the essence of the happenings at the "Jolly Cricketers,"
|
|
and the name of Marvel. "He has made me keep with him twenty-four
|
|
hours," Marvel testified. Certain minor facts were added to the
|
|
Iping story, notably the cutting of the village telegraph-wire.
|
|
But there was nothing to throw light on the connexion between
|
|
the Invisible Man and the Tramp; for Mr. Marvel had supplied no
|
|
information about the three books, or the money with which he was
|
|
lined. The incredulous tone had vanished and a shoal of reporters
|
|
and inquirers were already at work elaborating the matter.
|
|
|
|
Kemp read every scrap of the report and sent his housemaid out to
|
|
get everyone of the morning papers she could. These also he
|
|
devoured.
|
|
|
|
"He is invisible!" he said. "And it reads like rage growing to
|
|
mania! The things he may do! The things he may do! And he's
|
|
upstairs free as the air. What on earth ought I to do?"
|
|
|
|
"For instance, would it be a breach of faith if--? No."
|
|
|
|
He went to a little untidy desk in the corner, and began a note. He
|
|
tore this up half written, and wrote another. He read it over and
|
|
considered it. Then he took an envelope and addressed it to "Colonel
|
|
Adye, Port Burdock."
|
|
|
|
The Invisible Man awoke even as Kemp was doing this. He awoke in an
|
|
evil temper, and Kemp, alert for every sound, heard his pattering
|
|
feet rush suddenly across the bedroom overhead. Then a chair was
|
|
flung over and the wash-hand stand tumbler smashed. Kemp hurried
|
|
upstairs and rapped eagerly.
|
|
|
|
|
|
|
|
CHAPTER XIX
|
|
|
|
CERTAIN FIRST PRINCIPLES
|
|
|
|
|
|
"What's the matter?" asked Kemp, when the Invisible Man admitted him.
|
|
|
|
"Nothing," was the answer.
|
|
|
|
"But, confound it! The smash?"
|
|
|
|
"Fit of temper," said the Invisible Man. "Forgot this arm; and it's
|
|
sore."
|
|
|
|
"You're rather liable to that sort of thing."
|
|
|
|
"I am."
|
|
|
|
Kemp walked across the room and picked up the fragments of broken
|
|
glass. "All the facts are out about you," said Kemp, standing up
|
|
with the glass in his hand; "all that happened in Iping, and down
|
|
the hill. The world has become aware of its invisible citizen. But
|
|
no one knows you are here."
|
|
|
|
The Invisible Man swore.
|
|
|
|
"The secret's out. I gather it was a secret. I don't know what your
|
|
plans are, but of course I'm anxious to help you."
|
|
|
|
The Invisible Man sat down on the bed.
|
|
|
|
"There's breakfast upstairs," said Kemp, speaking as easily as
|
|
possible, and he was delighted to find his strange guest rose
|
|
willingly. Kemp led the way up the narrow staircase to the
|
|
belvedere.
|
|
|
|
"Before we can do anything else," said Kemp, "I must understand a
|
|
little more about this invisibility of yours." He had sat down,
|
|
after one nervous glance out of the window, with the air of a man
|
|
who has talking to do. His doubts of the sanity of the entire
|
|
business flashed and vanished again as he looked across to
|
|
where Griffin sat at the breakfast-table--a headless, handless
|
|
dressing-gown, wiping unseen lips on a miraculously held serviette.
|
|
|
|
"It's simple enough--and credible enough," said Griffin, putting
|
|
the serviette aside and leaning the invisible head on an invisible
|
|
hand.
|
|
|
|
"No doubt, to you, but--" Kemp laughed.
|
|
|
|
"Well, yes; to me it seemed wonderful at first, no doubt. But now,
|
|
great God! ... But we will do great things yet! I came on the stuff
|
|
first at Chesilstowe."
|
|
|
|
"Chesilstowe?"
|
|
|
|
"I went there after I left London. You know I dropped medicine and
|
|
took up physics? No; well, I did. _Light_ fascinated me."
|
|
|
|
"Ah!"
|
|
|
|
"Optical density! The whole subject is a network of riddles--a
|
|
network with solutions glimmering elusively through. And being but
|
|
two-and-twenty and full of enthusiasm, I said, 'I will devote my
|
|
life to this. This is worth while.' You know what fools we are at
|
|
two-and-twenty?"
|
|
|
|
"Fools then or fools now," said Kemp.
|
|
|
|
"As though knowing could be any satisfaction to a man!
|
|
|
|
"But I went to work--like a slave. And I had hardly worked and
|
|
thought about the matter six months before light came through one
|
|
of the meshes suddenly--blindingly! I found a general principle
|
|
of pigments and refraction--a formula, a geometrical expression
|
|
involving four dimensions. Fools, common men, even common
|
|
mathematicians, do not know anything of what some general expression
|
|
may mean to the student of molecular physics. In the books--the
|
|
books that tramp has hidden--there are marvels, miracles! But this
|
|
was not a method, it was an idea, that might lead to a method by
|
|
which it would be possible, without changing any other property of
|
|
matter--except, in some instances colours--to lower the refractive
|
|
index of a substance, solid or liquid, to that of air--so far as all
|
|
practical purposes are concerned."
|
|
|
|
"Phew!" said Kemp. "That's odd! But still I don't see quite ... I
|
|
can understand that thereby you could spoil a valuable stone, but
|
|
personal invisibility is a far cry."
|
|
|
|
"Precisely," said Griffin. "But consider, visibility depends on the
|
|
action of the visible bodies on light. Either a body absorbs light,
|
|
or it reflects or refracts it, or does all these things. If it
|
|
neither reflects nor refracts nor absorbs light, it cannot of
|
|
itself be visible. You see an opaque red box, for instance, because
|
|
the colour absorbs some of the light and reflects the rest, all the
|
|
red part of the light, to you. If it did not absorb any particular
|
|
part of the light, but reflected it all, then it would be a shining
|
|
white box. Silver! A diamond box would neither absorb much of the
|
|
light nor reflect much from the general surface, but just here
|
|
and there where the surfaces were favourable the light would
|
|
be reflected and refracted, so that you would get a brilliant
|
|
appearance of flashing reflections and translucencies--a sort of
|
|
skeleton of light. A glass box would not be so brilliant, not so
|
|
clearly visible, as a diamond box, because there would be less
|
|
refraction and reflection. See that? From certain points of view
|
|
you would see quite clearly through it. Some kinds of glass would
|
|
be more visible than others, a box of flint glass would be brighter
|
|
than a box of ordinary window glass. A box of very thin common
|
|
glass would be hard to see in a bad light, because it would absorb
|
|
hardly any light and refract and reflect very little. And if you
|
|
put a sheet of common white glass in water, still more if you
|
|
put it in some denser liquid than water, it would vanish almost
|
|
altogether, because light passing from water to glass is only
|
|
slightly refracted or reflected or indeed affected in any way.
|
|
It is almost as invisible as a jet of coal gas or hydrogen is in
|
|
air. And for precisely the same reason!"
|
|
|
|
"Yes," said Kemp, "that is pretty plain sailing."
|
|
|
|
"And here is another fact you will know to be true. If a sheet of
|
|
glass is smashed, Kemp, and beaten into a powder, it becomes much
|
|
more visible while it is in the air; it becomes at last an opaque
|
|
white powder. This is because the powdering multiplies the surfaces
|
|
of the glass at which refraction and reflection occur. In the sheet
|
|
of glass there are only two surfaces; in the powder the light is
|
|
reflected or refracted by each grain it passes through, and very
|
|
little gets right through the powder. But if the white powdered
|
|
glass is put into water, it forthwith vanishes. The powdered glass
|
|
and water have much the same refractive index; that is, the light
|
|
undergoes very little refraction or reflection in passing from one
|
|
to the other.
|
|
|
|
"You make the glass invisible by putting it into a liquid of nearly
|
|
the same refractive index; a transparent thing becomes invisible if
|
|
it is put in any medium of almost the same refractive index. And if
|
|
you will consider only a second, you will see also that the powder
|
|
of glass might be made to vanish in air, if its refractive index
|
|
could be made the same as that of air; for then there would be no
|
|
refraction or reflection as the light passed from glass to air."
|
|
|
|
"Yes, yes," said Kemp. "But a man's not powdered glass!"
|
|
|
|
"No," said Griffin. "He's more transparent!"
|
|
|
|
"Nonsense!"
|
|
|
|
"That from a doctor! How one forgets! Have you already forgotten
|
|
your physics, in ten years? Just think of all the things that are
|
|
transparent and seem not to be so. Paper, for instance, is made up
|
|
of transparent fibres, and it is white and opaque only for the same
|
|
reason that a powder of glass is white and opaque. Oil white paper,
|
|
fill up the interstices between the particles with oil so that there
|
|
is no longer refraction or reflection except at the surfaces, and
|
|
it becomes as transparent as glass. And not only paper, but cotton
|
|
fibre, linen fibre, wool fibre, woody fibre, and _bone_, Kemp,
|
|
_flesh_, Kemp, _hair_, Kemp, _nails_ and _nerves_, Kemp, in fact
|
|
the whole fabric of a man except the red of his blood and the black
|
|
pigment of hair, are all made up of transparent, colourless tissue.
|
|
So little suffices to make us visible one to the other. For the
|
|
most part the fibres of a living creature are no more opaque than
|
|
water."
|
|
|
|
"Great Heavens!" cried Kemp. "Of course, of course! I was thinking
|
|
only last night of the sea larvae and all jelly-fish!"
|
|
|
|
"_Now_ you have me! And all that I knew and had in mind a year after
|
|
I left London--six years ago. But I kept it to myself. I had to do
|
|
my work under frightful disadvantages. Oliver, my professor, was a
|
|
scientific bounder, a journalist by instinct, a thief of ideas--he
|
|
was always prying! And you know the knavish system of the scientific
|
|
world. I simply would not publish, and let him share my credit. I
|
|
went on working; I got nearer and nearer making my formula into an
|
|
experiment, a reality. I told no living soul, because I meant to
|
|
flash my work upon the world with crushing effect and become famous
|
|
at a blow. I took up the question of pigments to fill up certain
|
|
gaps. And suddenly, not by design but by accident, I made a
|
|
discovery in physiology."
|
|
|
|
"Yes?"
|
|
|
|
"You know the red colouring matter of blood; it can be made
|
|
white--colourless--and remain with all the functions it has now!"
|
|
|
|
Kemp gave a cry of incredulous amazement.
|
|
|
|
The Invisible Man rose and began pacing the little study. "You may
|
|
well exclaim. I remember that night. It was late at night--in the
|
|
daytime one was bothered with the gaping, silly students--and I
|
|
worked then sometimes till dawn. It came suddenly, splendid and
|
|
complete in my mind. I was alone; the laboratory was still, with the
|
|
tall lights burning brightly and silently. In all my great moments
|
|
I have been alone. 'One could make an animal--a tissue--transparent!
|
|
One could make it invisible! All except the pigments--I could be
|
|
invisible!' I said, suddenly realising what it meant to be an albino
|
|
with such knowledge. It was overwhelming. I left the filtering I was
|
|
doing, and went and stared out of the great window at the stars.
|
|
'I could be invisible!' I repeated.
|
|
|
|
"To do such a thing would be to transcend magic. And I beheld,
|
|
unclouded by doubt, a magnificent vision of all that invisibility
|
|
might mean to a man--the mystery, the power, the freedom. Drawbacks
|
|
I saw none. You have only to think! And I, a shabby, poverty-struck,
|
|
hemmed-in demonstrator, teaching fools in a provincial college,
|
|
might suddenly become--this. I ask you, Kemp if _you_ ... Anyone, I
|
|
tell you, would have flung himself upon that research. And I worked
|
|
three years, and every mountain of difficulty I toiled over showed
|
|
another from its summit. The infinite details! And the exasperation!
|
|
A professor, a provincial professor, always prying. 'When are you
|
|
going to publish this work of yours?' was his everlasting question.
|
|
And the students, the cramped means! Three years I had of it--
|
|
|
|
"And after three years of secrecy and exasperation, I found that to
|
|
complete it was impossible--impossible."
|
|
|
|
"How?" asked Kemp.
|
|
|
|
"Money," said the Invisible Man, and went again to stare out of the
|
|
window.
|
|
|
|
He turned around abruptly. "I robbed the old man--robbed my
|
|
father.
|
|
|
|
"The money was not his, and he shot himself."
|
|
|
|
|
|
|
|
CHAPTER XX
|
|
|
|
AT THE HOUSE IN GREAT PORTLAND STREET
|
|
|
|
|
|
For a moment Kemp sat in silence, staring at the back of the
|
|
headless figure at the window. Then he started, struck by a thought,
|
|
rose, took the Invisible Man's arm, and turned him away from the
|
|
outlook.
|
|
|
|
"You are tired," he said, "and while I sit, you walk about. Have
|
|
my chair."
|
|
|
|
He placed himself between Griffin and the nearest window.
|
|
|
|
For a space Griffin sat silent, and then he resumed abruptly:
|
|
|
|
"I had left the Chesilstowe cottage already," he said, "when that
|
|
happened. It was last December. I had taken a room in London, a
|
|
large unfurnished room in a big ill-managed lodging-house in a slum
|
|
near Great Portland Street. The room was soon full of the appliances
|
|
I had bought with his money; the work was going on steadily,
|
|
successfully, drawing near an end. I was like a man emerging from a
|
|
thicket, and suddenly coming on some unmeaning tragedy. I went to
|
|
bury him. My mind was still on this research, and I did not lift
|
|
a finger to save his character. I remember the funeral, the cheap
|
|
hearse, the scant ceremony, the windy frost-bitten hillside, and the
|
|
old college friend of his who read the service over him--a shabby,
|
|
black, bent old man with a snivelling cold.
|
|
|
|
"I remember walking back to the empty house, through the place that
|
|
had once been a village and was now patched and tinkered by the
|
|
jerry builders into the ugly likeness of a town. Every way the
|
|
roads ran out at last into the desecrated fields and ended in
|
|
rubble heaps and rank wet weeds. I remember myself as a gaunt black
|
|
figure, going along the slippery, shiny pavement, and the strange
|
|
sense of detachment I felt from the squalid respectability, the
|
|
sordid commercialism of the place.
|
|
|
|
"I did not feel a bit sorry for my father. He seemed to me to be
|
|
the victim of his own foolish sentimentality. The current cant
|
|
required my attendance at his funeral, but it was really not my
|
|
affair.
|
|
|
|
"But going along the High Street, my old life came back to me
|
|
for a space, for I met the girl I had known ten years since.
|
|
Our eyes met.
|
|
|
|
"Something moved me to turn back and talk to her. She was a very
|
|
ordinary person.
|
|
|
|
"It was all like a dream, that visit to the old places. I did not
|
|
feel then that I was lonely, that I had come out from the world
|
|
into a desolate place. I appreciated my loss of sympathy, but I put
|
|
it down to the general inanity of things. Re-entering my room
|
|
seemed like the recovery of reality. There were the things I knew
|
|
and loved. There stood the apparatus, the experiments arranged and
|
|
waiting. And now there was scarcely a difficulty left, beyond the
|
|
planning of details.
|
|
|
|
"I will tell you, Kemp, sooner or later, all the complicated
|
|
processes. We need not go into that now. For the most part, saving
|
|
certain gaps I chose to remember, they are written in cypher in
|
|
those books that tramp has hidden. We must hunt him down. We must
|
|
get those books again. But the essential phase was to place the
|
|
transparent object whose refractive index was to be lowered between
|
|
two radiating centres of a sort of ethereal vibration, of which I
|
|
will tell you more fully later. No, not those Roentgen vibrations--I
|
|
don't know that these others of mine have been described. Yet
|
|
they are obvious enough. I needed two little dynamos, and these I
|
|
worked with a cheap gas engine. My first experiment was with a bit
|
|
of white wool fabric. It was the strangest thing in the world to
|
|
see it in the flicker of the flashes soft and white, and then to
|
|
watch it fade like a wreath of smoke and vanish.
|
|
|
|
"I could scarcely believe I had done it. I put my hand into the
|
|
emptiness, and there was the thing as solid as ever. I felt it
|
|
awkwardly, and threw it on the floor. I had a little trouble
|
|
finding it again.
|
|
|
|
"And then came a curious experience. I heard a miaow behind me, and
|
|
turning, saw a lean white cat, very dirty, on the cistern cover
|
|
outside the window. A thought came into my head. 'Everything ready
|
|
for you,' I said, and went to the window, opened it, and called
|
|
softly. She came in, purring--the poor beast was starving--and
|
|
I gave her some milk. All my food was in a cupboard in the
|
|
corner of the room. After that she went smelling round the room,
|
|
evidently with the idea of making herself at home. The invisible
|
|
rag upset her a bit; you should have seen her spit at it! But I
|
|
made her comfortable on the pillow of my truckle-bed. And I gave
|
|
her butter to get her to wash."
|
|
|
|
"And you processed her?"
|
|
|
|
"I processed her. But giving drugs to a cat is no joke, Kemp! And
|
|
the process failed."
|
|
|
|
"Failed!"
|
|
|
|
"In two particulars. These were the claws and the pigment stuff,
|
|
what is it?--at the back of the eye in a cat. You know?"
|
|
|
|
"Tapetum."
|
|
|
|
"Yes, the tapetum. It didn't go. After I'd given the stuff to
|
|
bleach the blood and done certain other things to her, I gave the
|
|
beast opium, and put her and the pillow she was sleeping on, on the
|
|
apparatus. And after all the rest had faded and vanished, there
|
|
remained two little ghosts of her eyes."
|
|
|
|
"Odd!"
|
|
|
|
"I can't explain it. She was bandaged and clamped, of course--so
|
|
I had her safe; but she woke while she was still misty, and miaowed
|
|
dismally, and someone came knocking. It was an old woman from
|
|
downstairs, who suspected me of vivisecting--a drink-sodden old
|
|
creature, with only a white cat to care for in all the world. I
|
|
whipped out some chloroform, applied it, and answered the door.
|
|
'Did I hear a cat?' she asked. 'My cat?' 'Not here,' said I, very
|
|
politely. She was a little doubtful and tried to peer past me into
|
|
the room; strange enough to her no doubt--bare walls, uncurtained
|
|
windows, truckle-bed, with the gas engine vibrating, and the
|
|
seethe of the radiant points, and that faint ghastly stinging of
|
|
chloroform in the air. She had to be satisfied at last and went
|
|
away again."
|
|
|
|
"How long did it take?" asked Kemp.
|
|
|
|
"Three or four hours--the cat. The bones and sinews and the fat
|
|
were the last to go, and the tips of the coloured hairs. And, as I
|
|
say, the back part of the eye, tough, iridescent stuff it is,
|
|
wouldn't go at all.
|
|
|
|
"It was night outside long before the business was over, and nothing
|
|
was to be seen but the dim eyes and the claws. I stopped the gas
|
|
engine, felt for and stroked the beast, which was still insensible,
|
|
and then, being tired, left it sleeping on the invisible pillow and
|
|
went to bed. I found it hard to sleep. I lay awake thinking weak
|
|
aimless stuff, going over the experiment over and over again, or
|
|
dreaming feverishly of things growing misty and vanishing about me,
|
|
until everything, the ground I stood on, vanished, and so I came to
|
|
that sickly falling nightmare one gets. About two, the cat began
|
|
miaowing about the room. I tried to hush it by talking to it, and
|
|
then I decided to turn it out. I remember the shock I had when
|
|
striking a light--there were just the round eyes shining green--and
|
|
nothing round them. I would have given it milk, but I hadn't any. It
|
|
wouldn't be quiet, it just sat down and miaowed at the door. I tried
|
|
to catch it, with an idea of putting it out of the window, but it
|
|
wouldn't be caught, it vanished. Then it began miaowing in different
|
|
parts of the room. At last I opened the window and made a bustle. I
|
|
suppose it went out at last. I never saw any more of it.
|
|
|
|
"Then--Heaven knows why--I fell thinking of my father's funeral
|
|
again, and the dismal windy hillside, until the day had come. I
|
|
found sleeping was hopeless, and, locking my door after me,
|
|
wandered out into the morning streets."
|
|
|
|
"You don't mean to say there's an invisible cat at large!" said
|
|
Kemp.
|
|
|
|
"If it hasn't been killed," said the Invisible Man. "Why not?"
|
|
|
|
"Why not?" said Kemp. "I didn't mean to interrupt."
|
|
|
|
"It's very probably been killed," said the Invisible Man. "It
|
|
was alive four days after, I know, and down a grating in Great
|
|
Tichfield Street; because I saw a crowd round the place, trying
|
|
to see whence the miaowing came."
|
|
|
|
He was silent for the best part of a minute. Then he resumed
|
|
abruptly:
|
|
|
|
"I remember that morning before the change very vividly. I must have
|
|
gone up Great Portland Street. I remember the barracks in Albany
|
|
Street, and the horse soldiers coming out, and at last I found the
|
|
summit of Primrose Hill. It was a sunny day in January--one of those
|
|
sunny, frosty days that came before the snow this year. My weary
|
|
brain tried to formulate the position, to plot out a plan of action.
|
|
|
|
"I was surprised to find, now that my prize was within my grasp, how
|
|
inconclusive its attainment seemed. As a matter of fact I was worked
|
|
out; the intense stress of nearly four years' continuous work left
|
|
me incapable of any strength of feeling. I was apathetic, and I
|
|
tried in vain to recover the enthusiasm of my first inquiries,
|
|
the passion of discovery that had enabled me to compass even the
|
|
downfall of my father's grey hairs. Nothing seemed to matter. I saw
|
|
pretty clearly this was a transient mood, due to overwork and want
|
|
of sleep, and that either by drugs or rest it would be possible to
|
|
recover my energies.
|
|
|
|
"All I could think clearly was that the thing had to be carried
|
|
through; the fixed idea still ruled me. And soon, for the money I
|
|
had was almost exhausted. I looked about me at the hillside, with
|
|
children playing and girls watching them, and tried to think of all
|
|
the fantastic advantages an invisible man would have in the world.
|
|
After a time I crawled home, took some food and a strong dose of
|
|
strychnine, and went to sleep in my clothes on my unmade bed.
|
|
Strychnine is a grand tonic, Kemp, to take the flabbiness out of
|
|
a man."
|
|
|
|
"It's the devil," said Kemp. "It's the palaeolithic in a bottle."
|
|
|
|
"I awoke vastly invigorated and rather irritable. You know?"
|
|
|
|
"I know the stuff."
|
|
|
|
"And there was someone rapping at the door. It was my landlord
|
|
with threats and inquiries, an old Polish Jew in a long grey coat
|
|
and greasy slippers. I had been tormenting a cat in the night, he
|
|
was sure--the old woman's tongue had been busy. He insisted on
|
|
knowing all about it. The laws in this country against vivisection
|
|
were very severe--he might be liable. I denied the cat. Then the
|
|
vibration of the little gas engine could be felt all over the
|
|
house, he said. That was true, certainly. He edged round me into
|
|
the room, peering about over his German-silver spectacles, and a
|
|
sudden dread came into my mind that he might carry away something
|
|
of my secret. I tried to keep between him and the concentrating
|
|
apparatus I had arranged, and that only made him more curious. What
|
|
was I doing? Why was I always alone and secretive? Was it legal?
|
|
Was it dangerous? I paid nothing but the usual rent. His had always
|
|
been a most respectable house--in a disreputable neighbourhood.
|
|
Suddenly my temper gave way. I told him to get out. He began to
|
|
protest, to jabber of his right of entry. In a moment I had him by
|
|
the collar; something ripped, and he went spinning out into his own
|
|
passage. I slammed and locked the door and sat down quivering.
|
|
|
|
"He made a fuss outside, which I disregarded, and after a time he
|
|
went away.
|
|
|
|
"But this brought matters to a crisis. I did not know what he
|
|
would do, nor even what he had the power to do. To move to fresh
|
|
apartments would have meant delay; altogether I had barely twenty
|
|
pounds left in the world, for the most part in a bank--and I
|
|
could not afford that. Vanish! It was irresistible. Then there
|
|
would be an inquiry, the sacking of my room.
|
|
|
|
"At the thought of the possibility of my work being exposed or
|
|
interrupted at its very climax, I became very angry and active. I
|
|
hurried out with my three books of notes, my cheque-book--the tramp
|
|
has them now--and directed them from the nearest Post Office to a
|
|
house of call for letters and parcels in Great Portland Street. I
|
|
tried to go out noiselessly. Coming in, I found my landlord going
|
|
quietly upstairs; he had heard the door close, I suppose. You would
|
|
have laughed to see him jump aside on the landing as came tearing
|
|
after him. He glared at me as I went by him, and I made the house
|
|
quiver with the slamming of my door. I heard him come shuffling up
|
|
to my floor, hesitate, and go down. I set to work upon my
|
|
preparations forthwith.
|
|
|
|
"It was all done that evening and night. While I was still sitting
|
|
under the sickly, drowsy influence of the drugs that decolourise
|
|
blood, there came a repeated knocking at the door. It ceased,
|
|
footsteps went away and returned, and the knocking was resumed.
|
|
There was an attempt to push something under the door--a blue
|
|
paper. Then in a fit of irritation I rose and went and flung the
|
|
door wide open. 'Now then?' said I.
|
|
|
|
"It was my landlord, with a notice of ejectment or something. He
|
|
held it out to me, saw something odd about my hands, I expect, and
|
|
lifted his eyes to my face.
|
|
|
|
"For a moment he gaped. Then he gave a sort of inarticulate cry,
|
|
dropped candle and writ together, and went blundering down the dark
|
|
passage to the stairs. I shut the door, locked it, and went to the
|
|
looking-glass. Then I understood his terror.... My face was
|
|
white--like white stone.
|
|
|
|
"But it was all horrible. I had not expected the suffering. A night
|
|
of racking anguish, sickness and fainting. I set my teeth, though my
|
|
skin was presently afire, all my body afire; but I lay there like
|
|
grim death. I understood now how it was the cat had howled until I
|
|
chloroformed it. Lucky it was I lived alone and untended in my room.
|
|
There were times when I sobbed and groaned and talked. But I stuck
|
|
to it.... I became insensible and woke languid in the darkness.
|
|
|
|
"The pain had passed. I thought I was killing myself and I did not
|
|
care. I shall never forget that dawn, and the strange horror of
|
|
seeing that my hands had become as clouded glass, and watching them
|
|
grow clearer and thinner as the day went by, until at last I could
|
|
see the sickly disorder of my room through them, though I closed my
|
|
transparent eyelids. My limbs became glassy, the bones and arteries
|
|
faded, vanished, and the little white nerves went last. I gritted
|
|
my teeth and stayed there to the end. At last only the dead tips of
|
|
the fingernails remained, pallid and white, and the brown stain of
|
|
some acid upon my fingers.
|
|
|
|
"I struggled up. At first I was as incapable as a swathed
|
|
infant--stepping with limbs I could not see. I was weak and very
|
|
hungry. I went and stared at nothing in my shaving-glass, at nothing
|
|
save where an attenuated pigment still remained behind the retina of
|
|
my eyes, fainter than mist. I had to hang on to the table and press
|
|
my forehead against the glass.
|
|
|
|
"It was only by a frantic effort of will that I dragged myself back
|
|
to the apparatus and completed the process.
|
|
|
|
"I slept during the forenoon, pulling the sheet over my eyes to shut
|
|
out the light, and about midday I was awakened again by a knocking.
|
|
My strength had returned. I sat up and listened and heard a
|
|
whispering. I sprang to my feet and as noiselessly as possible began
|
|
to detach the connections of my apparatus, and to distribute it
|
|
about the room, so as to destroy the suggestions of its arrangement.
|
|
Presently the knocking was renewed and voices called, first my
|
|
landlord's, and then two others. To gain time I answered them. The
|
|
invisible rag and pillow came to hand and I opened the window and
|
|
pitched them out on to the cistern cover. As the window opened, a
|
|
heavy crash came at the door. Someone had charged it with the idea
|
|
of smashing the lock. But the stout bolts I had screwed up some
|
|
days before stopped him. That startled me, made me angry. I began
|
|
to tremble and do things hurriedly.
|
|
|
|
"I tossed together some loose paper, straw, packing paper and so
|
|
forth, in the middle of the room, and turned on the gas. Heavy
|
|
blows began to rain upon the door. I could not find the matches. I
|
|
beat my hands on the wall with rage. I turned down the gas again,
|
|
stepped out of the window on the cistern cover, very softly lowered
|
|
the sash, and sat down, secure and invisible, but quivering with
|
|
anger, to watch events. They split a panel, I saw, and in another
|
|
moment they had broken away the staples of the bolts and stood in
|
|
the open doorway. It was the landlord and his two step-sons, sturdy
|
|
young men of three or four and twenty. Behind them fluttered the
|
|
old hag of a woman from downstairs.
|
|
|
|
"You may imagine their astonishment to find the room empty. One of
|
|
the younger men rushed to the window at once, flung it up and stared
|
|
out. His staring eyes and thick-lipped bearded face came a foot
|
|
from my face. I was half minded to hit his silly countenance, but I
|
|
arrested my doubled fist. He stared right through me. So did the
|
|
others as they joined him. The old man went and peered under the
|
|
bed, and then they all made a rush for the cupboard. They had to
|
|
argue about it at length in Yiddish and Cockney English. They
|
|
concluded I had not answered them, that their imagination had
|
|
deceived them. A feeling of extraordinary elation took the place
|
|
of my anger as I sat outside the window and watched these four
|
|
people--for the old lady came in, glancing suspiciously about her
|
|
like a cat, trying to understand the riddle of my behaviour.
|
|
|
|
"The old man, so far as I could understand his patois, agreed with
|
|
the old lady that I was a vivisectionist. The sons protested in
|
|
garbled English that I was an electrician, and appealed to the
|
|
dynamos and radiators. They were all nervous about my arrival,
|
|
although I found subsequently that they had bolted the front door.
|
|
The old lady peered into the cupboard and under the bed, and one of
|
|
the young men pushed up the register and stared up the chimney. One
|
|
of my fellow lodgers, a coster-monger who shared the opposite room
|
|
with a butcher, appeared on the landing, and he was called in and
|
|
told incoherent things.
|
|
|
|
"It occurred to me that the radiators, if they fell into the hands
|
|
of some acute well-educated person, would give me away too much,
|
|
and watching my opportunity, I came into the room and tilted one of
|
|
the little dynamos off its fellow on which it was standing, and
|
|
smashed both apparatus. Then, while they were trying to explain the
|
|
smash, I dodged out of the room and went softly downstairs.
|
|
|
|
"I went into one of the sitting-rooms and waited until they came
|
|
down, still speculating and argumentative, all a little disappointed
|
|
at finding no 'horrors,' and all a little puzzled how they stood
|
|
legally towards me. Then I slipped up again with a box of matches,
|
|
fired my heap of paper and rubbish, put the chairs and bedding
|
|
thereby, led the gas to the affair, by means of an india-rubber
|
|
tube, and waving a farewell to the room left it for the last time."
|
|
|
|
"You fired the house!" exclaimed Kemp.
|
|
|
|
"Fired the house. It was the only way to cover my trail--and no
|
|
doubt it was insured. I slipped the bolts of the front door quietly
|
|
and went out into the street. I was invisible, and I was only just
|
|
beginning to realise the extraordinary advantage my invisibility
|
|
gave me. My head was already teeming with plans of all the wild and
|
|
wonderful things I had now impunity to do.
|
|
|
|
|
|
|
|
CHAPTER XXI
|
|
|
|
IN OXFORD STREET
|
|
|
|
|
|
"In going downstairs the first time I found an unexpected difficulty
|
|
because I could not see my feet; indeed I stumbled twice, and there
|
|
was an unaccustomed clumsiness in gripping the bolt. By not looking
|
|
down, however, I managed to walk on the level passably well.
|
|
|
|
"My mood, I say, was one of exaltation. I felt as a seeing man
|
|
might do, with padded feet and noiseless clothes, in a city of the
|
|
blind. I experienced a wild impulse to jest, to startle people, to
|
|
clap men on the back, fling people's hats astray, and generally
|
|
revel in my extraordinary advantage.
|
|
|
|
"But hardly had I emerged upon Great Portland Street, however (my
|
|
lodging was close to the big draper's shop there), when I heard a
|
|
clashing concussion and was hit violently behind, and turning saw
|
|
a man carrying a basket of soda-water syphons, and looking in
|
|
amazement at his burden. Although the blow had really hurt me, I
|
|
found something so irresistible in his astonishment that I laughed
|
|
aloud. 'The devil's in the basket,' I said, and suddenly twisted
|
|
it out of his hand. He let go incontinently, and I swung the whole
|
|
weight into the air.
|
|
|
|
"But a fool of a cabman, standing outside a public house, made a
|
|
sudden rush for this, and his extending fingers took me with
|
|
excruciating violence under the ear. I let the whole down with a
|
|
smash on the cabman, and then, with shouts and the clatter of feet
|
|
about me, people coming out of shops, vehicles pulling up, I
|
|
realised what I had done for myself, and cursing my folly, backed
|
|
against a shop window and prepared to dodge out of the confusion. In
|
|
a moment I should be wedged into a crowd and inevitably discovered.
|
|
I pushed by a butcher boy, who luckily did not turn to see the
|
|
nothingness that shoved him aside, and dodged behind the cab-man's
|
|
four-wheeler. I do not know how they settled the business, I hurried
|
|
straight across the road, which was happily clear, and hardly
|
|
heeding which way I went, in the fright of detection the incident
|
|
had given me, plunged into the afternoon throng of Oxford Street.
|
|
|
|
"I tried to get into the stream of people, but they were too thick
|
|
for me, and in a moment my heels were being trodden upon. I took to
|
|
the gutter, the roughness of which I found painful to my feet, and
|
|
forthwith the shaft of a crawling hansom dug me forcibly under the
|
|
shoulder blade, reminding me that I was already bruised severely. I
|
|
staggered out of the way of the cab, avoided a perambulator by a
|
|
convulsive movement, and found myself behind the hansom. A happy
|
|
thought saved me, and as this drove slowly along I followed in its
|
|
immediate wake, trembling and astonished at the turn of my
|
|
adventure. And not only trembling, but shivering. It was a bright
|
|
day in January and I was stark naked and the thin slime of mud that
|
|
covered the road was freezing. Foolish as it seems to me now, I had
|
|
not reckoned that, transparent or not, I was still amenable to the
|
|
weather and all its consequences.
|
|
|
|
"Then suddenly a bright idea came into my head. I ran round and got
|
|
into the cab. And so, shivering, scared, and sniffing with the first
|
|
intimations of a cold, and with the bruises in the small of my back
|
|
growing upon my attention, I drove slowly along Oxford Street and
|
|
past Tottenham Court Road. My mood was as different from that in
|
|
which I had sallied forth ten minutes ago as it is possible to
|
|
imagine. This invisibility indeed! The one thought that possessed
|
|
me was--how was I to get out of the scrape I was in.
|
|
|
|
"We crawled past Mudie's, and there a tall woman with five or six
|
|
yellow-labelled books hailed my cab, and I sprang out just in time
|
|
to escape her, shaving a railway van narrowly in my flight. I made
|
|
off up the roadway to Bloomsbury Square, intending to strike north
|
|
past the Museum and so get into the quiet district. I was now
|
|
cruelly chilled, and the strangeness of my situation so unnerved me
|
|
that I whimpered as I ran. At the northward corner of the Square a
|
|
little white dog ran out of the Pharmaceutical Society's offices,
|
|
and incontinently made for me, nose down.
|
|
|
|
"I had never realised it before, but the nose is to the mind of a
|
|
dog what the eye is to the mind of a seeing man. Dogs perceive the
|
|
scent of a man moving as men perceive his vision. This brute began
|
|
barking and leaping, showing, as it seemed to me, only too plainly
|
|
that he was aware of me. I crossed Great Russell Street, glancing
|
|
over my shoulder as I did so, and went some way along Montague
|
|
Street before I realised what I was running towards.
|
|
|
|
"Then I became aware of a blare of music, and looking along the
|
|
street saw a number of people advancing out of Russell Square, red
|
|
shirts, and the banner of the Salvation Army to the fore. Such a
|
|
crowd, chanting in the roadway and scoffing on the pavement, I
|
|
could not hope to penetrate, and dreading to go back and farther
|
|
from home again, and deciding on the spur of the moment, I ran up
|
|
the white steps of a house facing the museum railings, and stood
|
|
there until the crowd should have passed. Happily the dog stopped
|
|
at the noise of the band too, hesitated, and turned tail, running
|
|
back to Bloomsbury Square again.
|
|
|
|
"On came the band, bawling with unconscious irony some hymn about
|
|
'When shall we see His face?' and it seemed an interminable time
|
|
to me before the tide of the crowd washed along the pavement by me.
|
|
Thud, thud, thud, came the drum with a vibrating resonance, and for
|
|
the moment I did not notice two urchins stopping at the railings by
|
|
me. 'See 'em,' said one. 'See what?' said the other. 'Why--them
|
|
footmarks--bare. Like what you makes in mud.'
|
|
|
|
"I looked down and saw the youngsters had stopped and were gaping
|
|
at the muddy footmarks I had left behind me up the newly whitened
|
|
steps. The passing people elbowed and jostled them, but their
|
|
confounded intelligence was arrested. 'Thud, thud, thud, when,
|
|
thud, shall we see, thud, his face, thud, thud.' 'There's a
|
|
barefoot man gone up them steps, or I don't know nothing,' said
|
|
one. 'And he ain't never come down again. And his foot was
|
|
a-bleeding.'
|
|
|
|
"The thick of the crowd had already passed. 'Looky there, Ted,'
|
|
quoth the younger of the detectives, with the sharpness of surprise
|
|
in his voice, and pointed straight to my feet. I looked down and
|
|
saw at once the dim suggestion of their outline sketched in
|
|
splashes of mud. For a moment I was paralysed.
|
|
|
|
"'Why, that's rum,' said the elder. 'Dashed rum! It's just like
|
|
the ghost of a foot, ain't it?' He hesitated and advanced with
|
|
outstretched hand. A man pulled up short to see what he was
|
|
catching, and then a girl. In another moment he would have touched
|
|
me. Then I saw what to do. I made a step, the boy started back with
|
|
an exclamation, and with a rapid movement I swung myself over into
|
|
the portico of the next house. But the smaller boy was sharp-eyed
|
|
enough to follow the movement, and before I was well down the
|
|
steps and upon the pavement, he had recovered from his momentary
|
|
astonishment and was shouting out that the feet had gone over the
|
|
wall.
|
|
|
|
"They rushed round and saw my new footmarks flash into being on the
|
|
lower step and upon the pavement. 'What's up?' asked someone.
|
|
'Feet! Look! Feet running!'
|
|
|
|
"Everybody in the road, except my three pursuers, was pouring along
|
|
after the Salvation Army, and this blow not only impeded me but them.
|
|
There was an eddy of surprise and interrogation. At the cost of
|
|
bowling over one young fellow I got through, and in another moment
|
|
I was rushing headlong round the circuit of Russell Square, with
|
|
six or seven astonished people following my footmarks. There was
|
|
no time for explanation, or else the whole host would have been
|
|
after me.
|
|
|
|
"Twice I doubled round corners, thrice I crossed the road and came
|
|
back upon my tracks, and then, as my feet grew hot and dry, the
|
|
damp impressions began to fade. At last I had a breathing space
|
|
and rubbed my feet clean with my hands, and so got away altogether.
|
|
The last I saw of the chase was a little group of a dozen people
|
|
perhaps, studying with infinite perplexity a slowly drying
|
|
footprint that had resulted from a puddle in Tavistock Square, a
|
|
footprint as isolated and incomprehensible to them as Crusoe's
|
|
solitary discovery.
|
|
|
|
"This running warmed me to a certain extent, and I went on with a
|
|
better courage through the maze of less frequented roads that runs
|
|
hereabouts. My back had now become very stiff and sore, my tonsils
|
|
were painful from the cabman's fingers, and the skin of my neck
|
|
had been scratched by his nails; my feet hurt exceedingly and I
|
|
was lame from a little cut on one foot. I saw in time a blind
|
|
man approaching me, and fled limping, for I feared his subtle
|
|
intuitions. Once or twice accidental collisions occurred and I left
|
|
people amazed, with unaccountable curses ringing in their ears.
|
|
Then came something silent and quiet against my face, and across
|
|
the Square fell a thin veil of slowly falling flakes of snow. I had
|
|
caught a cold, and do as I would I could not avoid an occasional
|
|
sneeze. And every dog that came in sight, with its pointing nose
|
|
and curious sniffing, was a terror to me.
|
|
|
|
"Then came men and boys running, first one and then others, and
|
|
shouting as they ran. It was a fire. They ran in the direction of
|
|
my lodging, and looking back down a street I saw a mass of black
|
|
smoke streaming up above the roofs and telephone wires. It was my
|
|
lodging burning; my clothes, my apparatus, all my resources indeed,
|
|
except my cheque-book and the three volumes of memoranda that
|
|
awaited me in Great Portland Street, were there. Burning! I had
|
|
burnt my boats--if ever a man did! The place was blazing."
|
|
|
|
The Invisible Man paused and thought. Kemp glanced nervously out of
|
|
the window. "Yes?" he said. "Go on."
|
|
|
|
|
|
|
|
CHAPTER XXII
|
|
|
|
IN THE EMPORIUM
|
|
|
|
|
|
"So last January, with the beginning of a snowstorm in the air
|
|
about me--and if it settled on me it would betray me!--weary,
|
|
cold, painful, inexpressibly wretched, and still but half convinced
|
|
of my invisible quality, I began this new life to which I am
|
|
committed. I had no refuge, no appliances, no human being in the
|
|
world in whom I could confide. To have told my secret would have
|
|
given me away--made a mere show and rarity of me. Nevertheless, I
|
|
was half-minded to accost some passer-by and throw myself upon his
|
|
mercy. But I knew too clearly the terror and brutal cruelty my
|
|
advances would evoke. I made no plans in the street. My sole object
|
|
was to get shelter from the snow, to get myself covered and warm;
|
|
then I might hope to plan. But even to me, an Invisible Man, the
|
|
rows of London houses stood latched, barred, and bolted
|
|
impregnably.
|
|
|
|
"Only one thing could I see clearly before me--the cold exposure
|
|
and misery of the snowstorm and the night.
|
|
|
|
"And then I had a brilliant idea. I turned down one of the roads
|
|
leading from Gower Street to Tottenham Court Road, and found myself
|
|
outside Omniums, the big establishment where everything is to be
|
|
bought--you know the place: meat, grocery, linen, furniture,
|
|
clothing, oil paintings even--a huge meandering collection of shops
|
|
rather than a shop. I had thought I should find the doors open, but
|
|
they were closed, and as I stood in the wide entrance a carriage
|
|
stopped outside, and a man in uniform--you know the kind of
|
|
personage with 'Omnium' on his cap--flung open the door. I contrived
|
|
to enter, and walking down the shop--it was a department where they
|
|
were selling ribbons and gloves and stockings and that kind of
|
|
thing--came to a more spacious region devoted to picnic baskets and
|
|
wicker furniture.
|
|
|
|
"I did not feel safe there, however; people were going to and fro,
|
|
and I prowled restlessly about until I came upon a huge section in
|
|
an upper floor containing multitudes of bedsteads, and over these I
|
|
clambered, and found a resting-place at last among a huge pile of
|
|
folded flock mattresses. The place was already lit up and agreeably
|
|
warm, and I decided to remain where I was, keeping a cautious
|
|
eye on the two or three sets of shopmen and customers who were
|
|
meandering through the place, until closing time came. Then I
|
|
should be able, I thought, to rob the place for food and clothing,
|
|
and disguised, prowl through it and examine its resources, perhaps
|
|
sleep on some of the bedding. That seemed an acceptable plan.
|
|
My idea was to procure clothing to make myself a muffled but
|
|
acceptable figure, to get money, and then to recover my books
|
|
and parcels where they awaited me, take a lodging somewhere and
|
|
elaborate plans for the complete realisation of the advantages my
|
|
invisibility gave me (as I still imagined) over my fellow-men.
|
|
|
|
"Closing time arrived quickly enough. It could not have been more
|
|
than an hour after I took up my position on the mattresses before I
|
|
noticed the blinds of the windows being drawn, and customers being
|
|
marched doorward. And then a number of brisk young men began with
|
|
remarkable alacrity to tidy up the goods that remained disturbed. I
|
|
left my lair as the crowds diminished, and prowled cautiously out
|
|
into the less desolate parts of the shop. I was really surprised to
|
|
observe how rapidly the young men and women whipped away the goods
|
|
displayed for sale during the day. All the boxes of goods, the
|
|
hanging fabrics, the festoons of lace, the boxes of sweets in the
|
|
grocery section, the displays of this and that, were being whipped
|
|
down, folded up, slapped into tidy receptacles, and everything that
|
|
could not be taken down and put away had sheets of some coarse
|
|
stuff like sacking flung over them. Finally all the chairs were
|
|
turned up on to the counters, leaving the floor clear. Directly
|
|
each of these young people had done, he or she made promptly for
|
|
the door with such an expression of animation as I have rarely
|
|
observed in a shop assistant before. Then came a lot of youngsters
|
|
scattering sawdust and carrying pails and brooms. I had to dodge
|
|
to get out of the way, and as it was, my ankle got stung with the
|
|
sawdust. For some time, wandering through the swathed and darkened
|
|
departments, I could hear the brooms at work. And at last a good
|
|
hour or more after the shop had been closed, came a noise of
|
|
locking doors. Silence came upon the place, and I found myself
|
|
wandering through the vast and intricate shops, galleries, show-rooms
|
|
of the place, alone. It was very still; in one place I remember
|
|
passing near one of the Tottenham Court Road entrances and listening
|
|
to the tapping of boot-heels of the passers-by.
|
|
|
|
"My first visit was to the place where I had seen stockings and
|
|
gloves for sale. It was dark, and I had the devil of a hunt after
|
|
matches, which I found at last in the drawer of the little cash
|
|
desk. Then I had to get a candle. I had to tear down wrappings and
|
|
ransack a number of boxes and drawers, but at last I managed to turn
|
|
out what I sought; the box label called them lambswool pants, and
|
|
lambswool vests. Then socks, a thick comforter, and then I went to
|
|
the clothing place and got trousers, a lounge jacket, an overcoat
|
|
and a slouch hat--a clerical sort of hat with the brim turned down.
|
|
I began to feel a human being again, and my next thought was food.
|
|
|
|
"Upstairs was a refreshment department, and there I got cold meat.
|
|
There was coffee still in the urn, and I lit the gas and warmed it
|
|
up again, and altogether I did not do badly. Afterwards, prowling
|
|
through the place in search of blankets--I had to put up at last
|
|
with a heap of down quilts--I came upon a grocery section with
|
|
a lot of chocolate and candied fruits, more than was good for me
|
|
indeed--and some white burgundy. And near that was a toy department,
|
|
and I had a brilliant idea. I found some artificial noses--dummy
|
|
noses, you know, and I thought of dark spectacles. But Omniums had
|
|
no optical department. My nose had been a difficulty indeed--I had
|
|
thought of paint. But the discovery set my mind running on wigs and
|
|
masks and the like. Finally I went to sleep in a heap of down
|
|
quilts, very warm and comfortable.
|
|
|
|
"My last thoughts before sleeping were the most agreeable I had had
|
|
since the change. I was in a state of physical serenity, and that
|
|
was reflected in my mind. I thought that I should be able to slip
|
|
out unobserved in the morning with my clothes upon me, muffling my
|
|
face with a white wrapper I had taken, purchase, with the money I
|
|
had taken, spectacles and so forth, and so complete my disguise. I
|
|
lapsed into disorderly dreams of all the fantastic things that had
|
|
happened during the last few days. I saw the ugly little Jew of a
|
|
landlord vociferating in his rooms; I saw his two sons marvelling,
|
|
and the wrinkled old woman's gnarled face as she asked for her cat.
|
|
I experienced again the strange sensation of seeing the cloth
|
|
disappear, and so I came round to the windy hillside and the
|
|
sniffing old clergyman mumbling 'Earth to earth, ashes to ashes,
|
|
dust to dust,' at my father's open grave.
|
|
|
|
"'You also,' said a voice, and suddenly I was being forced towards
|
|
the grave. I struggled, shouted, appealed to the mourners, but they
|
|
continued stonily following the service; the old clergyman, too,
|
|
never faltered droning and sniffing through the ritual. I realised
|
|
I was invisible and inaudible, that overwhelming forces had their
|
|
grip on me. I struggled in vain, I was forced over the brink, the
|
|
coffin rang hollow as I fell upon it, and the gravel came flying
|
|
after me in spadefuls. Nobody heeded me, nobody was aware of me. I
|
|
made convulsive struggles and awoke.
|
|
|
|
"The pale London dawn had come, the place was full of a chilly grey
|
|
light that filtered round the edges of the window blinds. I sat up,
|
|
and for a time I could not think where this ample apartment, with
|
|
its counters, its piles of rolled stuff, its heap of quilts and
|
|
cushions, its iron pillars, might be. Then, as recollection came
|
|
back to me, I heard voices in conversation.
|
|
|
|
"Then far down the place, in the brighter light of some department
|
|
which had already raised its blinds, I saw two men approaching. I
|
|
scrambled to my feet, looking about me for some way of escape, and
|
|
even as I did so the sound of my movement made them aware of me. I
|
|
suppose they saw merely a figure moving quietly and quickly away.
|
|
'Who's that?' cried one, and 'Stop, there!' shouted the other. I
|
|
dashed around a corner and came full tilt--a faceless figure,
|
|
mind you!--on a lanky lad of fifteen. He yelled and I bowled him
|
|
over, rushed past him, turned another corner, and by a happy
|
|
inspiration threw myself behind a counter. In another moment feet
|
|
went running past and I heard voices shouting, 'All hands to the
|
|
doors!' asking what was 'up,' and giving one another advice how to
|
|
catch me.
|
|
|
|
"Lying on the ground, I felt scared out of my wits. But--odd as
|
|
it may seem--it did not occur to me at the moment to take off my
|
|
clothes as I should have done. I had made up my mind, I suppose, to
|
|
get away in them, and that ruled me. And then down the vista of the
|
|
counters came a bawling of 'Here he is!'
|
|
|
|
"I sprang to my feet, whipped a chair off the counter, and sent it
|
|
whirling at the fool who had shouted, turned, came into another
|
|
round a corner, sent him spinning, and rushed up the stairs. He
|
|
kept his footing, gave a view hallo, and came up the staircase hot
|
|
after me. Up the staircase were piled a multitude of those
|
|
bright-coloured pot things--what are they?"
|
|
|
|
"Art pots," suggested Kemp.
|
|
|
|
"That's it! Art pots. Well, I turned at the top step and swung
|
|
round, plucked one out of a pile and smashed it on his silly head
|
|
as he came at me. The whole pile of pots went headlong, and I heard
|
|
shouting and footsteps running from all parts. I made a mad rush
|
|
for the refreshment place, and there was a man in white like a man
|
|
cook, who took up the chase. I made one last desperate turn and
|
|
found myself among lamps and ironmongery. I went behind the counter
|
|
of this, and waited for my cook, and as he bolted in at the head of
|
|
the chase, I doubled him up with a lamp. Down he went, and I
|
|
crouched down behind the counter and began whipping off my clothes
|
|
as fast as I could. Coat, jacket, trousers, shoes were all right,
|
|
but a lambswool vest fits a man like a skin. I heard more men
|
|
coming, my cook was lying quiet on the other side of the counter,
|
|
stunned or scared speechless, and I had to make another dash for
|
|
it, like a rabbit hunted out of a wood-pile.
|
|
|
|
"'This way, policeman!' I heard someone shouting. I found myself in
|
|
my bedstead storeroom again, and at the end of a wilderness of
|
|
wardrobes. I rushed among them, went flat, got rid of my vest after
|
|
infinite wriggling, and stood a free man again, panting and scared,
|
|
as the policeman and three of the shopmen came round the corner.
|
|
They made a rush for the vest and pants, and collared the trousers.
|
|
'He's dropping his plunder,' said one of the young men. 'He _must_
|
|
be somewhere here.'
|
|
|
|
"But they did not find me all the same.
|
|
|
|
"I stood watching them hunt for me for a time, and cursing my
|
|
ill-luck in losing the clothes. Then I went into the refreshment-room,
|
|
drank a little milk I found there, and sat down by the fire to
|
|
consider my position.
|
|
|
|
"In a little while two assistants came in and began to talk over
|
|
the business very excitedly and like the fools they were. I heard a
|
|
magnified account of my depredations, and other speculations as to
|
|
my whereabouts. Then I fell to scheming again. The insurmountable
|
|
difficulty of the place, especially now it was alarmed, was to get
|
|
any plunder out of it. I went down into the warehouse to see if
|
|
there was any chance of packing and addressing a parcel, but I
|
|
could not understand the system of checking. About eleven o'clock,
|
|
the snow having thawed as it fell, and the day being finer and a
|
|
little warmer than the previous one, I decided that the Emporium
|
|
was hopeless, and went out again, exasperated at my want of
|
|
success, with only the vaguest plans of action in my mind."
|
|
|
|
|
|
|
|
CHAPTER XXIII
|
|
|
|
IN DRURY LANE
|
|
|
|
|
|
"But you begin now to realise," said the Invisible Man, "the full
|
|
disadvantage of my condition. I had no shelter--no covering--to
|
|
get clothing was to forego all my advantage, to make myself a
|
|
strange and terrible thing. I was fasting; for to eat, to fill
|
|
myself with unassimilated matter, would be to become grotesquely
|
|
visible again."
|
|
|
|
"I never thought of that," said Kemp.
|
|
|
|
"Nor had I. And the snow had warned me of other dangers. I could not
|
|
go abroad in snow--it would settle on me and expose me. Rain, too,
|
|
would make me a watery outline, a glistening surface of a man--a
|
|
bubble. And fog--I should be like a fainter bubble in a fog,
|
|
a surface, a greasy glimmer of humanity. Moreover, as I went
|
|
abroad--in the London air--I gathered dirt about my ankles, floating
|
|
smuts and dust upon my skin. I did not know how long it would be
|
|
before I should become visible from that cause also. But I saw
|
|
clearly it could not be for long.
|
|
|
|
"Not in London at any rate.
|
|
|
|
"I went into the slums towards Great Portland Street, and found
|
|
myself at the end of the street in which I had lodged. I did not
|
|
go that way, because of the crowd halfway down it opposite to the
|
|
still smoking ruins of the house I had fired. My most immediate
|
|
problem was to get clothing. What to do with my face puzzled me.
|
|
Then I saw in one of those little miscellaneous shops--news,
|
|
sweets, toys, stationery, belated Christmas tomfoolery, and so
|
|
forth--an array of masks and noses. I realised that problem was
|
|
solved. In a flash I saw my course. I turned about, no longer
|
|
aimless, and went--circuitously in order to avoid the busy ways,
|
|
towards the back streets north of the Strand; for I remembered,
|
|
though not very distinctly where, that some theatrical costumiers
|
|
had shops in that district.
|
|
|
|
"The day was cold, with a nipping wind down the northward running
|
|
streets. I walked fast to avoid being overtaken. Every crossing was
|
|
a danger, every passenger a thing to watch alertly. One man as I
|
|
was about to pass him at the top of Bedford Street, turned upon
|
|
me abruptly and came into me, sending me into the road and almost
|
|
under the wheel of a passing hansom. The verdict of the cab-rank
|
|
was that he had had some sort of stroke. I was so unnerved by this
|
|
encounter that I went into Covent Garden Market and sat down for
|
|
some time in a quiet corner by a stall of violets, panting and
|
|
trembling. I found I had caught a fresh cold, and had to turn out
|
|
after a time lest my sneezes should attract attention.
|
|
|
|
"At last I reached the object of my quest, a dirty, fly-blown little
|
|
shop in a by-way near Drury Lane, with a window full of tinsel
|
|
robes, sham jewels, wigs, slippers, dominoes and theatrical
|
|
photographs. The shop was old-fashioned and low and dark, and the
|
|
house rose above it for four storeys, dark and dismal. I peered
|
|
through the window and, seeing no one within, entered. The opening
|
|
of the door set a clanking bell ringing. I left it open, and walked
|
|
round a bare costume stand, into a corner behind a cheval glass. For
|
|
a minute or so no one came. Then I heard heavy feet striding across
|
|
a room, and a man appeared down the shop.
|
|
|
|
"My plans were now perfectly definite. I proposed to make my way
|
|
into the house, secrete myself upstairs, watch my opportunity, and
|
|
when everything was quiet, rummage out a wig, mask, spectacles, and
|
|
costume, and go into the world, perhaps a grotesque but still a
|
|
credible figure. And incidentally of course I could rob the house
|
|
of any available money.
|
|
|
|
"The man who had just entered the shop was a short, slight,
|
|
hunched, beetle-browed man, with long arms and very short bandy
|
|
legs. Apparently I had interrupted a meal. He stared about the shop
|
|
with an expression of expectation. This gave way to surprise, and
|
|
then to anger, as he saw the shop empty. 'Damn the boys!' he said.
|
|
He went to stare up and down the street. He came in again in a
|
|
minute, kicked the door to with his foot spitefully, and went
|
|
muttering back to the house door.
|
|
|
|
"I came forward to follow him, and at the noise of my movement he
|
|
stopped dead. I did so too, startled by his quickness of ear. He
|
|
slammed the house door in my face.
|
|
|
|
"I stood hesitating. Suddenly I heard his quick footsteps returning,
|
|
and the door reopened. He stood looking about the shop like one who
|
|
was still not satisfied. Then, murmuring to himself, he examined the
|
|
back of the counter and peered behind some fixtures. Then he stood
|
|
doubtful. He had left the house door open and I slipped into the
|
|
inner room.
|
|
|
|
"It was a queer little room, poorly furnished and with a number of
|
|
big masks in the corner. On the table was his belated breakfast,
|
|
and it was a confoundedly exasperating thing for me, Kemp, to have
|
|
to sniff his coffee and stand watching while he came in and resumed
|
|
his meal. And his table manners were irritating. Three doors opened
|
|
into the little room, one going upstairs and one down, but they
|
|
were all shut. I could not get out of the room while he was there;
|
|
I could scarcely move because of his alertness, and there was a
|
|
draught down my back. Twice I strangled a sneeze just in time.
|
|
|
|
"The spectacular quality of my sensations was curious and novel, but
|
|
for all that I was heartily tired and angry long before he had done
|
|
his eating. But at last he made an end and putting his beggarly
|
|
crockery on the black tin tray upon which he had had his teapot, and
|
|
gathering all the crumbs up on the mustard stained cloth, he took
|
|
the whole lot of things after him. His burden prevented his shutting
|
|
the door behind him--as he would have done; I never saw such a man
|
|
for shutting doors--and I followed him into a very dirty underground
|
|
kitchen and scullery. I had the pleasure of seeing him begin to wash
|
|
up, and then, finding no good in keeping down there, and the brick
|
|
floor being cold on my feet, I returned upstairs and sat in his
|
|
chair by the fire. It was burning low, and scarcely thinking, I put
|
|
on a little coal. The noise of this brought him up at once, and
|
|
he stood aglare. He peered about the room and was within an ace
|
|
of touching me. Even after that examination, he scarcely seemed
|
|
satisfied. He stopped in the doorway and took a final inspection
|
|
before he went down.
|
|
|
|
"I waited in the little parlour for an age, and at last he came up
|
|
and opened the upstairs door. I just managed to get by him.
|
|
|
|
"On the staircase he stopped suddenly, so that I very nearly
|
|
blundered into him. He stood looking back right into my face and
|
|
listening. 'I could have sworn,' he said. His long hairy hand
|
|
pulled at his lower lip. His eye went up and down the staircase.
|
|
Then he grunted and went on up again.
|
|
|
|
"His hand was on the handle of a door, and then he stopped again
|
|
with the same puzzled anger on his face. He was becoming aware of
|
|
the faint sounds of my movements about him. The man must have had
|
|
diabolically acute hearing. He suddenly flashed into rage. 'If
|
|
there's anyone in this house--' he cried with an oath, and left the
|
|
threat unfinished. He put his hand in his pocket, failed to find
|
|
what he wanted, and rushing past me went blundering noisily and
|
|
pugnaciously downstairs. But I did not follow him. I sat on the
|
|
head of the staircase until his return.
|
|
|
|
"Presently he came up again, still muttering. He opened the door of
|
|
the room, and before I could enter, slammed it in my face.
|
|
|
|
"I resolved to explore the house, and spent some time in doing so
|
|
as noiselessly as possible. The house was very old and tumble-down,
|
|
damp so that the paper in the attics was peeling from the walls, and
|
|
rat infested. Some of the door handles were stiff and I was afraid
|
|
to turn them. Several rooms I did inspect were unfurnished, and
|
|
others were littered with theatrical lumber, bought second-hand, I
|
|
judged, from its appearance. In one room next to his I found a lot
|
|
of old clothes. I began routing among these, and in my eagerness
|
|
forgot again the evident sharpness of his ears. I heard a stealthy
|
|
footstep and, looking up just in time, saw him peering in at the
|
|
tumbled heap and holding an old-fashioned revolver in his hand.
|
|
I stood perfectly still while he stared about open-mouthed and
|
|
suspicious. 'It must have been her,' he said slowly. 'Damn her!'
|
|
|
|
"He shut the door quietly, and immediately I heard the key turn in
|
|
the lock. Then his footsteps retreated. I realised abruptly that I
|
|
was locked in. For a minute I did not know what to do. I walked
|
|
from door to window and back, and stood perplexed. A gust of anger
|
|
came upon me. But I decided to inspect the clothes before I did
|
|
anything further, and my first attempt brought down a pile from an
|
|
upper shelf. This brought him back, more sinister than ever. That
|
|
time he actually touched me, jumped back with amazement and stood
|
|
astonished in the middle of the room.
|
|
|
|
"Presently he calmed a little. 'Rats,' he said in an undertone,
|
|
fingers on lips. He was evidently a little scared. I edged quietly
|
|
out of the room, but a plank creaked. Then the infernal little brute
|
|
started going all over the house, revolver in hand and locking door
|
|
after door and pocketing the keys. When I realised what he was up to
|
|
I had a fit of rage--I could hardly control myself sufficiently to
|
|
watch my opportunity. By this time I knew he was alone in the house,
|
|
and so I made no more ado, but knocked him on the head."
|
|
|
|
"Knocked him on the head?" exclaimed Kemp.
|
|
|
|
"Yes--stunned him--as he was going downstairs. Hit him from
|
|
behind with a stool that stood on the landing. He went downstairs
|
|
like a bag of old boots."
|
|
|
|
"But--I say! The common conventions of humanity--"
|
|
|
|
"Are all very well for common people. But the point was, Kemp, that
|
|
I had to get out of that house in a disguise without his seeing me.
|
|
I couldn't think of any other way of doing it. And then I gagged
|
|
him with a Louis Quatorze vest and tied him up in a sheet."
|
|
|
|
"Tied him up in a sheet!"
|
|
|
|
"Made a sort of bag of it. It was rather a good idea to keep the
|
|
idiot scared and quiet, and a devilish hard thing to get out
|
|
of--head away from the string. My dear Kemp, it's no good your
|
|
sitting glaring as though I was a murderer. It had to be done. He
|
|
had his revolver. If once he saw me he would be able to describe
|
|
me--"
|
|
|
|
"But still," said Kemp, "in England--to-day. And the man was in
|
|
his own house, and you were--well, robbing."
|
|
|
|
"Robbing! Confound it! You'll call me a thief next! Surely, Kemp,
|
|
you're not fool enough to dance on the old strings. Can't you see
|
|
my position?"
|
|
|
|
"And his too," said Kemp.
|
|
|
|
The Invisible Man stood up sharply. "What do you mean to say?"
|
|
|
|
Kemp's face grew a trifle hard. He was about to speak and checked
|
|
himself. "I suppose, after all," he said with a sudden change of
|
|
manner, "the thing had to be done. You were in a fix. But still--"
|
|
|
|
"Of course I was in a fix--an infernal fix. And he made me wild
|
|
too--hunting me about the house, fooling about with his revolver,
|
|
locking and unlocking doors. He was simply exasperating. You don't
|
|
blame me, do you? You don't blame me?"
|
|
|
|
"I never blame anyone," said Kemp. "It's quite out of fashion. What
|
|
did you do next?"
|
|
|
|
"I was hungry. Downstairs I found a loaf and some rank cheese--more
|
|
than sufficient to satisfy my hunger. I took some brandy and
|
|
water, and then went up past my impromptu bag--he was lying quite
|
|
still--to the room containing the old clothes. This looked out
|
|
upon the street, two lace curtains brown with dirt guarding the
|
|
window. I went and peered out through their interstices. Outside
|
|
the day was bright--by contrast with the brown shadows of the
|
|
dismal house in which I found myself, dazzlingly bright. A brisk
|
|
traffic was going by, fruit carts, a hansom, a four-wheeler with a
|
|
pile of boxes, a fishmonger's cart. I turned with spots of colour
|
|
swimming before my eyes to the shadowy fixtures behind me. My
|
|
excitement was giving place to a clear apprehension of my position
|
|
again. The room was full of a faint scent of benzoline, used, I
|
|
suppose, in cleaning the garments.
|
|
|
|
"I began a systematic search of the place. I should judge the
|
|
hunchback had been alone in the house for some time. He was a
|
|
curious person. Everything that could possibly be of service to me
|
|
I collected in the clothes storeroom, and then I made a deliberate
|
|
selection. I found a handbag I thought a suitable possession, and
|
|
some powder, rouge, and sticking-plaster.
|
|
|
|
"I had thought of painting and powdering my face and all that
|
|
there was to show of me, in order to render myself visible, but
|
|
the disadvantage of this lay in the fact that I should require
|
|
turpentine and other appliances and a considerable amount of time
|
|
before I could vanish again. Finally I chose a mask of the better
|
|
type, slightly grotesque but not more so than many human beings,
|
|
dark glasses, greyish whiskers, and a wig. I could find no
|
|
underclothing, but that I could buy subsequently, and for the time I
|
|
swathed myself in calico dominoes and some white cashmere scarfs. I
|
|
could find no socks, but the hunchback's boots were rather a loose
|
|
fit and sufficed. In a desk in the shop were three sovereigns and
|
|
about thirty shillings' worth of silver, and in a locked cupboard I
|
|
burst in the inner room were eight pounds in gold. I could go forth
|
|
into the world again, equipped.
|
|
|
|
"Then came a curious hesitation. Was my appearance really
|
|
credible? I tried myself with a little bedroom looking-glass,
|
|
inspecting myself from every point of view to discover any
|
|
forgotten chink, but it all seemed sound. I was grotesque to the
|
|
theatrical pitch, a stage miser, but I was certainly not a physical
|
|
impossibility. Gathering confidence, I took my looking-glass down
|
|
into the shop, pulled down the shop blinds, and surveyed myself
|
|
from every point of view with the help of the cheval glass in the
|
|
corner.
|
|
|
|
"I spent some minutes screwing up my courage and then unlocked the
|
|
shop door and marched out into the street, leaving the little man
|
|
to get out of his sheet again when he liked. In five minutes a
|
|
dozen turnings intervened between me and the costumier's shop. No
|
|
one appeared to notice me very pointedly. My last difficulty seemed
|
|
overcome."
|
|
|
|
He stopped again.
|
|
|
|
"And you troubled no more about the hunchback?" said Kemp.
|
|
|
|
"No," said the Invisible Man. "Nor have I heard what became of him.
|
|
I suppose he untied himself or kicked himself out. The knots were
|
|
pretty tight."
|
|
|
|
He became silent and went to the window and stared out.
|
|
|
|
"What happened when you went out into the Strand?"
|
|
|
|
"Oh!--disillusionment again. I thought my troubles were over.
|
|
Practically I thought I had impunity to do whatever I chose,
|
|
everything--save to give away my secret. So I thought. Whatever I
|
|
did, whatever the consequences might be, was nothing to me. I had
|
|
merely to fling aside my garments and vanish. No person could hold
|
|
me. I could take my money where I found it. I decided to treat
|
|
myself to a sumptuous feast, and then put up at a good hotel, and
|
|
accumulate a new outfit of property. I felt amazingly confident;
|
|
it's not particularly pleasant recalling that I was an ass. I went
|
|
into a place and was already ordering lunch, when it occurred to me
|
|
that I could not eat unless I exposed my invisible face. I finished
|
|
ordering the lunch, told the man I should be back in ten minutes,
|
|
and went out exasperated. I don't know if you have ever been
|
|
disappointed in your appetite."
|
|
|
|
"Not quite so badly," said Kemp, "but I can imagine it."
|
|
|
|
"I could have smashed the silly devils. At last, faint with the
|
|
desire for tasteful food, I went into another place and demanded a
|
|
private room. 'I am disfigured,' I said. 'Badly.' They looked at
|
|
me curiously, but of course it was not their affair--and so at
|
|
last I got my lunch. It was not particularly well served, but it
|
|
sufficed; and when I had had it, I sat over a cigar, trying to plan
|
|
my line of action. And outside a snowstorm was beginning.
|
|
|
|
"The more I thought it over, Kemp, the more I realised what a
|
|
helpless absurdity an Invisible Man was--in a cold and dirty
|
|
climate and a crowded civilised city. Before I made this mad
|
|
experiment I had dreamt of a thousand advantages. That afternoon
|
|
it seemed all disappointment. I went over the heads of the things
|
|
a man reckons desirable. No doubt invisibility made it possible
|
|
to get them, but it made it impossible to enjoy them when they
|
|
are got. Ambition--what is the good of pride of place when you
|
|
cannot appear there? What is the good of the love of woman when
|
|
her name must needs be Delilah? I have no taste for politics, for
|
|
the blackguardisms of fame, for philanthropy, for sport. What was
|
|
I to do? And for this I had become a wrapped-up mystery, a swathed
|
|
and bandaged caricature of a man!"
|
|
|
|
He paused, and his attitude suggested a roving glance at the
|
|
window.
|
|
|
|
"But how did you get to Iping?" said Kemp, anxious to keep his
|
|
guest busy talking.
|
|
|
|
"I went there to work. I had one hope. It was a half idea! I have
|
|
it still. It is a full blown idea now. A way of getting back! Of
|
|
restoring what I have done. When I choose. When I have done all I
|
|
mean to do invisibly. And that is what I chiefly want to talk to
|
|
you about now."
|
|
|
|
"You went straight to Iping?"
|
|
|
|
"Yes. I had simply to get my three volumes of memoranda and my
|
|
cheque-book, my luggage and underclothing, order a quantity of
|
|
chemicals to work out this idea of mine--I will show you the
|
|
calculations as soon as I get my books--and then I started. Jove!
|
|
I remember the snowstorm now, and the accursed bother it was to
|
|
keep the snow from damping my pasteboard nose."
|
|
|
|
"At the end," said Kemp, "the day before yesterday, when they found
|
|
you out, you rather--to judge by the papers--"
|
|
|
|
"I did. Rather. Did I kill that fool of a constable?"
|
|
|
|
"No," said Kemp. "He's expected to recover."
|
|
|
|
"That's his luck, then. I clean lost my temper, the fools! Why
|
|
couldn't they leave me alone? And that grocer lout?"
|
|
|
|
"There are no deaths expected," said Kemp.
|
|
|
|
"I don't know about that tramp of mine," said the Invisible Man,
|
|
with an unpleasant laugh.
|
|
|
|
"By Heaven, Kemp, you don't know what rage is! ... To have worked
|
|
for years, to have planned and plotted, and then to get some
|
|
fumbling purblind idiot messing across your course! ... Every
|
|
conceivable sort of silly creature that has ever been created has
|
|
been sent to cross me.
|
|
|
|
"If I have much more of it, I shall go wild--I shall start
|
|
mowing 'em.
|
|
|
|
"As it is, they've made things a thousand times more difficult."
|
|
|
|
"No doubt it's exasperating," said Kemp, drily.
|
|
|
|
|
|
|
|
CHAPTER XXIV
|
|
|
|
THE PLAN THAT FAILED
|
|
|
|
|
|
"But now," said Kemp, with a side glance out of the window, "what
|
|
are we to do?"
|
|
|
|
He moved nearer his guest as he spoke in such a manner as to
|
|
prevent the possibility of a sudden glimpse of the three men who
|
|
were advancing up the hill road--with an intolerable slowness, as
|
|
it seemed to Kemp.
|
|
|
|
"What were you planning to do when you were heading for Port
|
|
Burdock? Had you any plan?"
|
|
|
|
"I was going to clear out of the country. But I have altered that
|
|
plan rather since seeing you. I thought it would be wise, now the
|
|
weather is hot and invisibility possible, to make for the South.
|
|
Especially as my secret was known, and everyone would be on the
|
|
lookout for a masked and muffled man. You have a line of steamers
|
|
from here to France. My idea was to get aboard one and run the
|
|
risks of the passage. Thence I could go by train into Spain, or else
|
|
get to Algiers. It would not be difficult. There a man might always
|
|
be invisible--and yet live. And do things. I was using that tramp
|
|
as a money box and luggage carrier, until I decided how to get my
|
|
books and things sent over to meet me."
|
|
|
|
"That's clear."
|
|
|
|
"And then the filthy brute must needs try and rob me! He _has_ hidden
|
|
my books, Kemp. Hidden my books! If I can lay my hands on him!"
|
|
|
|
"Best plan to get the books out of him first."
|
|
|
|
"But where is he? Do you know?"
|
|
|
|
"He's in the town police station, locked up, by his own request, in
|
|
the strongest cell in the place."
|
|
|
|
"Cur!" said the Invisible Man.
|
|
|
|
"But that hangs up your plans a little."
|
|
|
|
"We must get those books; those books are vital."
|
|
|
|
"Certainly," said Kemp, a little nervously, wondering if he heard
|
|
footsteps outside. "Certainly we must get those books. But that
|
|
won't be difficult, if he doesn't know they're for you."
|
|
|
|
"No," said the Invisible Man, and thought.
|
|
|
|
Kemp tried to think of something to keep the talk going, but the
|
|
Invisible Man resumed of his own accord.
|
|
|
|
"Blundering into your house, Kemp," he said, "changes all my plans.
|
|
For you are a man that can understand. In spite of all that has
|
|
happened, in spite of this publicity, of the loss of my books, of
|
|
what I have suffered, there still remain great possibilities, huge
|
|
possibilities--"
|
|
|
|
"You have told no one I am here?" he asked abruptly.
|
|
|
|
Kemp hesitated. "That was implied," he said.
|
|
|
|
"No one?" insisted Griffin.
|
|
|
|
"Not a soul."
|
|
|
|
"Ah! Now--" The Invisible Man stood up, and sticking his arms akimbo
|
|
began to pace the study.
|
|
|
|
"I made a mistake, Kemp, a huge mistake, in carrying this thing
|
|
through alone. I have wasted strength, time, opportunities. Alone--it
|
|
is wonderful how little a man can do alone! To rob a little,
|
|
to hurt a little, and there is the end.
|
|
|
|
"What I want, Kemp, is a goal-keeper, a helper, and a hiding-place,
|
|
an arrangement whereby I can sleep and eat and rest in peace, and
|
|
unsuspected. I must have a confederate. With a confederate, with
|
|
food and rest--a thousand things are possible.
|
|
|
|
"Hitherto I have gone on vague lines. We have to consider all that
|
|
invisibility means, all that it does not mean. It means little
|
|
advantage for eavesdropping and so forth--one makes sounds. It's
|
|
of little help--a little help perhaps--in housebreaking and so
|
|
forth. Once you've caught me you could easily imprison me. But on
|
|
the other hand I am hard to catch. This invisibility, in fact, is
|
|
only good in two cases: It's useful in getting away, it's useful in
|
|
approaching. It's particularly useful, therefore, in killing. I can
|
|
walk round a man, whatever weapon he has, choose my point, strike
|
|
as I like. Dodge as I like. Escape as I like."
|
|
|
|
Kemp's hand went to his moustache. Was that a movement
|
|
downstairs?
|
|
|
|
"And it is killing we must do, Kemp."
|
|
|
|
"It is killing we must do," repeated Kemp. "I'm listening to your
|
|
plan, Griffin, but I'm not agreeing, mind. _Why_ killing?"
|
|
|
|
"Not wanton killing, but a judicious slaying. The point is, they
|
|
know there is an Invisible Man--as well as we know there is an
|
|
Invisible Man. And that Invisible Man, Kemp, must now establish a
|
|
Reign of Terror. Yes; no doubt it's startling. But I mean it. A
|
|
Reign of Terror. He must take some town like your Burdock and
|
|
terrify and dominate it. He must issue his orders. He can do that
|
|
in a thousand ways--scraps of paper thrust under doors would
|
|
suffice. And all who disobey his orders he must kill, and kill
|
|
all who would defend them."
|
|
|
|
"Humph!" said Kemp, no longer listening to Griffin but to the sound
|
|
of his front door opening and closing.
|
|
|
|
"It seems to me, Griffin," he said, to cover his wandering
|
|
attention, "that your confederate would be in a difficult
|
|
position."
|
|
|
|
"No one would know he was a confederate," said the Invisible Man,
|
|
eagerly. And then suddenly, "Hush! What's that downstairs?"
|
|
|
|
"Nothing," said Kemp, and suddenly began to speak loud and fast.
|
|
"I don't agree to this, Griffin," he said. "Understand me, I don't
|
|
agree to this. Why dream of playing a game against the race? How
|
|
can you hope to gain happiness? Don't be a lone wolf. Publish
|
|
your results; take the world--take the nation at least--into your
|
|
confidence. Think what you might do with a million helpers--"
|
|
|
|
The Invisible Man interrupted--arm extended. "There are
|
|
footsteps coming upstairs," he said in a low voice.
|
|
|
|
"Nonsense," said Kemp.
|
|
|
|
"Let me see," said the Invisible Man, and advanced, arm extended,
|
|
to the door.
|
|
|
|
And then things happened very swiftly. Kemp hesitated for a second
|
|
and then moved to intercept him. The Invisible Man started and stood
|
|
still. "Traitor!" cried the Voice, and suddenly the dressing-gown
|
|
opened, and sitting down the Unseen began to disrobe. Kemp made
|
|
three swift steps to the door, and forthwith the Invisible Man--his
|
|
legs had vanished--sprang to his feet with a shout. Kemp flung the
|
|
door open.
|
|
|
|
As it opened, there came a sound of hurrying feet downstairs and
|
|
voices.
|
|
|
|
With a quick movement Kemp thrust the Invisible Man back, sprang
|
|
aside, and slammed the door. The key was outside and ready. In
|
|
another moment Griffin would have been alone in the belvedere
|
|
study, a prisoner. Save for one little thing. The key had been
|
|
slipped in hastily that morning. As Kemp slammed the door it fell
|
|
noisily upon the carpet.
|
|
|
|
Kemp's face became white. He tried to grip the door handle with
|
|
both hands. For a moment he stood lugging. Then the door gave six
|
|
inches. But he got it closed again. The second time it was jerked a
|
|
foot wide, and the dressing-gown came wedging itself into the
|
|
opening. His throat was gripped by invisible fingers, and he left
|
|
his hold on the handle to defend himself. He was forced back,
|
|
tripped and pitched heavily into the corner of the landing. The
|
|
empty dressing-gown was flung on the top of him.
|
|
|
|
Halfway up the staircase was Colonel Adye, the recipient of Kemp's
|
|
letter, the chief of the Burdock police. He was staring aghast at
|
|
the sudden appearance of Kemp, followed by the extraordinary sight
|
|
of clothing tossing empty in the air. He saw Kemp felled, and
|
|
struggling to his feet. He saw him rush forward, and go down again,
|
|
felled like an ox.
|
|
|
|
Then suddenly he was struck violently. By nothing! A vast weight,
|
|
it seemed, leapt upon him, and he was hurled headlong down the
|
|
staircase, with a grip on his throat and a knee in his groin. An
|
|
invisible foot trod on his back, a ghostly patter passed downstairs,
|
|
he heard the two police officers in the hall shout and run, and the
|
|
front door of the house slammed violently.
|
|
|
|
He rolled over and sat up staring. He saw, staggering down the
|
|
staircase, Kemp, dusty and disheveled, one side of his face white
|
|
from a blow, his lip bleeding, and a pink dressing-gown and some
|
|
underclothing held in his arms.
|
|
|
|
"My God!" cried Kemp, "the game's up! He's gone!"
|
|
|
|
|
|
|
|
CHAPTER XXV
|
|
|
|
THE HUNTING OF THE INVISIBLE MAN
|
|
|
|
|
|
For a space Kemp was too inarticulate to make Adye understand the
|
|
swift things that had just happened. They stood on the landing,
|
|
Kemp speaking swiftly, the grotesque swathings of Griffin still on
|
|
his arm. But presently Adye began to grasp something of the
|
|
situation.
|
|
|
|
"He is mad," said Kemp; "inhuman. He is pure selfishness. He thinks
|
|
of nothing but his own advantage, his own safety. I have listened
|
|
to such a story this morning of brutal self-seeking.... He has wounded
|
|
men. He will kill them unless we can prevent him. He will create a
|
|
panic. Nothing can stop him. He is going out now--furious!"
|
|
|
|
"He must be caught," said Adye. "That is certain."
|
|
|
|
"But how?" cried Kemp, and suddenly became full of ideas. "You must
|
|
begin at once. You must set every available man to work; you must
|
|
prevent his leaving this district. Once he gets away, he may go
|
|
through the countryside as he wills, killing and maiming. He dreams
|
|
of a reign of terror! A reign of terror, I tell you. You must set a
|
|
watch on trains and roads and shipping. The garrison must help. You
|
|
must wire for help. The only thing that may keep him here is the
|
|
thought of recovering some books of notes he counts of value. I will
|
|
tell you of that! There is a man in your police station--Marvel."
|
|
|
|
"I know," said Adye, "I know. Those books--yes. But the tramp...."
|
|
|
|
"Says he hasn't them. But he thinks the tramp has. And you must
|
|
prevent him from eating or sleeping; day and night the country must
|
|
be astir for him. Food must be locked up and secured, all food, so
|
|
that he will have to break his way to it. The houses everywhere must
|
|
be barred against him. Heaven send us cold nights and rain! The
|
|
whole country-side must begin hunting and keep hunting. I tell you,
|
|
Adye, he is a danger, a disaster; unless he is pinned and secured,
|
|
it is frightful to think of the things that may happen."
|
|
|
|
"What else can we do?" said Adye. "I must go down at once and begin
|
|
organising. But why not come? Yes--you come too! Come, and we
|
|
must hold a sort of council of war--get Hopps to help--and the
|
|
railway managers. By Jove! it's urgent. Come along--tell me as we
|
|
go. What else is there we can do? Put that stuff down."
|
|
|
|
In another moment Adye was leading the way downstairs. They found
|
|
the front door open and the policemen standing outside staring at
|
|
empty air. "He's got away, sir," said one.
|
|
|
|
"We must go to the central station at once," said Adye. "One of you
|
|
go on down and get a cab to come up and meet us--quickly. And
|
|
now, Kemp, what else?"
|
|
|
|
"Dogs," said Kemp. "Get dogs. They don't see him, but they wind
|
|
him. Get dogs."
|
|
|
|
"Good," said Adye. "It's not generally known, but the prison
|
|
officials over at Halstead know a man with bloodhounds. Dogs. What
|
|
else?"
|
|
|
|
"Bear in mind," said Kemp, "his food shows. After eating, his food
|
|
shows until it is assimilated. So that he has to hide after eating.
|
|
You must keep on beating. Every thicket, every quiet corner. And
|
|
put all weapons--all implements that might be weapons, away. He
|
|
can't carry such things for long. And what he can snatch up and
|
|
strike men with must be hidden away."
|
|
|
|
"Good again," said Adye. "We shall have him yet!"
|
|
|
|
"And on the roads," said Kemp, and hesitated.
|
|
|
|
"Yes?" said Adye.
|
|
|
|
"Powdered glass," said Kemp. "It's cruel, I know. But think of what
|
|
he may do!"
|
|
|
|
Adye drew the air in sharply between his teeth. "It's
|
|
unsportsmanlike. I don't know. But I'll have powdered glass got
|
|
ready. If he goes too far...."
|
|
|
|
"The man's become inhuman, I tell you," said Kemp. "I am as sure he
|
|
will establish a reign of terror--so soon as he has got over the
|
|
emotions of this escape--as I am sure I am talking to you. Our
|
|
only chance is to be ahead. He has cut himself off from his kind.
|
|
His blood be upon his own head."
|
|
|
|
|
|
|
|
CHAPTER XXVI
|
|
|
|
THE WICKSTEED MURDER
|
|
|
|
|
|
The Invisible Man seems to have rushed out of Kemp's house in a
|
|
state of blind fury. A little child playing near Kemp's gateway was
|
|
violently caught up and thrown aside, so that its ankle was broken,
|
|
and thereafter for some hours the Invisible Man passed out of human
|
|
perceptions. No one knows where he went nor what he did. But one
|
|
can imagine him hurrying through the hot June forenoon, up the
|
|
hill and on to the open downland behind Port Burdock, raging and
|
|
despairing at his intolerable fate, and sheltering at last, heated
|
|
and weary, amid the thickets of Hintondean, to piece together again
|
|
his shattered schemes against his species. That seems to most
|
|
probable refuge for him, for there it was he re-asserted himself in
|
|
a grimly tragical manner about two in the afternoon.
|
|
|
|
One wonders what his state of mind may have been during that time,
|
|
and what plans he devised. No doubt he was almost ecstatically
|
|
exasperated by Kemp's treachery, and though we may be able to
|
|
understand the motives that led to that deceit, we may still
|
|
imagine and even sympathise a little with the fury the attempted
|
|
surprise must have occasioned. Perhaps something of the stunned
|
|
astonishment of his Oxford Street experiences may have returned to
|
|
him, for he had evidently counted on Kemp's co-operation in his
|
|
brutal dream of a terrorised world. At any rate he vanished from
|
|
human ken about midday, and no living witness can tell what he did
|
|
until about half-past two. It was a fortunate thing, perhaps, for
|
|
humanity, but for him it was a fatal inaction.
|
|
|
|
During that time a growing multitude of men scattered over the
|
|
countryside were busy. In the morning he had still been simply a
|
|
legend, a terror; in the afternoon, by virtue chiefly of Kemp's
|
|
drily worded proclamation, he was presented as a tangible
|
|
antagonist, to be wounded, captured, or overcome, and the
|
|
countryside began organising itself with inconceivable rapidity.
|
|
By two o'clock even he might still have removed himself out of
|
|
the district by getting aboard a train, but after two that became
|
|
impossible. Every passenger train along the lines on a great
|
|
parallelogram between Southampton, Manchester, Brighton and Horsham,
|
|
travelled with locked doors, and the goods traffic was almost
|
|
entirely suspended. And in a great circle of twenty miles round Port
|
|
Burdock, men armed with guns and bludgeons were presently setting
|
|
out in groups of three and four, with dogs, to beat the roads and
|
|
fields.
|
|
|
|
Mounted policemen rode along the country lanes, stopping at every
|
|
cottage and warning the people to lock up their houses, and keep
|
|
indoors unless they were armed, and all the elementary schools had
|
|
broken up by three o'clock, and the children, scared and keeping
|
|
together in groups, were hurrying home. Kemp's proclamation--signed
|
|
indeed by Adye--was posted over almost the whole district by four or
|
|
five o'clock in the afternoon. It gave briefly but clearly all the
|
|
conditions of the struggle, the necessity of keeping the Invisible
|
|
Man from food and sleep, the necessity for incessant watchfulness
|
|
and for a prompt attention to any evidence of his movements. And
|
|
so swift and decided was the action of the authorities, so prompt
|
|
and universal was the belief in this strange being, that before
|
|
nightfall an area of several hundred square miles was in a stringent
|
|
state of siege. And before nightfall, too, a thrill of horror
|
|
went through the whole watching nervous countryside. Going from
|
|
whispering mouth to mouth, swift and certain over the length and
|
|
breadth of the country, passed the story of the murder of Mr.
|
|
Wicksteed.
|
|
|
|
If our supposition that the Invisible Man's refuge was the
|
|
Hintondean thickets, then we must suppose that in the early
|
|
afternoon he sallied out again bent upon some project that involved
|
|
the use of a weapon. We cannot know what the project was, but the
|
|
evidence that he had the iron rod in hand before he met Wicksteed
|
|
is to me at least overwhelming.
|
|
|
|
Of course we can know nothing of the details of that encounter.
|
|
It occurred on the edge of a gravel pit, not two hundred yards
|
|
from Lord Burdock's lodge gate. Everything points to a desperate
|
|
struggle--the trampled ground, the numerous wounds Mr. Wicksteed
|
|
received, his splintered walking-stick; but why the attack was made,
|
|
save in a murderous frenzy, it is impossible to imagine. Indeed the
|
|
theory of madness is almost unavoidable. Mr. Wicksteed was a man of
|
|
forty-five or forty-six, steward to Lord Burdock, of inoffensive
|
|
habits and appearance, the very last person in the world to provoke
|
|
such a terrible antagonist. Against him it would seem the Invisible
|
|
Man used an iron rod dragged from a broken piece of fence. He
|
|
stopped this quiet man, going quietly home to his midday meal,
|
|
attacked him, beat down his feeble defences, broke his arm, felled
|
|
him, and smashed his head to a jelly.
|
|
|
|
Of course, he must have dragged this rod out of the fencing before
|
|
he met his victim--he must have been carrying it ready in his hand.
|
|
Only two details beyond what has already been stated seem to bear
|
|
on the matter. One is the circumstance that the gravel pit was not
|
|
in Mr. Wicksteed's direct path home, but nearly a couple of hundred
|
|
yards out of his way. The other is the assertion of a little girl
|
|
to the effect that, going to her afternoon school, she saw the
|
|
murdered man "trotting" in a peculiar manner across a field towards
|
|
the gravel pit. Her pantomime of his action suggests a man pursuing
|
|
something on the ground before him and striking at it ever and
|
|
again with his walking-stick. She was the last person to see him
|
|
alive. He passed out of her sight to his death, the struggle being
|
|
hidden from her only by a clump of beech trees and a slight
|
|
depression in the ground.
|
|
|
|
Now this, to the present writer's mind at least, lifts the murder
|
|
out of the realm of the absolutely wanton. We may imagine that
|
|
Griffin had taken the rod as a weapon indeed, but without any
|
|
deliberate intention of using it in murder. Wicksteed may then have
|
|
come by and noticed this rod inexplicably moving through the air.
|
|
Without any thought of the Invisible Man--for Port Burdock is ten
|
|
miles away--he may have pursued it. It is quite conceivable that
|
|
he may not even have heard of the Invisible Man. One can then
|
|
imagine the Invisible Man making off--quietly in order to avoid
|
|
discovering his presence in the neighbourhood, and Wicksteed,
|
|
excited and curious, pursuing this unaccountably locomotive
|
|
object--finally striking at it.
|
|
|
|
No doubt the Invisible Man could easily have distanced his
|
|
middle-aged pursuer under ordinary circumstances, but the position
|
|
in which Wicksteed's body was found suggests that he had the
|
|
ill luck to drive his quarry into a corner between a drift of
|
|
stinging nettles and the gravel pit. To those who appreciate the
|
|
extraordinary irascibility of the Invisible Man, the rest of the
|
|
encounter will be easy to imagine.
|
|
|
|
But this is pure hypothesis. The only undeniable facts--for stories
|
|
of children are often unreliable--are the discovery of Wicksteed's
|
|
body, done to death, and of the blood-stained iron rod flung among
|
|
the nettles. The abandonment of the rod by Griffin, suggests that
|
|
in the emotional excitement of the affair, the purpose for which
|
|
he took it--if he had a purpose--was abandoned. He was certainly
|
|
an intensely egotistical and unfeeling man, but the sight of his
|
|
victim, his first victim, bloody and pitiful at his feet, may have
|
|
released some long pent fountain of remorse which for a time may
|
|
have flooded whatever scheme of action he had contrived.
|
|
|
|
After the murder of Mr. Wicksteed, he would seem to have struck
|
|
across the country towards the downland. There is a story of a
|
|
voice heard about sunset by a couple of men in a field near Fern
|
|
Bottom. It was wailing and laughing, sobbing and groaning, and ever
|
|
and again it shouted. It must have been queer hearing. It drove up
|
|
across the middle of a clover field and died away towards the
|
|
hills.
|
|
|
|
That afternoon the Invisible Man must have learnt something of
|
|
the rapid use Kemp had made of his confidences. He must have
|
|
found houses locked and secured; he may have loitered about
|
|
railway stations and prowled about inns, and no doubt he read the
|
|
proclamations and realised something of the nature of the campaign
|
|
against him. And as the evening advanced, the fields became dotted
|
|
here and there with groups of three or four men, and noisy with the
|
|
yelping of dogs. These men-hunters had particular instructions in
|
|
the case of an encounter as to the way they should support one
|
|
another. But he avoided them all. We may understand something of
|
|
his exasperation, and it could have been none the less because
|
|
he himself had supplied the information that was being used so
|
|
remorselessly against him. For that day at least he lost heart; for
|
|
nearly twenty-four hours, save when he turned on Wicksteed, he was
|
|
a hunted man. In the night, he must have eaten and slept; for in
|
|
the morning he was himself again, active, powerful, angry, and
|
|
malignant, prepared for his last great struggle against the world.
|
|
|
|
|
|
|
|
CHAPTER XXVII
|
|
|
|
THE SIEGE OF KEMP'S HOUSE
|
|
|
|
|
|
Kemp read a strange missive, written in pencil on a greasy sheet of
|
|
paper.
|
|
|
|
"You have been amazingly energetic and clever," this letter ran,
|
|
"though what you stand to gain by it I cannot imagine. You are
|
|
against me. For a whole day you have chased me; you have tried to
|
|
rob me of a night's rest. But I have had food in spite of you, I
|
|
have slept in spite of you, and the game is only beginning. The
|
|
game is only beginning. There is nothing for it, but to start the
|
|
Terror. This announces the first day of the Terror. Port Burdock
|
|
is no longer under the Queen, tell your Colonel of Police, and
|
|
the rest of them; it is under me--the Terror! This is day one of
|
|
year one of the new epoch--the Epoch of the Invisible Man. I am
|
|
Invisible Man the First. To begin with the rule will be easy. The
|
|
first day there will be one execution for the sake of example--a
|
|
man named Kemp. Death starts for him to-day. He may lock himself
|
|
away, hide himself away, get guards about him, put on armour
|
|
if he likes--Death, the unseen Death, is coming. Let him take
|
|
precautions; it will impress my people. Death starts from the
|
|
pillar box by midday. The letter will fall in as the postman comes
|
|
along, then off! The game begins. Death starts. Help him not, my
|
|
people, lest Death fall upon you also. To-day Kemp is to die."
|
|
|
|
Kemp read this letter twice, "It's no hoax," he said. "That's
|
|
his voice! And he means it."
|
|
|
|
He turned the folded sheet over and saw on the addressed side of it
|
|
the postmark Hintondean, and the prosaic detail "2d. to pay."
|
|
|
|
He got up slowly, leaving his lunch unfinished--the letter had
|
|
come by the one o'clock post--and went into his study. He rang
|
|
for his housekeeper, and told her to go round the house at once,
|
|
examine all the fastenings of the windows, and close all the
|
|
shutters. He closed the shutters of his study himself. From a
|
|
locked drawer in his bedroom he took a little revolver, examined it
|
|
carefully, and put it into the pocket of his lounge jacket. He
|
|
wrote a number of brief notes, one to Colonel Adye, gave them to
|
|
his servant to take, with explicit instructions as to her way of
|
|
leaving the house. "There is no danger," he said, and added a
|
|
mental reservation, "to you." He remained meditative for a space
|
|
after doing this, and then returned to his cooling lunch.
|
|
|
|
He ate with gaps of thought. Finally he struck the table sharply.
|
|
"We will have him!" he said; "and I am the bait. He will come too
|
|
far."
|
|
|
|
He went up to the belvedere, carefully shutting every door after
|
|
him. "It's a game," he said, "an odd game--but the chances are
|
|
all for me, Mr. Griffin, in spite of your invisibility. Griffin
|
|
contra mundum ... with a vengeance."
|
|
|
|
He stood at the window staring at the hot hillside. "He must get
|
|
food every day--and I don't envy him. Did he really sleep last
|
|
night? Out in the open somewhere--secure from collisions. I wish
|
|
we could get some good cold wet weather instead of the heat.
|
|
|
|
"He may be watching me now."
|
|
|
|
He went close to the window. Something rapped smartly against the
|
|
brickwork over the frame, and made him start violently back.
|
|
|
|
"I'm getting nervous," said Kemp. But it was five minutes before he
|
|
went to the window again. "It must have been a sparrow," he said.
|
|
|
|
Presently he heard the front-door bell ringing, and hurried
|
|
downstairs. He unbolted and unlocked the door, examined the chain,
|
|
put it up, and opened cautiously without showing himself. A
|
|
familiar voice hailed him. It was Adye.
|
|
|
|
"Your servant's been assaulted, Kemp," he said round the door.
|
|
|
|
"What!" exclaimed Kemp.
|
|
|
|
"Had that note of yours taken away from her. He's close about here.
|
|
Let me in."
|
|
|
|
Kemp released the chain, and Adye entered through as narrow an
|
|
opening as possible. He stood in the hall, looking with infinite
|
|
relief at Kemp refastening the door. "Note was snatched out of her
|
|
hand. Scared her horribly. She's down at the station. Hysterics.
|
|
He's close here. What was it about?"
|
|
|
|
Kemp swore.
|
|
|
|
"What a fool I was," said Kemp. "I might have known. It's not an
|
|
hour's walk from Hintondean. Already?"
|
|
|
|
"What's up?" said Adye.
|
|
|
|
"Look here!" said Kemp, and led the way into his study. He handed
|
|
Adye the Invisible Man's letter. Adye read it and whistled softly.
|
|
"And you--?" said Adye.
|
|
|
|
"Proposed a trap--like a fool," said Kemp, "and sent my proposal
|
|
out by a maid servant. To him."
|
|
|
|
Adye followed Kemp's profanity.
|
|
|
|
"He'll clear out," said Adye.
|
|
|
|
"Not he," said Kemp.
|
|
|
|
A resounding smash of glass came from upstairs. Adye had a silvery
|
|
glimpse of a little revolver half out of Kemp's pocket. "It's a
|
|
window, upstairs!" said Kemp, and led the way up. There came a
|
|
second smash while they were still on the staircase. When they
|
|
reached the study they found two of the three windows smashed,
|
|
half the room littered with splintered glass, and one big flint
|
|
lying on the writing table. The two men stopped in the doorway,
|
|
contemplating the wreckage. Kemp swore again, and as he did so the
|
|
third window went with a snap like a pistol, hung starred for a
|
|
moment, and collapsed in jagged, shivering triangles into the room.
|
|
|
|
"What's this for?" said Adye.
|
|
|
|
"It's a beginning," said Kemp.
|
|
|
|
"There's no way of climbing up here?"
|
|
|
|
"Not for a cat," said Kemp.
|
|
|
|
"No shutters?"
|
|
|
|
"Not here. All the downstairs rooms--Hullo!"
|
|
|
|
Smash, and then whack of boards hit hard came from downstairs.
|
|
"Confound him!" said Kemp. "That must be--yes--it's one of the
|
|
bedrooms. He's going to do all the house. But he's a fool. The
|
|
shutters are up, and the glass will fall outside. He'll cut his
|
|
feet."
|
|
|
|
Another window proclaimed its destruction. The two men stood on the
|
|
landing perplexed. "I have it!" said Adye. "Let me have a stick or
|
|
something, and I'll go down to the station and get the bloodhounds
|
|
put on. That ought to settle him! They're hard by--not ten
|
|
minutes--"
|
|
|
|
Another window went the way of its fellows.
|
|
|
|
"You haven't a revolver?" asked Adye.
|
|
|
|
Kemp's hand went to his pocket. Then he hesitated. "I haven't
|
|
one--at least to spare."
|
|
|
|
"I'll bring it back," said Adye, "you'll be safe here."
|
|
|
|
Kemp, ashamed of his momentary lapse from truthfulness, handed him
|
|
the weapon.
|
|
|
|
"Now for the door," said Adye.
|
|
|
|
As they stood hesitating in the hall, they heard one of the
|
|
first-floor bedroom windows crack and clash. Kemp went to the door
|
|
and began to slip the bolts as silently as possible. His face was a
|
|
little paler than usual. "You must step straight out," said Kemp. In
|
|
another moment Adye was on the doorstep and the bolts were dropping
|
|
back into the staples. He hesitated for a moment, feeling more
|
|
comfortable with his back against the door. Then he marched, upright
|
|
and square, down the steps. He crossed the lawn and approached the
|
|
gate. A little breeze seemed to ripple over the grass. Something
|
|
moved near him. "Stop a bit," said a Voice, and Adye stopped dead
|
|
and his hand tightened on the revolver.
|
|
|
|
"Well?" said Adye, white and grim, and every nerve tense.
|
|
|
|
"Oblige me by going back to the house," said the Voice, as tense
|
|
and grim as Adye's.
|
|
|
|
"Sorry," said Adye a little hoarsely, and moistened his lips with
|
|
his tongue. The Voice was on his left front, he thought. Suppose he
|
|
were to take his luck with a shot?
|
|
|
|
"What are you going for?" said the Voice, and there was a quick
|
|
movement of the two, and a flash of sunlight from the open lip of
|
|
Adye's pocket.
|
|
|
|
Adye desisted and thought. "Where I go," he said slowly, "is my own
|
|
business." The words were still on his lips, when an arm came round
|
|
his neck, his back felt a knee, and he was sprawling backward. He
|
|
drew clumsily and fired absurdly, and in another moment he was
|
|
struck in the mouth and the revolver wrested from his grip. He made
|
|
a vain clutch at a slippery limb, tried to struggle up and fell
|
|
back. "Damn!" said Adye. The Voice laughed. "I'd kill you now if it
|
|
wasn't the waste of a bullet," it said. He saw the revolver in
|
|
mid-air, six feet off, covering him.
|
|
|
|
"Well?" said Adye, sitting up.
|
|
|
|
"Get up," said the Voice.
|
|
|
|
Adye stood up.
|
|
|
|
"Attention," said the Voice, and then fiercely, "Don't try any
|
|
games. Remember I can see your face if you can't see mine. You've
|
|
got to go back to the house."
|
|
|
|
"He won't let me in," said Adye.
|
|
|
|
"That's a pity," said the Invisible Man. "I've got no quarrel with
|
|
you."
|
|
|
|
Adye moistened his lips again. He glanced away from the barrel of
|
|
the revolver and saw the sea far off very blue and dark under the
|
|
midday sun, the smooth green down, the white cliff of the Head, and
|
|
the multitudinous town, and suddenly he knew that life was very
|
|
sweet. His eyes came back to this little metal thing hanging
|
|
between heaven and earth, six yards away. "What am I to do?" he
|
|
said sullenly.
|
|
|
|
"What am _I_ to do?" asked the Invisible Man. "You will get help. The
|
|
only thing is for you to go back."
|
|
|
|
"I will try. If he lets me in will you promise not to rush the
|
|
door?"
|
|
|
|
"I've got no quarrel with you," said the Voice.
|
|
|
|
Kemp had hurried upstairs after letting Adye out, and now crouching
|
|
among the broken glass and peering cautiously over the edge of the
|
|
study window sill, he saw Adye stand parleying with the Unseen.
|
|
"Why doesn't he fire?" whispered Kemp to himself. Then the revolver
|
|
moved a little and the glint of the sunlight flashed in Kemp's
|
|
eyes. He shaded his eyes and tried to see the source of the
|
|
blinding beam.
|
|
|
|
"Surely!" he said, "Adye has given up the revolver."
|
|
|
|
"Promise not to rush the door," Adye was saying. "Don't push a
|
|
winning game too far. Give a man a chance."
|
|
|
|
"You go back to the house. I tell you flatly I will not promise
|
|
anything."
|
|
|
|
Adye's decision seemed suddenly made. He turned towards the house,
|
|
walking slowly with his hands behind him. Kemp watched him--puzzled.
|
|
The revolver vanished, flashed again into sight, vanished again,
|
|
and became evident on a closer scrutiny as a little dark object
|
|
following Adye. Then things happened very quickly. Adye leapt
|
|
backwards, swung around, clutched at this little object, missed it,
|
|
threw up his hands and fell forward on his face, leaving a little
|
|
puff of blue in the air. Kemp did not hear the sound of the shot.
|
|
Adye writhed, raised himself on one arm, fell forward, and lay
|
|
still.
|
|
|
|
For a space Kemp remained staring at the quiet carelessness of
|
|
Adye's attitude. The afternoon was very hot and still, nothing
|
|
seemed stirring in all the world save a couple of yellow butterflies
|
|
chasing each other through the shrubbery between the house and the
|
|
road gate. Adye lay on the lawn near the gate. The blinds of all
|
|
the villas down the hill-road were drawn, but in one little green
|
|
summer-house was a white figure, apparently an old man asleep. Kemp
|
|
scrutinised the surroundings of the house for a glimpse of the
|
|
revolver, but it had vanished. His eyes came back to Adye. The game
|
|
was opening well.
|
|
|
|
Then came a ringing and knocking at the front door, that grew at
|
|
last tumultuous, but pursuant to Kemp's instructions the servants
|
|
had locked themselves into their rooms. This was followed by a
|
|
silence. Kemp sat listening and then began peering cautiously out
|
|
of the three windows, one after another. He went to the staircase
|
|
head and stood listening uneasily. He armed himself with his
|
|
bedroom poker, and went to examine the interior fastenings of the
|
|
ground-floor windows again. Everything was safe and quiet. He
|
|
returned to the belvedere. Adye lay motionless over the edge of the
|
|
gravel just as he had fallen. Coming along the road by the villas
|
|
were the housemaid and two policemen.
|
|
|
|
Everything was deadly still. The three people seemed very slow in
|
|
approaching. He wondered what his antagonist was doing.
|
|
|
|
He started. There was a smash from below. He hesitated and went
|
|
downstairs again. Suddenly the house resounded with heavy blows and
|
|
the splintering of wood. He heard a smash and the destructive clang
|
|
of the iron fastenings of the shutters. He turned the key and
|
|
opened the kitchen door. As he did so, the shutters, split and
|
|
splintering, came flying inward. He stood aghast. The window frame,
|
|
save for one crossbar, was still intact, but only little teeth of
|
|
glass remained in the frame. The shutters had been driven in with
|
|
an axe, and now the axe was descending in sweeping blows upon the
|
|
window frame and the iron bars defending it. Then suddenly it leapt
|
|
aside and vanished. He saw the revolver lying on the path outside,
|
|
and then the little weapon sprang into the air. He dodged back. The
|
|
revolver cracked just too late, and a splinter from the edge of the
|
|
closing door flashed over his head. He slammed and locked the door,
|
|
and as he stood outside he heard Griffin shouting and laughing.
|
|
Then the blows of the axe with its splitting and smashing
|
|
consequences, were resumed.
|
|
|
|
Kemp stood in the passage trying to think. In a moment the
|
|
Invisible Man would be in the kitchen. This door would not keep him
|
|
a moment, and then--
|
|
|
|
A ringing came at the front door again. It would be the policemen.
|
|
He ran into the hall, put up the chain, and drew the bolts. He made
|
|
the girl speak before he dropped the chain, and the three people
|
|
blundered into the house in a heap, and Kemp slammed the door
|
|
again.
|
|
|
|
"The Invisible Man!" said Kemp. "He has a revolver, with two
|
|
shots--left. He's killed Adye. Shot him anyhow. Didn't you see him on
|
|
the lawn? He's lying there."
|
|
|
|
"Who?" said one of the policemen.
|
|
|
|
"Adye," said Kemp.
|
|
|
|
"We came in the back way," said the girl.
|
|
|
|
"What's that smashing?" asked one of the policemen.
|
|
|
|
"He's in the kitchen--or will be. He has found an axe--"
|
|
|
|
Suddenly the house was full of the Invisible Man's resounding
|
|
blows on the kitchen door. The girl stared towards the kitchen,
|
|
shuddered, and retreated into the dining-room. Kemp tried to
|
|
explain in broken sentences. They heard the kitchen door give.
|
|
|
|
"This way," said Kemp, starting into activity, and bundled the
|
|
policemen into the dining-room doorway.
|
|
|
|
"Poker," said Kemp, and rushed to the fender. He handed the poker
|
|
he had carried to the policeman and the dining-room one to the
|
|
other. He suddenly flung himself backward.
|
|
|
|
"Whup!" said one policeman, ducked, and caught the axe on his poker.
|
|
The pistol snapped its penultimate shot and ripped a valuable Sidney
|
|
Cooper. The second policeman brought his poker down on the little
|
|
weapon, as one might knock down a wasp, and sent it rattling to the
|
|
floor.
|
|
|
|
At the first clash the girl screamed, stood screaming for a moment
|
|
by the fireplace, and then ran to open the shutters--possibly
|
|
with an idea of escaping by the shattered window.
|
|
|
|
The axe receded into the passage, and fell to a position about two
|
|
feet from the ground. They could hear the Invisible Man breathing.
|
|
"Stand away, you two," he said. "I want that man Kemp."
|
|
|
|
"We want you," said the first policeman, making a quick step
|
|
forward and wiping with his poker at the Voice. The Invisible Man
|
|
must have started back, and he blundered into the umbrella stand.
|
|
|
|
Then, as the policeman staggered with the swing of the blow he had
|
|
aimed, the Invisible Man countered with the axe, the helmet crumpled
|
|
like paper, and the blow sent the man spinning to the floor at the
|
|
head of the kitchen stairs. But the second policeman, aiming behind
|
|
the axe with his poker, hit something soft that snapped. There was a
|
|
sharp exclamation of pain and then the axe fell to the ground. The
|
|
policeman wiped again at vacancy and hit nothing; he put his foot on
|
|
the axe, and struck again. Then he stood, poker clubbed, listening
|
|
intent for the slightest movement.
|
|
|
|
He heard the dining-room window open, and a quick rush of feet
|
|
within. His companion rolled over and sat up, with the blood
|
|
running down between his eye and ear. "Where is he?" asked the man
|
|
on the floor.
|
|
|
|
"Don't know. I've hit him. He's standing somewhere in the hall.
|
|
Unless he's slipped past you. Doctor Kemp--sir."
|
|
|
|
Pause.
|
|
|
|
"Doctor Kemp," cried the policeman again.
|
|
|
|
The second policeman began struggling to his feet. He stood up.
|
|
Suddenly the faint pad of bare feet on the kitchen stairs could be
|
|
heard. "Yap!" cried the first policeman, and incontinently flung
|
|
his poker. It smashed a little gas bracket.
|
|
|
|
He made as if he would pursue the Invisible Man downstairs. Then he
|
|
throught better of it and stepped into the dining-room.
|
|
|
|
"Doctor Kemp--" he began, and stopped short.
|
|
|
|
"Doctor Kemp's a hero," he said, as his companion looked over his
|
|
shoulder.
|
|
|
|
The dining-room window was wide open, and neither housemaid nor
|
|
Kemp was to be seen.
|
|
|
|
The second policeman's opinion of Kemp was terse and vivid.
|
|
|
|
|
|
|
|
CHAPTER XXVIII
|
|
|
|
THE HUNTER HUNTED
|
|
|
|
|
|
Mr. Heelas, Mr. Kemp's nearest neighbour among the villa holders,
|
|
was asleep in his summer house when the siege of Kemp's house
|
|
began. Mr. Heelas was one of the sturdy minority who refused to
|
|
believe "in all this nonsense" about an Invisible Man. His wife,
|
|
however, as he was subsequently to be reminded, did. He insisted
|
|
upon walking about his garden just as if nothing was the matter,
|
|
and he went to sleep in the afternoon in accordance with the custom
|
|
of years. He slept through the smashing of the windows, and then
|
|
woke up suddenly with a curious persuasion of something wrong. He
|
|
looked across at Kemp's house, rubbed his eyes and looked again.
|
|
Then he put his feet to the ground, and sat listening. He said he
|
|
was damned, but still the strange thing was visible. The house
|
|
looked as though it had been deserted for weeks--after a violent
|
|
riot. Every window was broken, and every window, save those of the
|
|
belvedere study, was blinded by the internal shutters.
|
|
|
|
"I could have sworn it was all right"--he looked at his watch--"twenty
|
|
minutes ago."
|
|
|
|
He became aware of a measured concussion and the clash of glass,
|
|
far away in the distance. And then, as he sat open-mouthed, came a
|
|
still more wonderful thing. The shutters of the drawing-room window
|
|
were flung open violently, and the housemaid in her outdoor hat and
|
|
garments, appeared struggling in a frantic manner to throw up the
|
|
sash. Suddenly a man appeared beside her, helping her--Dr. Kemp!
|
|
In another moment the window was open, and the housemaid was
|
|
struggling out; she pitched forward and vanished among the shrubs.
|
|
Mr. Heelas stood up, exclaiming vaguely and vehemently at all these
|
|
wonderful things. He saw Kemp stand on the sill, spring from the
|
|
window, and reappear almost instantaneously running along a path in
|
|
the shrubbery and stooping as he ran, like a man who evades
|
|
observation. He vanished behind a laburnum, and appeared again
|
|
clambering over a fence that abutted on the open down. In a second
|
|
he had tumbled over and was running at a tremendous pace down the
|
|
slope towards Mr. Heelas.
|
|
|
|
"Lord!" cried Mr. Heelas, struck with an idea; "it's that Invisible
|
|
Man brute! It's right, after all!"
|
|
|
|
With Mr. Heelas to think things like that was to act, and his cook
|
|
watching him from the top window was amazed to see him come pelting
|
|
towards the house at a good nine miles an hour. There was a
|
|
slamming of doors, a ringing of bells, and the voice of Mr. Heelas
|
|
bellowing like a bull. "Shut the doors, shut the windows, shut
|
|
everything!--the Invisible Man is coming!" Instantly the house was
|
|
full of screams and directions, and scurrying feet. He ran himself
|
|
to shut the French windows that opened on the veranda; as he did so
|
|
Kemp's head and shoulders and knee appeared over the edge of the
|
|
garden fence. In another moment Kemp had ploughed through the
|
|
asparagus, and was running across the tennis lawn to the house.
|
|
|
|
"You can't come in," said Mr. Heelas, shutting the bolts. "I'm very
|
|
sorry if he's after you, but you can't come in!"
|
|
|
|
Kemp appeared with a face of terror close to the glass, rapping and
|
|
then shaking frantically at the French window. Then, seeing his
|
|
efforts were useless, he ran along the veranda, vaulted the end,
|
|
and went to hammer at the side door. Then he ran round by the side
|
|
gate to the front of the house, and so into the hill-road. And Mr.
|
|
Heelas staring from his window--a face of horror--had scarcely
|
|
witnessed Kemp vanish, ere the asparagus was being trampled this
|
|
way and that by feet unseen. At that Mr. Heelas fled precipitately
|
|
upstairs, and the rest of the chase is beyond his purview. But as
|
|
he passed the staircase window, he heard the side gate slam.
|
|
|
|
Emerging into the hill-road, Kemp naturally took the downward
|
|
direction, and so it was he came to run in his own person the very
|
|
race he had watched with such a critical eye from the belvedere
|
|
study only four days ago. He ran it well, for a man out of
|
|
training, and though his face was white and wet, his wits were cool
|
|
to the last. He ran with wide strides, and wherever a patch of
|
|
rough ground intervened, wherever there came a patch of raw flints,
|
|
or a bit of broken glass shone dazzling, he crossed it and left the
|
|
bare invisible feet that followed to take what line they would.
|
|
|
|
For the first time in his life Kemp discovered that the hill-road
|
|
was indescribably vast and desolate, and that the beginnings of the
|
|
town far below at the hill foot were strangely remote. Never had
|
|
there been a slower or more painful method of progression that
|
|
running. All the gaunt villas, sleeping in the afternoon sun,
|
|
looked locked and barred; no doubt they were locked and barred--by
|
|
his own orders. But at any rate they might have kept a lookout
|
|
for an eventuality like this! The town was rising up now, the sea
|
|
had dropped out of sight behind it, and people down below were
|
|
stirring. A tram was just arriving at the hill foot. Beyond that
|
|
was the police station. Was that footsteps he heard behind him?
|
|
Spurt.
|
|
|
|
The people below were staring at him, one or two were running, and
|
|
his breath was beginning to saw in his throat. The tram was quite
|
|
near now, and the "Jolly Cricketers" was noisily barring its doors.
|
|
Beyond the tram were posts and heaps of gravel--the drainage
|
|
works. He had a transitory idea of jumping into the tram and
|
|
slamming the doors, and then he resolved to go for the police
|
|
station. In another moment he had passed the door of the "Jolly
|
|
Cricketers," and was in the blistering fag end of the street, with
|
|
human beings about him. The tram driver and his helper--arrested
|
|
by the sight of his furious haste--stood staring with the tram
|
|
horses unhitched. Further on the astonished features of navvies
|
|
appeared above the mounds of gravel.
|
|
|
|
His pace broke a little, and then he heard the swift pad of his
|
|
pursuer, and leapt forward again. "The Invisible Man!" he cried to
|
|
the navvies, with a vague indicative gesture, and by an inspiration
|
|
leapt the excavation and placed a burly group between him and the
|
|
chase. Then abandoning the idea of the police station he turned
|
|
into a little side street, rushed by a greengrocer's cart,
|
|
hesitated for the tenth of a second at the door of a sweetstuff
|
|
shop, and then made for the mouth of an alley that ran back into
|
|
the main Hill Street again. Two or three little children were
|
|
playing here, and shrieked and scattered at his apparition, and
|
|
forthwith doors and windows opened and excited mothers revealed
|
|
their hearts. Out he shot into Hill Street again, three hundred
|
|
yards from the tram-line end, and immediately he became aware of a
|
|
tumultuous vociferation and running people.
|
|
|
|
He glanced up the street towards the hill. Hardly a dozen yards off
|
|
ran a huge navvy, cursing in fragments and slashing viciously with
|
|
a spade, and hard behind him came the tram conductor with his fists
|
|
clenched. Up the street others followed these two, striking and
|
|
shouting. Down towards the town, men and women were running, and he
|
|
noticed clearly one man coming out of a shop-door with a stick in
|
|
his hand. "Spread out! Spread out!" cried some one. Kemp suddenly
|
|
grasped the altered condition of the chase. He stopped, and looked
|
|
round, panting. "He's close here!" he cried. "Form a line across--"
|
|
|
|
He was hit hard under the ear, and went reeling, trying to face
|
|
round towards his unseen antagonist. He just managed to keep his
|
|
feet, and he struck a vain counter in the air. Then he was hit
|
|
again under the jaw, and sprawled headlong on the ground. In
|
|
another moment a knee compressed his diaphragm, and a couple of
|
|
eager hands gripped his throat, but the grip of one was weaker than
|
|
the other; he grasped the wrists, heard a cry of pain from his
|
|
assailant, and then the spade of the navvy came whirling through
|
|
the air above him, and struck something with a dull thud. He felt
|
|
a drop of moisture on his face. The grip at his throat suddenly
|
|
relaxed, and with a convulsive effort, Kemp loosed himself, grasped
|
|
a limp shoulder, and rolled uppermost. He gripped the unseen elbows
|
|
near the ground. "I've got him!" screamed Kemp. "Help! Help--hold!
|
|
He's down! Hold his feet!"
|
|
|
|
In another second there was a simultaneous rush upon the struggle,
|
|
and a stranger coming into the road suddenly might have thought an
|
|
exceptionally savage game of Rugby football was in progress. And
|
|
there was no shouting after Kemp's cry--only a sound of blows
|
|
and feet and heavy breathing.
|
|
|
|
Then came a mighty effort, and the Invisible Man threw off a couple
|
|
of his antagonists and rose to his knees. Kemp clung to him in
|
|
front like a hound to a stag, and a dozen hands gripped, clutched,
|
|
and tore at the Unseen. The tram conductor suddenly got the neck
|
|
and shoulders and lugged him back.
|
|
|
|
Down went the heap of struggling men again and rolled over. There
|
|
was, I am afraid, some savage kicking. Then suddenly a wild scream
|
|
of "Mercy! Mercy!" that died down swiftly to a sound like choking.
|
|
|
|
"Get back, you fools!" cried the muffled voice of Kemp, and there
|
|
was a vigorous shoving back of stalwart forms. "He's hurt, I tell
|
|
you. Stand back!"
|
|
|
|
There was a brief struggle to clear a space, and then the circle of
|
|
eager faces saw the doctor kneeling, as it seemed, fifteen inches
|
|
in the air, and holding invisible arms to the ground. Behind him a
|
|
constable gripped invisible ankles.
|
|
|
|
"Don't you leave go of en," cried the big navvy, holding a
|
|
blood-stained spade; "he's shamming."
|
|
|
|
"He's not shamming," said the doctor, cautiously raising his knee;
|
|
"and I'll hold him." His face was bruised and already going red; he
|
|
spoke thickly because of a bleeding lip. He released one hand and
|
|
seemed to be feeling at the face. "The mouth's all wet," he said.
|
|
And then, "Good God!"
|
|
|
|
He stood up abruptly and then knelt down on the ground by the side
|
|
of the thing unseen. There was a pushing and shuffling, a sound of
|
|
heavy feet as fresh people turned up to increase the pressure of
|
|
the crowd. People now were coming out of the houses. The doors of
|
|
the "Jolly Cricketers" stood suddenly wide open. Very little was said.
|
|
|
|
Kemp felt about, his hand seeming to pass through empty air. "He's
|
|
not breathing," he said, and then, "I can't feel his heart. His
|
|
side--ugh!"
|
|
|
|
Suddenly an old woman, peering under the arm of the big navvy,
|
|
screamed sharply. "Looky there!" she said, and thrust out a
|
|
wrinkled finger.
|
|
|
|
And looking where she pointed, everyone saw, faint and transparent
|
|
as though it was made of glass, so that veins and arteries and
|
|
bones and nerves could be distinguished, the outline of a hand, a
|
|
hand limp and prone. It grew clouded and opaque even as they stared.
|
|
|
|
"Hullo!" cried the constable. "Here's his feet a-showing!"
|
|
|
|
And so, slowly, beginning at his hands and feet and creeping along
|
|
his limbs to the vital centres of his body, that strange change
|
|
continued. It was like the slow spreading of a poison. First came
|
|
the little white nerves, a hazy grey sketch of a limb, then the
|
|
glassy bones and intricate arteries, then the flesh and skin, first
|
|
a faint fogginess, and then growing rapidly dense and opaque.
|
|
Presently they could see his crushed chest and his shoulders, and
|
|
the dim outline of his drawn and battered features.
|
|
|
|
When at last the crowd made way for Kemp to stand erect, there lay,
|
|
naked and pitiful on the ground, the bruised and broken body of a
|
|
young man about thirty. His hair and brow were white--not grey
|
|
with age, but white with the whiteness of albinism--and his eyes
|
|
were like garnets. His hands were clenched, his eyes wide open, and
|
|
his expression was one of anger and dismay.
|
|
|
|
"Cover his face!" said a man. "For Gawd's sake, cover that face!"
|
|
and three little children, pushing forward through the crowd, were
|
|
suddenly twisted round and sent packing off again.
|
|
|
|
Someone brought a sheet from the "Jolly Cricketers," and having
|
|
covered him, they carried him into that house. And there it was, on
|
|
a shabby bed in a tawdry, ill-lighted bedroom, surrounded by a crowd
|
|
of ignorant and excited people, broken and wounded, betrayed and
|
|
unpitied, that Griffin, the first of all men to make himself
|
|
invisible, Griffin, the most gifted physicist the world has ever
|
|
seen, ended in infinite disaster his strange and terrible career.
|
|
|
|
|
|
|
|
THE EPILOGUE
|
|
|
|
|
|
So ends the story of the strange and evil experiments of the
|
|
Invisible Man. And if you would learn more of him you must go to a
|
|
little inn near Port Stowe and talk to the landlord. The sign of
|
|
the inn is an empty board save for a hat and boots, and the name is
|
|
the title of this story. The landlord is a short and corpulent
|
|
little man with a nose of cylindrical proportions, wiry hair, and a
|
|
sporadic rosiness of visage. Drink generously, and he will tell you
|
|
generously of all the things that happened to him after that time,
|
|
and of how the lawyers tried to do him out of the treasure found
|
|
upon him.
|
|
|
|
"When they found they couldn't prove who's money was which, I'm
|
|
blessed," he says, "if they didn't try to make me out a blooming
|
|
treasure trove! Do I _look_ like a Treasure Trove? And then a
|
|
gentleman gave me a guinea a night to tell the story at the Empire
|
|
Music 'All--just to tell 'em in my own words--barring one."
|
|
|
|
And if you want to cut off the flow of his reminiscences abruptly,
|
|
you can always do so by asking if there weren't three manuscript
|
|
books in the story. He admits there were and proceeds to explain,
|
|
with asseverations that everybody thinks _he_ has 'em! But bless you!
|
|
he hasn't. "The Invisible Man it was took 'em off to hide 'em when
|
|
I cut and ran for Port Stowe. It's that Mr. Kemp put people on with
|
|
the idea of _my_ having 'em."
|
|
|
|
And then he subsides into a pensive state, watches you furtively,
|
|
bustles nervously with glasses, and presently leaves the bar.
|
|
|
|
He is a bachelor man--his tastes were ever bachelor, and there
|
|
are no women folk in the house. Outwardly he buttons--it is
|
|
expected of him--but in his more vital privacies, in the matter
|
|
of braces for example, he still turns to string. He conducts his
|
|
house without enterprise, but with eminent decorum. His movements
|
|
are slow, and he is a great thinker. But he has a reputation for
|
|
wisdom and for a respectable parsimony in the village, and his
|
|
knowledge of the roads of the South of England would beat Cobbett.
|
|
|
|
And on Sunday mornings, every Sunday morning, all the year round,
|
|
while he is closed to the outer world, and every night after ten,
|
|
he goes into his bar parlour, bearing a glass of gin faintly tinged
|
|
with water, and having placed this down, he locks the door and
|
|
examines the blinds, and even looks under the table. And then,
|
|
being satisfied of his solitude, he unlocks the cupboard and a box
|
|
in the cupboard and a drawer in that box, and produces three
|
|
volumes bound in brown leather, and places them solemnly in the
|
|
middle of the table. The covers are weather-worn and tinged with an
|
|
algal green--for once they sojourned in a ditch and some of the
|
|
pages have been washed blank by dirty water. The landlord sits down
|
|
in an armchair, fills a long clay pipe slowly--gloating over the
|
|
books the while. Then he pulls one towards him and opens it, and
|
|
begins to study it--turning over the leaves backwards and forwards.
|
|
|
|
His brows are knit and his lips move painfully. "Hex, little two up
|
|
in the air, cross and a fiddle-de-dee. Lord! what a one he was for
|
|
intellect!"
|
|
|
|
Presently he relaxes and leans back, and blinks through his smoke
|
|
across the room at things invisible to other eyes. "Full of
|
|
secrets," he says. "Wonderful secrets!"
|
|
|
|
"Once I get the haul of them--Lord!"
|
|
|
|
"I wouldn't do what _he_ did; I'd just--well!" He pulls at his
|
|
pipe.
|
|
|
|
So he lapses into a dream, the undying wonderful dream of his life.
|
|
And though Kemp has fished unceasingly, no human being save the
|
|
landlord knows those books are there, with the subtle secret of
|
|
invisibility and a dozen other strange secrets written therein.
|
|
And none other will know of them until he dies.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
End of the Project Gutenberg EBook of The Invisible Man, by H.G. Wells
|
|
|
|
*** END OF THE PROJECT GUTENBERG EBOOK THE INVISIBLE MAN ***
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